Review: It's quite remarkable just how much quality Ben Sims has managed to pack into the Tribology mix and its accompanying series of vinyl samplers. The fifth round shows no signs of going soft as it leads in with the sledgehammer thump of Marcel Fengler's "Cortex", showing the Berghain resident to be on formidable form. Alienata shakes things up with the slick yet sinister electro strains of "The 8th Passenger", and James Ruskin lands some heavy blows with the delirious synth cycles of "TZR". Psyk finishes things off in his signature style, looping up some nervy blips and bleeps around a restrained set of drums for the ultimate in techno hypnotism.
Review: The fourth sampler from Ben Sims' mammoth Tribology mix features another four of the must-have exclusives from this crucial document of contemporary techno. Function leads the way with "Introversion", a spooky and sleekly designed deep driver marked out by thin slithers of displaced vocal. Tripeo plays the opposite tact with a bright and bold synth hook front and centre of the mix on "Sequoia", and then Truncate trickles down a pattering array of drum machine rhythms and fluttering melodic chimes on the stunning "Rings." Blasha & Allatt bring the tough stuff to the B2 with the jacked up energy of "Broughton 93" - their debut appearance no less and a very strong one at that.
Review: The third sampler from Ben Sims' barnstorming Machine mix compilation presents another four cuts of militant, unrelenting techno from some of the finest operators in the field. Oscar Mulero heads up the A side with the spacious, ominous march of "The Calling," which contrasts sharply with the jacked up, tense energy of "Distorted Logic" by O Aka Phase. Tasha's "In The Zone" kicks of the B side in a head-spinning loop of rasping drums and disorienting layers, and then Sims himself rounds off the record with the poised and deadly "Drop Out." If you're after a potent collection of chiseled techno bombs guaranteed to do the business, then look no further.
Review: Born out of the prominent London techno night with the same name, the Machine label launches in style with the Tribology compilation mixed by label and party co-founder Ben Sims, a lynchpin of the British techno scene. This first sampler from the exclusives-packed mix sees an all star cast offering up their hard-hitting wares in uncut form. Planetary Assault Systems is on searing form with "The Grinder" while Mark Broom's "The Peak" pings all kinds of raucous, discordant synth lines around the mix. Damon Wild has a more paranoid tint to his own fist-shaking banger, and Insolate rounds the record off with the stealthy, strafing tones of "Strike".
Review: Ben Sims and Kirk DeGiorgio need no introduction, but the Machine label, now at its second release, does. The two inaugurated the imprint last year with the Machine Theme EP, which saw the two supply a track each, while Sims remixed Degiorgio. The second EP mirrors the first, only Degiorgio returns the favour by reworking Sims "Strike", turning a bouncy and peak time production into something deep and hypnotic. Degiorgio then turns the EP on its head by providing the Daft Punk and anime soundtrack-sounding "Guardian Angel".
Robert Hood - "Gun Talk" (Ben Sims JFF edit) (5:28)
ROD - "Embase" (5:35)
Review: Ben Sims' Machine mix is loaded with exclusive gems which get a full-fat airing on this series of samplers. After a strong first round, another four crucial cuts from the heavyweight end of Sims' contact list get packed onto one highly desirable 12". First up is Berlin mainstay Steffi, who threads a hypnotic array of rhythmic elements together into the deep but energising "Gentle Uplift". Jeroen Search then edges the record a little further into the depths with the loopy, sonar bleep immersion of "Ostinato Pattern." Robert Hood's snarling, muscular "Gun Talk" gets the edit treatment from Sims himself, and then the record rounds off with the pumping stabs and irrepressible funk of ROD's "Embase".