Joyful Noise US Vinilo y CD

Review: Let's face it, 19 albums is a lot by anyone's standards. As such, Deerhoof's 19th long player should be a cause for celebration and praise even before we dive into the incredibly high standards they're once again setting. Appreciation shown, let's get to the nitty gritty of the Miracle Level, an eccentric, unpredictable, and resolutely non-conformist record which - by those definitions - is everything Deerhoof are about.
Blending avant-garde pop, noise, garage, experimental art rock and some stuff we can't really describe, this latest outing is a curious beast indeed. Breaking from their English-speaking past, Satomi Matsuzaki's Japanese vocals only add to the playful atmosphere coursing through the very veins of this effort, naive and innocent, either contrasting the cacophonies and crashes of the most furious moments, or accentuating the calm and delicate movements. Surreal but amazing stuff.

Review: Australian art-punk combo Tropical Fuck Storm bring the weird and wonderful to this new album on Joyful Noise. Submersive Behaviour is a new type of take on the well worn cover album concept. The band put all their energy into 36 minutes of mental reworks of epic classics by legends like Jimi Hendrix, Middle Aged in the Middle East in the Middle Ages, Men Men Menstruation and The Stooges. Friends and collaborators such as Dan Kelly, the Bard of Beenleigh and Aaron Cupples all get involved to add to the carnage.

Review: A collaborative EP between 2 Australian rock giants, this limited one-sided collectors disc comprises the 19 minutes long 'Satanic Slumber Party' split into three sections. 'The Chairman's Portrait' intro is a dark, heavily distorted spoken-word piece backed by dark rumbling guitars that explodes into the head-banging electronic banger 'Midnight in Sodom'. The angry lyrics are paired with awesome melodic guitar solos and chiptune noises, before shifting into noise rock territory. 'Hoof and Horn' takes up most of the runtime at a hefty 12 minutes, in which ambient drone begets experimental sound effects that are reminiscent of the liquid bass and synths favoured by producer SOPHIE. The track evolves into a demonic lullaby that wouldn't feel out of place in an episode of American Horror Story, and fans of 2 Mello's 'Atmospheric Horror Music Vol.1' will greatly appreciate this track. The EP is all-in-all a camp experience. An Avante-Garde, quintessentially fun blend of two incredible groups.