Crosstown Rebels Vinilo y CD

Review: Dennis Cruz is a tune making machine. The Spaniard turns out plenty of house and tech variations on several notable labels and always manages to find a little freshness with each one. Here he is on Damian Lazarus-owned Crosstown Rebels with a couple of solo cuts but also two collaborations. Opener 'Snake Charmer' has a lead flute moody that will do just that over steamy jungle house beats while 'Time Out' is a stripped back house sound deiced by its huge diva vocals. The collabs are firstly 'Revolution' (feat DJ Holographic) with Lazarus himself, which is a slinky and liquid tech house sound for the dead of night, then a minimal and dark roller with Ian Ludvig.

Review: New to Crosstown Rebels' 12"s encampment is producer HoneyLuv, who impresses on her debut release for the Damian Lazarus-run label with the fresh heat that is 'Right Spot'. Corralling remixes from Dennis Ferrer and Byron The Aquarius, HoneyLuv's palette is watery, polyrhythmic, hip-housey and fast-moving, channelling every smart move from transitional 'wubs' to tambaleironautic drum progressions, which back up the beats firmly, and move so fast that they could probably snap an ossified hipbone if played back loud enough. The track's central vocal is also an original vocal, pleading with the listener that they meet HoneyLuv at the correct rendezvous, aka. the 'spot', in order to catch the right rave-wave.

Review: Jonathan Kaspar returns to Damien Lazarus' Crosstown Rebels for another round of captivating and melodic techno by way of his latest EP 'We Come'. Already having graced the discographic annals of Cocoon and Kompakt, Kaspar's sound is now well established; his pushes and pulls adeptly between big room, dubby trance and broken-down electro and house, never quite placeable in the intermediary spaces between them. One could call it progressive house, but that would be underselling it; 'Flash Point' is the highlight here and the case in point, making masterful use of ducking and distortion to really flesh out the central syncopated stab as a focal point of the track. Nor should Paul Brenning's version of 'Transposed Sky' be missed for a second.

Review: Compost regular Lalou makes the move to Crosstown Rebels for this full-bodied workout which draws on the producer's affinity for soulful house with an anthemic hook, resulting in a vocal-led showstopper that feels classic and contemporary all at once. 'Now I See' has a sheen in its production, but the composition and arrangement is steeped in the warmth of proper song craft - a big room house track for the ages. 'Monday To Sunday' is a moodier affair with snarling synth lines featuring Kamohelo - perfect for when you want to edge some intensity into a peak time set.

Review: Damian Lazarus's Crosstown Rebels label has ridden out many different waves of popular sounds and always remained relevant. Right now it looks to Made By Pete for a new 12" that has a gritty, low slung and sleazy tech house vibe. 'Fires' has menacing basslines and steamy vocalisations that make for an unsettling mood. UK tech house titan Bushwacka! then remixes with his signature sense of drive thou with slithy more deep and pensive pads than usual. A dub mix is also included as is a rework from Victor Calderone & Mykol that is full of late night mischief.

Review: The left of centre musical universe of Crosstown Rebels ushers in this lively new EP from Oceanvs Orientalis. 'Neutrality' features on the A-side and is a spiritual fusion of steely tech house beats and spine tingling chords, angelic distant vocals and lots of loose percussion all with a slightly psychedelic feel. On the flip is a Nick Curly remix which pairs whitings back and settles the beats into one of his signature tech house frameworks with hooky little pads and late night allure. Good stuff.

Review: Crosstown Rebels continues its spell of dance albums releases with a fresh one from Oceanvs Orientalis (Safak Oz Kutle), Portrait Of The Obscure. After three superb singles on the label over the past four months, this nine-track LP offers a comprehensive exploration of the Istanbul-based talent's rich, globally-infused, captivating sound. As if to bottle the essence of the awe of travel, either everyday-real or astral - and the personal developments and realizations that come of it - onto a single record, Portrait Of The Obscure skirts the possible limits of progressive dance, fleshing out a talent for layering that we'd wager many artists only ten years or so ago would've thought impossible. Just listen to the hullabaloo that is 'Neutrality'; despite the name, it's hardly neutral at all, coming as an immense positivisation of moving parts and godlike sonic entities, which sound to dance around a central kick axis, one that we're surprised Oceanvs was still able to fit into the mix.

Review: The long-running and always quietly assured Crosstown Rebels kicks off yet another new year with some deep offerings from Oceanvs Orientalis featuring Idil Mese. 'Heart Pieces' is a delightful coming together of organic trumpets and loose percussion with a languid house groove, funky little riffs and heavenly vocal coos. The Mustafa Ismaeel remix brings some grit to proceedings for more of a club-ready sound and then Ibiza-based Leeds man Nightmares On Wax offers his typically laidback and sun-kissed take on things with a deep one to start and a dubby once to finish.

Review: Crosstown Rebels is by now one of the wise old head of the electronic underground. Damian Lazarus has steered it through many hype sounds but always managed to keep it on point. Making sure that is the case again here are Oceanvs Orientalis and Tooker who combine for 'Il Lupo.' It's a slow motion and subversive dub house sound warped synths and ghoulish vocals panning about the mix. On the flip, Acid Pauli remixes with his signature sense of deft sound design and trippy melodic overtones.

Review: Harry Romero returns to Crosstown Rebels as he links with vocalist Shyam P for 'Mind Games'. With a catalogue as rich as any and continuing at the top of his game two decades after his emergence within New York's fabled nightlife scene, Romero continues to serve up his own take of Latin-inspired and percussive-driven house music via a long list of the industry's leading imprints. Crafting a slick and heady groove before launching into a hypnotic haze accenting by a bubbling bassline, 'Mind Games' is an infectious and vibrant house cut as Shyam P's alluring vocals take hold amongst emotive builds and breaks. 'Mira', after, is a classic Romero offering as the focus shifts to crisp organic percussion arrangements, carnival-esque whistles and hooky Latin vocals for a bustling terrace number, before 'Analog Bugz' takes cues from its title as crisp drum shots and sharp stabs unite to create a no-nonsense builder made for the main room.

Review: Designed with a dual purpose - setting the label's agenda for the year ahead and introducing new signings - Crosstown Rebels' SPIRITS series has long been a must-check source of dependable tech-house tracks. Naturally, there's plenty of highlights to be found across this sixth annual edition. Our current favourites including the throbbing, percussion-rich, big room tech-house excellence of 'The Vision' by Cameron Jack; the acid-fired heaviness of Lauren Lane's 'Fair Game', with its wobbly sub-bass and echoing Latin drum hits; the crackling, mind-mangling tech-house psychedelia of 'So Deep' by Cristina Lazic and Leia Contois; and the fiendishly bass-heavy tribal-tech wonder that is Inigo Vontier's accurately titled 'That Trippy Sound'.