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Jomox

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Jomox Alpha Base Analog Drum Synthesizer
Cat: 648368 Rel: 09 Nov 17
 
Versatile analog drum machine
Notes: A modern classic. Analogue-focused drum machine with a few nice digital features for good measure. Proper weighty sound and huge sound-sculpting options for live or studio use.

Supplier's notes:
True analogue. Eleven instruments. Sequencer. MIDI/USB/SD-Card. Samples. Sampling inputs. Balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years - they've simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox have ever built.
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MRP:$1,997.10 SAVE 18%
 3 in stock $1,639.85
FORTHCOMING
Jomox ModBase 09 MkII Bass Drum Module
Jomox ModBase 09 MkII Bass Drum Module (bass drum synth module)
Cat: 795617 Rel: 31 Jan 21
 
Bass drum module
Notes: The mightiest Bass Drum - MK II

Tune Varies the pitch envelope of the VCO

Pitch Basses as low as 10Hz reach up to 175Hz

Decay Up to 2 sec

Harmonics Enrichment of harmonics of the VCO - for the hardest kick drums on planet earth

Pulse Change of the pure pulse part of the attack - gate time affects this parameter also

Noise Change of the pure noise part of the attack - gate time affects this parameter also

Attack Level of the mixing of Pulse and Attack

EQ Filters the bass drum with a low pass filter - for soft and 808ish kick drums

Gate T Varies the gate time from 0.1ms to 16ms

Compr Compression of decaying envelope - for slim and clicky kicks and all the depth that is needed

MetNze Metalized noise. A complex digital multitone pattern of 499 different combinations feeds the attack noise

CV1-CV4 can route the external 0-5V CV signals to any of the above parameters including LFOs. Also negative amounts are processed.

LIN.FM This is a true analog dedicated CV FM modulation input for the bass drum VCO. It only works linear-wise and does not offer musical semitones across the CV scale.

ACC This is a CV input for the kick drum accent / velocity. This input may also trigger the kick drum dynamically if the ACC trigger mode is set and the sequencer is able to generate dynamic pulses.

LFO The ModBase 09 has 2 LFOs that work on the pitch of the bass drum. The LFO always starts syncronous to the gate trigger.

The wave forms are: saw up, saw down, sine+/-, triangle+/-, rectangle+/- and portions of it.

MIDI The midi controllers of this module are identical to the Alpha Base/XBASE999/MBase11. All parameters including LFOs can be remotely controlled by Midi CCs.

Bus Env Is the programmable level of the audio out signal from the bus on the back mixed to the Kick Drum VCA envelope. Works with experimental Jayemsonic modules.

140 mA +12V
80 mA -12V
0 mA 5V
53 mm deep
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MRP:$432.71 SAVE 17%
coming soon $360.58
Jomox T-Rackonizer Filter Matrix Module
Cat: 589202 Rel: 29 Sep 16
 
Eurorack complex time-woven filter matrix
Notes: The T-Rackonizer transforms timely events into an analog feedbacked filter network.

The T-Rackonizer is the eurorack successor of our very sucessful T-Resonator which did very well over the past 7 years. It has been the least possible implementation of the former experimental filter network synthesizer called „Resonator Neuronium". The number of 6 nodes had been reduced to only two filter nodes - but still this structure offers a tremendous variety of sounds. The module contains 2 analog T-ladder moog-like filters and a digital delay. Not only can these two filters being controlled by cutoff and resonance - they can be feedbacked negatively or positively to itself or even across the partner filter by the mix knobs. Also they can be feedbacked across a digital delay/reverb chip which is literally woven into the signal path.

On the T-Rackonizer, the feedback and cutoff controls can be CV-controlled. Once you insert a CV cable into the CV jacks, the corresponding internal control knob (e. g. Cutoff) acts as an amount to the external CV. Without CV input, the control knobs work across the internal range. The filters are made from discreete parts and form a 24 dB pole lowpass filter transistor cascade. You can select 8 different algorithms, each with different delays, wave guides or structures and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm. These capabilities let you create evolving analog tape echoes, "klingon parties" by extremely feedbacked wave guide algorithm and much more. By the analog feedback everything sounds organic. The screaming analog feedbacks can delay themselves and thereby form new sound patterns. The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

Incredible bass gains or screaming scratch sounds are no problem. Positive feedbacks create distorting bass enhancements or low feedback tones without applying a signal. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. The external CV inputs work from 0 to 5 volts. At maximum amount (corresponding control knob open fully clockwise), a voltage of 2.5 volts represents the center position of the control. This is very useful for usage with most of the external CV sequencers available. The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.
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MRP:$386.11 SAVE 21%
 2 in stock $306.22
Jomox T-Resonator MkII Filter Box
Cat: 458808 Rel: 25 Jul 12
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
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MRP:$352.82 SAVE 25%
 1 in stock $264.06
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