Far Out Vinilo y CD

Review: The worldly wide Far Our label turns its attention to some fascinating house sounds from Ivan Mamao Conti. "Katmandu" is all bendy bass and tropical drums, steamy humidity and sensuous synths. Pablo Valentino flips it into warm and jazzy number for cosy basement clubs that harks back to the 90s, and Jazzanova then layer in plenty of the golden instrumentals and key playing that makes the music come alive. The closing remix is all Moodymann vibes with its rough kicks and claps, funk bass and lived-in aesthetic. This is classy house music from front to back.

Review: We owe a lot to Toni Mazzotti, the son of Ana Mazzotti, for this one as it is apparently he who unearthed his mother's 'O Filho Do Homem' single. It is thought to have been recorded by the late Brazilian composer and keyboardist in Brazil in 1983 and is the only thing she recorded in the eighties. It is one of many unreleased tunes the great musician played on TV Cultura and Programa MPB during the 80s. Each show proved her skills as she moved into the more hard edge and experimental sounds while always staying true to her roots in jazz, samba and funk.

Review: Hermeto Pascoal is more than a musical maverick, he is a cultural icon. The composer, multi-instrumentalist and arranger with a wizard-like appearance was described once by the great Miles Davis as 'the most impressive musician in the world'. The Brazilian fusion great was known for his fiery live sets and is just as thrilling on record as this one proves. All the tracks are originals with a loud flurry of piano and 60s big band horn chants, cool electric keys and mind-blowing fusion sounds all making for exciting music that is thrilling to listen to and utterly unconventional.

Review: With this CD edition to complement the main LP reissue, we're once again met with the beauteous multi-instrumental talents of Agustin Pereyra Lucena, Argentina's finest. His self-titled debut record from 1970 is quite literally a 'bossa nova' (direct translation, 'novel swelling', 'new upswell'), doing justice to the genre name with a dialectical, pioneering regional take on already-established styles like samba and the aforementioned, informed by his outsider status as an Argentinian looking in on Brazil. Atypical for its time, Agustin's guitar playing never quite settles into any looping riff, instead revelling in free-associative improvs and overdubs of the crispest quality, both low and high in pitch range.

Review: Ricardo Bomba was not only a studio owner, engineer, pianist and composer, but so too was he an accomplished amateur skateboarder. He lay down these previously unreleased, sun soaked Brazilian tunes in 1978 after years as bandleader with the one and only Jorge Ben's live show. The master tapes were said to have been binned during a heavy studio clear out but the man himself kept a tape copy that has been remastered for this special 7". Mariana Couto provides the angelic vocals while the music all trills with joy and happiness.