Miss You Germany Vinilo y CD

Review: Miss You's latest missive takes us back to 1979 and the sole single from Italian singer Angela - a previously 7" only affair that made limited impact outside of Italy on its initial release. Lead cut 'Teneremante' is a typically colourful and camp Italian translation of disco, whose over-the-top excellence and bold lead vocal from Angela have an endearing 'easy listening era singer does disco' vibe. Musically, it soars, with the addition of lo-fi but spacey synth sounds (alongside classic disco orchestration) making it sound a bit more eccentric than it actually is. Original flip side 'Angela E Cosi' is a more suspenseful, low-slung affair built around a slower and headier groove, AOR disco instrumentation and another soaring vocal from Angela.

Review: If you like sensuous and slow motion grooves with hints of dub, reggae and disco all packaged up in super bawdy soul then look no further - this new 12" features a pair of singles that were first put out on 7" by Risco Connection's Otis Gayle. Up first is the glorious 'Sexy Eyes' which was a worldwide charting success and Dr Hook now brings new reggae vibes to his cover version, then on the flip is Domenic Troiano's 'We All Need Love', again with a mix of dubby disco and reggae stylings that have been draw out into extended format to make for a more lasting impact on the dancefloor.

Review: Sound Metaphors offshoot Miss You has been particularly astute at licensing and reissuing long-forgotten European disco gems. They've found another unknown classic here in the shape of two gorgeously string-laden 1977 disco covers of Andalucian folk songs by singing sisters Las Dablas, both of which originally appeared on the same Spanish seven-inch. 'Zorongo' is authentic-sounding, faintly threatening disco rich in heady Clavinet motifs, soaring orchestration, low-slung 'walking bass' and sprightly piano stabs, while 'Solo Y Sin Problemas' is a slightly funkier and sweeter slab of mid-tempo disco. Best of all, though, is the new 'No End Extension' - a breathlessly brilliant, dub disco-flecked revision that teases out the instrumental sections before finally dropping the sibling duo's lead vocals.

Review: Regarded as "one of reggae's quietest superstars", Jackie Mittoo aka. "The Keyboard King" carved a remarkable path in reggae music. A protege of Sly Stone, he began his career as part of Studio One's in-house recording band, and later went on to work with artists such as Bob Marley, UB40, Barry White, Peter Tosh and Oscar Peterson. This album was the result of a rare occasion of being on tour in Africa and establishing musical connections with musicians from Ghana; it was recorded in Accra and mixed in London. Predominantly instrumental, In Africa is essential to any dub-conscientious record collection, as it culminates the career of a reggae legend under new influences in West Africa, resulting in an unmistakably characteristic modern dub sound. Reissued on vinyl with remixes previously only availably on CD format.

Review: Earlier in the year, Miss You offered up a first ever 12-inch pressing of Patrizia Pellegrino obscurity 'Il Mondo Da Una Nuvola', an obscure Italo-disco B-side that they backed with their own tastefully executed extended mix. Here they repeat the trick with one of the Italian singer and actress's earlier B-sides, 1982 gem 'Musica Spaziale'. In its original form (track one), the song is a throbbing, heavily electronic chunk of infectious Italo-disco excellence topped off with a decidedly cosmic lead vocal from Pellegrino. It comes backed with a suitably moody, chugging and even more musically expansive 'Extended Mix', and a fine TB-303-laden Italo-meets-acid revision courtesy of the cheekily monikered 'DJ Asshole'. Space disco for the win!

Review: Way back in 1983, American musician Chris McCaa assembled a band and recorded one single as the Redhots - a dewy-eyed, AOR-leading Balearic ballad called 'If I Had To Say Goodbye'. At the time, McCaa slapped it on a 7", alongside the Brazilian-influenced jazz-funk sunshine of 'Bahama Rama' (another gorgeous, largely unknown gem), and released it himself. Mercifiully, it has been saved from obscurity (and eye-watering second-hand prices) by MISS YOU, who have decided to issue it on 12" for the first time. We get freshly remastered versions of both original tracks, alongside a gorgeous extended edit - created specifically with this release in mind - which ups the Balearic factor considerably. The resultant light-touch revision sounds like Chris Rea's Balearic classic 'Josephine', only miles better.