Burning Sole Switzerland Vinilo y CD

Review: We could all do with a little more love, peace and unity in our life and DJ Tron is happy to oblige on his new one with Luana. The title track is an old school bit of hip hop with huge drum breaks, fills and a sing-along-chorus that's all about the good times. "Soul In Ya Mind" is a deeper and more considered jam with golden era flow and warmer chords, put still plenty of playful stabs and breaks to get you moving. Limited to just 100 copies but in three different colours, this one is sure to shift fast.

Review: We're riveted with excitement when b-boys turn to disco edits. This DJ Tron (Mike Mory) isn't the speedcore artist we all know and love, but rather a lesser-known Swiss Italo and disco collector turned mixer turned deft producer, who took the classic route out from spraying graffiti and rapping into making breaks. 'Cloudburst' is simply one of many 7"s from Tron to hit our shelves this year; the eponymous A-side lands square in the middle of live and electronic, quantizing yet grooving up crisp live-dubbed drums and easy sax. 'Frogs!', meanwhile, brings honking, city montage bass to muddier drummy waters.

Review: Burning Sole sure will have those soles bring with this new 7" from The Getups. Here the band serve up one of their super powerful house funk takes on the hit pop single by Fitz and the Tantrums. The way was guitar twists and turns, the urgent drums hammer away and the warm, funky bass ties it all together. Flip it over for a high speed cop-chase theme from the 60's. 'The Big Noise' is just that. This one is super limited with just 100 copies each on either purple or black vinyl.

Review: As they often like to do, Swiss label Burning Soul are dropping this one as this standard black 7" but also on these pages you will find a limited edition cream version. Either way the tunes are worthy of your attention from Luana. A-side jam 'Buckle Up' rides a judders mid tempo broken beat with funky bass and stepping synth sequences next to more pixelated cosmic keys. The r&b vocal is sleazy and seductive. On the flip is a trick with plenty of attitude from the vocal which is delivered with seance, control and determination. These are two standout cuts that blur the lines between genres to come up with something entirely new.