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Morr Music Germany Vinilo y CD

Browse the latest Vinyl & CD releases on Morr Music Germany
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Artículos del 1 al 34 de 34 en la página 1 de 1
Kajak
Kajak (LP)
Cat: MM 74. Rel: 23 Jan 07
 
Rock (All)
Egisa
Brekkan
Snjorljossnjor
Sorgartar
Solaheyhola
Regngalsinn
Stoffer
Abbastufur
Alorei
Sex Eda Sujo
Monako
Eg A Bat
Review: Benni Hemm Hemm's second album "Kajak" was written within a few concentrated weeks. The recordings in Sundlaugin, the studio of Sigur Rós, were also done within only four days. During four magical days eleven musicians recorded thirteen vibrating tracks. With kettledrums and trumpets, with guitars, trombones and a glockenspiel. He is 26 years young, and his self-titled debut-album was elected as best album of the year 2005.
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out of stock $12.72
Kajak
Kajak (CD)
Cat: MM 74CD. Rel: 20 Jan 07
 
Rock (All)
Skuavars
Brekkan
Snjorljossnjor
Sorgartar
Solaheyhola
Regngalsinn
Stoffer
Abbastufur
Aldrei
Sex Eda Sjo
Monako
Eg A Bat
Egisa
Review: Benni Hemm Hemm's second album "Kajak" was written within a few concentrated weeks. The recordings in Sundlaugin, the studio of Sigur Rós, were also done within only four days. During four magical days eleven musicians recorded thirteen vibrating tracks. With kettledrums and trumpets, with guitars, trombones and a glockenspiel. He is 26 years young, and his self-titled debut-album was elected as best album of the year 2005.
Read more
out of stock $12.72
Benni Hemm Hemm
Cat: MORR/HANDSHAKE 002CD. Rel: 17 Aug 06
 
Balearic/Downtempo
Beginning End
Beygia Og Beygia
The Doom Ed The Damned
Fight
I Can Love You In A Whelelchair Baby
Ku Ui Po
Labbi
Sumarnott
Til Eru Gra
Sweat In The Sunshine
Gitstermin
Beginning End
Review: Music from the heart. From an island called Iceland. A record that wants to boil over because of all its energy, lust and sometimes also funniness. A record, equally peculiar as idiosyncratic. As the pot is that huge 26-year-old Benni Hemm Hemm throws all possible ingredients in. And it is that peculiar as all the different ingredients do not spoil the paste in the end. It's a little big band with little big songs. The greatest of them takes only 2 minutes and 58 seconds: "Beygja Og Beygja". To name all the different influences of the record would be similarly pointless as necessary: First there is this austere, shining sound of the Icelandic language ("Til Eru Fræ"). There is further the likeable pureness of three accords, of the direct folk-song "I can love you in a wheelchair, Baby", there is the prairie's melancholy, the howling steel-guitar ("Fight"). And there is finally the overwhelming joy of playing of so called Balkan-Folk. It is said that the latter shall not be that different to some traditional songs from Iceland. There is the emphatic brass section of Northern Soul. And, last but not least, there is a Benni Hemm Hemm who holds all that together, who once is the inward, suffering man, the passionate narrator, and then the crafty entertainer. There are real, honest love-songs on this album. And there are songs one simply has to love. The tracks of this album were written during a stay in Italy lasting several months. Maybe it was this new, distanced perspective on usual correlations and interrelations has contributed to the casual complexity of this debut-album. A debut-album, by the way, that was awarded as the best album of the island state on the occasion of the Icelandic Music Awards. Besides, Benni Hemm Hemm and his band were elected as the best newcomer. In September 2005 the record was released on the small label Smákökurnar, based in the Icelandic capital Reykjavik for a first time. Now it is re-released on Sound of a Handshake, Morr Music's small, curious sister. A new home for an album that will grow with each time one listens to it. Equally as Benni Hemm Hemm's band changes with each concert. In the centre there is Benni with his fervour, a mischievous smile, his acoustic guitar and his arrangements. Around him there are guitars, glockenspiel and the brass section. Around him there are raging waves and a deep, pure sea. You should listen to this record loudly. And often, but you will find that out by yourself anyway.
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out of stock $13.79
Summer Kling
Cat: MM 070L. Rel: 14 Sep 06
 
Balearic/Downtempo
Koffer
Binsen & Bast
Land Ab
Flosse
Haus & Halm
Luftchen
Halbton
Zum Luftchen
Lilli
Koffer Dill
Sicht
Flocke
Wurf
Walde
Zu Walde
Drehlicht
Review: FS Blumm likes to get on his camping van with his guitar, drives to the south and writes his tracks on the bench in the back. On the road, in the tent, when it's raining, between barking dogs, beneath a blue sky, getting ready to jump into the sea. Before, FS Blumm has immersed himself in Berlin, in the big city, where one can see and listen to the things the other people in the other cities make up. FS Blumm absorbs everything and takes it with him. On his way the input transforms into an output. From a distance one sees more clearly. FS Blumm finds melodies, atmospheres and within the quiet the atmospheres do find him. Back in Berlin FS Blumm invites friends to his place. They bring their instruments: a bass clarinet, a trumpet, a trombone, a flute and they go in a chamber facing the back, where no tram can disturb them, where instrument and microphone can cuddle up in each other. Again, it has become familiar: barefooted steps on the wooden floor, the breath stays audible, transparent. String instruments ensnare harmonies and in peaceful familiarity the wind section lays on top of the crest of a wave. In soft lines. The album's title "Summer Kling" shall be understood as an encouragement of a sound producer as well as - in a deliberate confusion of the English word - document the attempt to write a summery album. In its circumspect opulence of sounds and noises "Summer Kling" has become a late summery record. FS Blumm moves backwards from autumn. And he is gradually gaining speed. "Flosse", for instance, is a song in a special mood, a song that is setting off. A sunrise maybe, when the day begins to broaden in a still silent way. Just as people meet each other, the instruments do join, too. Together they ensnare the one and delicate melody. Chamber folk, one could call it. From serious to easy and backward.
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out of stock $12.72
Summer Kling
Cat: MM 070CD. Rel: 15 Sep 06
 
Balearic/Downtempo
Koffer
Binsen & Bast
Land Ab
Flosse
Haus & Halm
Luftchen
Halbton
Zum Luftchen
Lilli
Koffer Dill
Sicht
Flocke
Wurf
Walde
Zu Walde
Drehlicht
Review: FS Blumm likes to get on his camping van with his guitar, drives to the south and writes his tracks on the bench in the back. On the road, in the tent, when it's raining, between barking dogs, beneath a blue sky, getting ready to jump into the sea. Before, FS Blumm has immersed himself in Berlin, in the big city, where one can see and listen to the things the other people in the other cities make up. FS Blumm absorbs everything and takes it with him. On his way the input transforms into an output. From a distance one sees more clearly. FS Blumm finds melodies, atmospheres and within the quiet the atmospheres do find him. Back in Berlin FS Blumm invites friends to his place. They bring their instruments: a bass clarinet, a trumpet, a trombone, a flute and they go in a chamber facing the back, where no tram can disturb them, where instrument and microphone can cuddle up in each other. Again, it has become familiar: barefooted steps on the wooden floor, the breath stays audible, transparent. String instruments ensnare harmonies and in peaceful familiarity the wind section lays on top of the crest of a wave. In soft lines. The album's title "Summer Kling" shall be understood as an encouragement of a sound producer as well as - in a deliberate confusion of the English word - document the attempt to write a summery album. In its circumspect opulence of sounds and noises "Summer Kling" has become a late summery record. FS Blumm moves backwards from autumn. And he is gradually gaining speed. "Flosse", for instance, is a song in a special mood, a song that is setting off. A sunrise maybe, when the day begins to broaden in a still silent way. Just as people meet each other, the instruments do join, too. Together they ensnare the one and delicate melody. Chamber folk, one could call it. From serious to easy and backward.
Read more
out of stock $12.72
Separate Chambers
Cat: MM 72LP. Rel: 09 Nov 06
 
Balearic/Downtempo
Good To Know
Unhelpful
Before
Say Cheese
Bluebottle
Florida/Lay-By
Centipede
Number Me
Concrete Sleepers
No One Below
I Can Wait
Review: The noise of fingertips on guitar strings. The sonorous feedback of a humbucking coil. The swinging reverb echo of a valve-driven amplifier. That is what makes the beginning of "Separate Chambers". Their most melancholy record - "Separate Chambers" has become their most light-footed one. A swinging nonchalance, that invites to dance on a springy wooden ceiling in an old gym while the evening sun blinks through the windows. Four people and their instruments. And the space that connects them fills itself with the atmospheres and sounds. But at the end of the day everything is melody. "Separate Chambers" was recorded at different places in and around Berlin. Mostly together with Norman Nitzsche (Mina, NMFarner), who also mixed and mastered the album. Occasionally with Andreas Haberl (Jersey) on the drums and with Tobias Hett playing the violin.
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out of stock $12.72
Separate Chambers
Cat: MM 72CD. Rel: 09 Nov 06
 
Balearic/Downtempo
Good To Know
Unhelpful
Before
Say Cheese
Bluebottle
Flordia/Lay By
Centipede
Number Me
Concrete Sleepers
No One Below
A Can Wait
Review: The noise of fingertips on guitar strings. The sonorous feedback of a humbucking coil. The swinging reverb echo of a valve-driven amplifier. That is what makes the beginning of "Separate Chambers". Their most melancholy record - "Separate Chambers" has become their most light-footed one. A swinging nonchalance, that invites to dance on a springy wooden ceiling in an old gym while the evening sun blinks through the windows. Four people and their instruments. And the space that connects them fills itself with the atmospheres and sounds. But at the end of the day everything is melody. "Separate Chambers" was recorded at different places in and around Berlin. Mostly together with Norman Nitzsche (Mina, NMFarner), who also mixed and mastered the album. Occasionally with Andreas Haberl (Jersey) on the drums and with Tobias Hett playing the violin.
Read more
out of stock $12.72
Figur 5
Figur 5 (CD)
Cat: MM 67CD. Rel: 01 Jun 06
 
Post Rock/Experimental
Gegen Alles Bereit
Zwei Streifen Im Blau
Alles Sagt Ja
Blinde Zeichen
Position: Wieder Eins
Grosse Verzogerung
Manchmal Immer Wieder
Einhangen Und Positiver
Lasst Nicht Nach
Review: Although it's taken a few albums to get there, German four-piece Couch have finally ended up at their spiritual home of Morr Music for new release 'Figur 5'. The fifth LP in their eleven-year career sees Couch cementing the sound which defined their earlier releases; wherein a sanded-down take on post-rock is filtered through a spectrum of styles and influences to produce a concentrated batch of brittle instrumentation. The kind of post-rock that gets you stomping around town with visions of scarred skies and epoch-lashed vistas, 'Figur 5' sees Couch - MS John Soda's Stefanie Bohm (keyboards), Thomas Geltinger (drums), Michael Heilrath (bass) and Jurgen Soder (guitar) - fizzing with a renewed energy that invites comparisons with the likes of Mogwai and Explosions In The Sky (albeit viewed through a Slowdive affiliated kaleidoscope...) Although sharing members with the delectable Ms. John Soda, Couch boast a much brusquer sound that (whilst certainly of the same lineage) chooses to leave the creases on show and shun the electronically sanded oeuvre of the Soda. Opening with 'Gegen Alles' Bereit', Couch somersault skywards on a swirling coalition of chiming guitars, 50ft atmospherics and joyous solipsism - wherein the cinematic genre-tag looming loud and proud, before 'Zwei Streifen In Blau' successfully plumbs a similar aural-well to that of Radiohead's 'Kid A', 'Blinde Zeichen' ups the digitalis for a striking fusion of machines and instrumentation, whilst album closer 'Lässt Nicht Nach' delivers a reedy (yet muscular) blast of soft-hearted polemic.
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out of stock $7.42
Figur 5
Figur 5 (LP)
Cat: MM 67LP. Rel: 01 Jun 06
 
Post Rock/Experimental
Gegen Alles Bereit
Zwei Streifen I'm Blau
Alles Sagt Ja
Blinde Zeichen
Position Wieder Eins
Grobe Verzogerung
Manchmal Immer Wieder
Einhangen Und Positiver
Lasst Nicht Nach
Review: Although it's taken a few albums to get there, German four-piece Couch have finally ended up at their spiritual home of Morr Music for new release 'Figur 5'. The fifth LP in their eleven-year career sees Couch cementing the sound which defined their earlier releases; wherein a sanded-down take on post-rock is filtered through a spectrum of styles and influences to produce a concentrated batch of brittle instrumentation. The kind of post-rock that gets you stomping around town with visions of scarred skies and epoch-lashed vistas, 'Figur 5' sees Couch - MS John Soda's Stefanie Bohm (keyboards), Thomas Geltinger (drums), Michael Heilrath (bass) and Jurgen Soder (guitar) - fizzing with a renewed energy that invites comparisons with the likes of Mogwai and Explosions In The Sky (albeit viewed through a Slowdive affiliated kaleidoscope...) Although sharing members with the delectable Ms. John Soda, Couch boast a much brusquer sound that (whilst certainly of the same lineage) chooses to leave the creases on show and shun the electronically sanded oeuvre of the Soda. Opening with 'Gegen Alles' Bereit', Couch somersault skywards on a swirling coalition of chiming guitars, 50ft atmospherics and joyous solipsism - wherein the cinematic genre-tag looming loud and proud, before 'Zwei Streifen In Blau' successfully plumbs a similar aural-well to that of Radiohead's 'Kid A', 'Blinde Zeichen' ups the digitalis for a striking fusion of machines and instrumentation, whilst album closer 'Lässt Nicht Nach' delivers a reedy (yet muscular) blast of soft-hearted polemic.
Read more
out of stock $10.60
Away
Away (CD)
Cat: MORR 179CD. Rel: 06 Sep 21
 
Experimental/Electronic
Shell
Moonlight
Connect
From The Window
No Common
Hiding
Bridge
Fleeting Feeling
I Made Something
A Sense Of Dread
Review: Having been particularly productive during last year's various pandemic lockdowns, Jimmy Tamberello has decided to release two DNTEL albums this year. Whereas the first, The Seas Trees Sea, was quiet and contemplative, the second, Away, is a stylish study in left-of-centre synth-pop informed by the music that excited him growing up in the 1980s. Musically, the set genuinely sparkles - there are shimmering synths, ear-catching melodies and soft-focus drum machine beats aplenty, with occasional nods to skittish 90s IDM - but it's the vocals that really draw everything together. What we hear is his voice as we've never heard it before, with studio trickery re-casting him as a woman in her mid-twenties. It's initially a little disarming for those used to his previous releases, but soon seems natural.
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out of stock $12.72
The Same Channel
Cat: MM 071. Rel: 05 Oct 06
 
Balearic/Downtempo
Acid Rain Robot Repair
Bleed
Runni' Circles
Space Gangsta
Nervous Inaction
Upgrade
Scream It Out
The Middle
Generic Genes (Spare Parts)
Upgrade (Grace Period mix)
Review: This collaboration of Fat Jon (Five Deez) and Styrofoam is something to treasure - having previously hooked up with Pole, Fat Jon's ability to match his rhymes to less conventional beats is proven. Styrofoam and Fat Jon set about forging their musical perspectives into a cohesive entity. 'Acid Rain Robot Repair' is licked with vocoder, punctuated by Fat Jon's rhymes and Petegem's indie melancholy. Erring towards Styrofoam for 'Bleed', the pairing conjure up drifting electronic reflections that recall some of Mogwai's moves in similar territory. Elsewhere, 'Runnin' Circles' match breaks and melancholy xylophone to Fat Jon's vocals to engender a sparkling indie/hip-hop match up, 'Space Gangsta' is more like Dr Octagon off the Ritalin, whilst album closer 'Upgrade' is heavily influenced by shoegaze, with its opaque vocals and ebbing soundscapes. As a special bonus the video for 'Space Gangsta' is included here.
Read more
out of stock $14.84
The Same Channel
Cat: MM 071CD. Rel: 05 Oct 06
 
Balearic/Downtempo
Acid Rain Robot Repair
Bleed
Runnin' Circles
Space Gangsta
Nervous Inaction
Upgrade
Scream It Out
The Middle
Generic Genes (Spare Parts)
Upgrade (Grace Period mix)
Space Gangsta (video)
Review: This collaboration of Fat Jon (Five Deez) and Styrofoam is something to treasure - having previously hooked up with Pole, Fat Jon's ability to match his rhymes to less conventional beats is proven. Styrofoam and Fat Jon set about forging their musical perspectives into a cohesive entity. 'Acid Rain Robot Repair' is licked with vocoder, punctuated by Fat Jon's rhymes and Petegem's indie melancholy. Erring towards Styrofoam for 'Bleed', the pairing conjure up drifting electronic reflections that recall some of Mogwai's moves in similar territory. Elsewhere, 'Runnin' Circles' match breaks and melancholy xylophone to Fat Jon's vocals to engender a sparkling indie/hip-hop match up, 'Space Gangsta' is more like Dr Octagon off the Ritalin, whilst album closer 'Upgrade' is heavily influenced by shoegaze, with its opaque vocals and ebbing soundscapes. As a special bonus the video for 'Space Gangsta' is included here.
Read more
out of stock $13.79
Stars On The Wall
Cat: MM 075. Rel: 28 Mar 07
 
Balearic/Downtempo
Beautiful Night
Dictionary
New Year
Adrenaline
Downtown
Ice Cold Ice
25 Years
Monday Morning
We Don't Wanna
Everything Is Low
Kid OK
Review: Morr Music's 'Stars on the Wall' is an album full of pop , rock, dance and songwriter music. Nonchalant, eloquent and elegant, it's softer and somehow more reduced than Miami, The Go Find's 2004 debut.
Read more
out of stock $12.72
Stars On The Wall
Cat: MM 075CD. Rel: 28 Mar 07
 
Balearic/Downtempo
Beautiful Night
Dictionary
New Year
Adrenaline
Downtown
Ice Cold Ice
25 Years
Monday Morning
We Don't Wanna
Everything Is Low
Kid OK
Review: Morr Music's 'Stars on the Wall' is an album full of pop , rock, dance and songwriter music. Nonchalant, eloquent and elegant, it's softer and somehow more reduced than Miami, The Go Find's 2004 debut.
Read more
out of stock $12.72
Sundet
Sundet (LP)
Cat: MM 65. Rel: 01 Sep 06
 
Rock (All)
Still In This Town
Statements
Many Frames Per Moment
Throwing Thoughts
Trick Or Treat
Who Was First
Afraid
Even When It's not
A Brief Encounter
No Need To Mention
Two Minds In Between
Review: Guther return for the difficult second album and it doesn't disappoint. What we have is a more mature, more pensive record which - while not abandoning the pop warmth which made it's predecessor so addictive, takes more time to build and cement itself in your memories. "Sundet" was recorded in a Swedish summer house, which is maybe why it sounds somewhat out of time and context, this is not obviously a Berlin record, and there is nothing to date it particularly - no trendy electronic percussive moments, no specific leanings to a current style of guitar pop - simply Julia Guther and Berend Intelmann have pieced together a record which will remind you that there are some people, somewhere, doing it right.
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out of stock $12.72
Sundet
Sundet (CD)
Cat: MM 65CD. Rel: 01 Sep 06
 
Rock (All)
Still In This Town
Statements
Many Frames Per Moment
Thowing Thoughts
Trick Or Treat
Who Was First
Afraid
Even When It's Not
A Brief Encounter
No Need To Mention
Two Minds In Between
Review: Guther return for the difficult second album and it doesn't disappoint. What we have is a more mature, more pensive record which - while not abandoning the pop warmth which made it's predecessor so addictive, takes more time to build and cement itself in your memories. "Sundet" was recorded in a Swedish summer house, which is maybe why it sounds somewhat out of time and context, this is not obviously a Berlin record, and there is nothing to date it particularly - no trendy electronic percussive moments, no specific leanings to a current style of guitar pop - simply Julia Guther and Berend Intelmann have pieced together a record which will remind you that there are some people, somewhere, doing it right.
Read more
out of stock $13.79
Plans Drawn In Pencil
Cat: MM 068LP. Rel: 15 Jun 06
 
Balearic/Downtempo
Look & Yes
Cinnabar
Yttrium
Roadrunner
Ship
Immoral Architecture
Amber Button
Five To Four, Ten To Eleven
Corundum
Stickland
Seven Mile Marker
Working In Dust
Ruined Feathers
Review: Maybe the pencil would be an excellent image. As the softest of all writing implement, it is always close to vanishing, to being wiped or erased. Maybe this album, if it were a painting, it would not be oil on canvas but rather a pencil drawing. White on grey. Reduced and open at first sight. Rich in details and playful on closer examination. A lot happens within seclusion. It happens between the sounds of this fourth album that Antony Ryan and Robin Saville have recorded for Morr Music. A short and friendly first encounter in 1998, a cooperation for an EP which became an album. A long friendship has come of it, between a band and a label, between Isan and Morr Music. Antony Ryan and Robin Saville did not write any lists for "Plans Drawn In Pencil" and did not made any plans either. They were concerned with nothing but sounds. They sent them back and forth between their homes in England. They layered soundtracks on top of the other, activated filters, went through synthesizers and systems (analogue and digital ones) looking for sounds. Firstly, each one of the two on his own. In a ping-pong-manner. And in a second step both of them together. Two artists and their machines. "Sometimes there is a melody in your head first, the other time you find it in a synthesizer. You find it in dialogue with the equipment", says Robin Saville, one half of Isan. "Sometimes I had to teach my machines to generate the melody" says Antony Ryan, the other half of Isan. Robin Saville also says that their music is about making difficult sounds easy to listen to. About the thin line between conceptual serious music and pop, between minimal and melody. The opener "Look & Yes" is a soft searching, a warm murmur. Long notes standing in space alone, environmental music. "Road Runner" is a shy pop-pearl whose gleam becomes more sparkling with time. "Amber Button" is the most rhythmic track of a quiet album, "Working In Dust" is music in nemascope, in some ways reminiscent of the Krautrock pioneers Neu! or a young Brian Eno.
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out of stock $12.72
Notes & The Like
Cat: MM 064CD. Rel: 04 Mar 06
 
Balearic/Downtempo
A Nod On Hold
Hands
Scan The Ways
A Million Times
No.One
Outlined View
Line By Line
Sometimes Stop Sometimes Go
Plenty Of
Review: 'Notes & The Like' is textbook Morr; but given that Ms John Soda very much helped to cement that sound, it would be churlish to deny them their glory. The collaborative badge of Stefanie Bohm and Micha Acher, Ms John Soda emerged from the Weilheim scene alongside The Notwist, Lali Puna etc and act as perfect distillation of what brought this strain of electronic music to attention in the first place: bleeping European-pop, prime-indie, tender solipsism and brash sloganeering. Opening with 'A Nod On Hold', Bohm's vocals are teased into submission before the irresistible 'Hands' takes on 'Neon Golden'... and wins. Yet to paint 'Notes & The Like' as a direct descendent of their previous work would be misleading, with Ms John Soda evolving far beyond the boundaries expected of them, with 'A Million Times' a prime example. Marrying chamber music to a Schnauss beat, mournful strings and Bohm's fractured voice, 'A Million Times' is like the spring thaw. Elsewhere, 'No. One' is a leaking cask of Hooky bass, 'Outlined View' dances with Broadcast, whilst 'Plenty Of' brings down the lights...
Read more
out of stock $12.72
Notes & The Like
Cat: MM 064. Rel: 03 Mar 06
 
Balearic/Downtempo
A Nod On Hold
Hands
Scan The Ways
A Million Times
No One
Outlined View
Line By Line
Sometimes Stop, Sometimes Go
Plenty Of
Review: 'Notes & The Like' is textbook Morr; but given that Ms John Soda very much helped to cement that sound, it would be churlish to deny them their glory. The collaborative badge of Stefanie Bohm and Micha Acher, Ms John Soda emerged from the Weilheim scene alongside The Notwist, Lali Puna etc and act as perfect distillation of what brought this strain of electronic music to attention in the first place: bleeping European-pop, prime-indie, tender solipsism and brash sloganeering. Opening with 'A Nod On Hold', Bohm's vocals are teased into submission before the irresistible 'Hands' takes on 'Neon Golden'... and wins. Yet to paint 'Notes & The Like' as a direct descendent of their previous work would be misleading, with Ms John Soda evolving far beyond the boundaries expected of them, with 'A Million Times' a prime example. Marrying chamber music to a Schnauss beat, mournful strings and Bohm's fractured voice, 'A Million Times' is like the spring thaw. Elsewhere, 'No. One' is a leaking cask of Hooky bass, 'Outlined View' dances with Broadcast, whilst 'Plenty Of' brings down the lights...
Read more
out of stock $11.66
Vertigo Days: Live From Alien Research Center
Cat: MORR 194LP. Rel: 13 Feb 23
 
Indie/Alternative
Intro (1:05)
Into Love/Stars (7:57)
Exit Strategy To Myself (4:28)
Where You Find Me (3:15)
Ship (4:48)
Interlude (1:34)
Into The Ice Age (6:19)
Oh Sweet Fire (5:54)
Sans Soleil (3:27)
Loose Ends (6:11)
Review: The evolution of German art outfit The Notwist is something to behold. Kicking off in 1989 with a metal album, between then and now they've refused to stay still, developing a sound that is truly their own. Gradually introducing electronics to the oeuvre, and discarding of the real heaviness, if you were going to label anything an amalgamation of sounds it's this - indie, electronica, jazz, downtempo, garage rock, lo fi pop.

All of that makes for a particularly formative musical experience on stage. Core members Cico Beck and the Acher brothers, Markus and Micha, consider records to be the starting point from which beautiful things happen live. Concerts are jam sessions that allow ideas to come to fruition, or develop almost by surprise. This is testament to that. Not a live record, but a recording of them reworking tracks from Vertigo Days and one from the soundtrack to One of Those Days in their own hilariously nicknamed studio.
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 in stock $27.32
Vertigo Days
Vertigo Days (limited olive vinyl LP + 1-sided LP + MP3 download code)
Cat: MORR 180LPOLV. Rel: 02 Feb 21
 
Indie/Alternative
Al Norte (1:00)
Into Love/Stars (5:44)
Exit Trategy To Myself (3:08)
Where You Find Me (2:31)
Ship (feat Saya) (4:06)
Loose Ends (5:31)
Into The Ice Age (feat Angel Bat Dawid) (6:21)
Oh Sweet Fire (feat Ben LaMar Gay) (3:53)
Ghost (1:27)
Sans Soleil (3:16)
Night's Too Dark (2:55)
Stars (1:10)
Al Sur (feat Juana Molina) (3:17)
Into Love Again (feat Zayaendo) (5:08)
Review: The Notwist may not have been saying that much for a while, but their new record proves the band are every bit as dynamic and complex as the last time we heard from them - which, by our reckoning, was 2015's The Messier Objects, the German trio's most recent studio LP until this point.

That was their first outing since Martin Gretschmann - AKA Console, AKA Acid Pauli - parted ways with the outfit, and proved they weren't letting the strong electronica influences fall by the wayside even with the departure. Vertigo Days picks up where that, and the rest of the discography, left off. Comprising tracks built out of group improv sessions that meld, glide and shift their way into one another, its layered indie pop with sharp percussion and hook-y synth work that sticks around long after the last track.
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out of stock $32.63
People Press Play
Cat: MM 078LP. Rel: 15 Jun 07
 
Balearic/Downtempo
Girl
Always Wrong
These Days
That Walk
Hanging On
Frail
Studio
Before Me
Everything
Stop
Review: The art of understatement, likeable and restrained. That is how the self-titled debut by People Press Play begins. There are synthetic sounds form echo-loops that, in a very similar way, could easily stem from Kevin Shields' guitar as well. Rhythms take a deep breath, a woman's nonchalant voice changes between relaxed jazz and reduced easy listening. "People Press Play", on Morr Music, is My Bloody Valentine meets My Funny Valentine.
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out of stock $12.72
People Press Play
Cat: MM 078CD. Rel: 15 Jun 07
 
Balearic/Downtempo
Girl
Always Wrong
These Days
That Walk
Hanging On
Frail
Studio
Before Me
Everything
Stop
Review: The art of understatement, likeable and restrained. That is how the self-titled debut by People Press Play begins. There are synthetic sounds form echo-loops that, in a very similar way, could easily stem from Kevin Shields' guitar as well. Rhythms take a deep breath, a woman's nonchalant voice changes between relaxed jazz and reduced easy listening. "People Press Play", on Morr Music, is My Bloody Valentine meets My Funny Valentine.
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out of stock $12.72
Ghost
Ghost (CD)
Cat: MM 69CD. Rel: 28 Feb 07
 
Rock (All)
Asleep On A Train
Welcome Home
Let The River In
Glory
The Strangest Things
Wrapped In Piano Strings
Along The Road
Haunted
Winter Is Coming
Sleepwalking
Homesick
Review: "Ghost" is based on one very simple idea - what if houses had memories? What if when we lived in them, our stories somehow bled into the walls and our ghosts were destined to forever haunt them. A lofty subject for young musician Ben Cooper, at a mere 24 years of age he has already notched up a full album under the hugely acclaimed Electric President moniker, and now "Ghost" is here to show a more sensitive side to his sound. Instead of the electro glitch-pop of Electric President, the Radical Face material shows a much deeper reliance on songwriting, looking toward musicians such as Jeff Buckley and Elliott Smith for influence. Recorded almost entirely alone in a shed in Florida, there is a singular vision on display across the course of eleven tracks and an intimacy rarely heard anymore on pop records - Cooper manages somehow to distil his emotions and peculiar concepts perfectly and the songs are some of the most memorable we've heard on the Morr label. "Welcome Home" is almost a miniature radio-play with banjo, tumbling glockenspiel, children's voices and the rattle of toy drums. Elsewhere, "Wrapped In Piano Strings" shows that Cooper can take a softer approach with light guitars and hushed vocals uttering sweet farewells. When the album comes to a majestic close with the appropriately titled "Homesick" you realise the album has more than lived up to the concept as the ghosts of these delicate pop vignettes haunt your mind for the days and weeks to come. A spiritual experience.
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out of stock $12.72
Ghost
Ghost (LP)
Cat: MM 69. Rel: 28 Feb 07
 
Rock (All)
Asleep On A Train
Welcome Home
Let The River In
Glory
The Strangest Things
Wrapped In Piano Strings
Along The Road
Haunted
Winter Is Coming
Sleepwalking
Homesick
Review: "Ghost" is based on one very simple idea - what if houses had memories? What if when we lived in them, our stories somehow bled into the walls and our ghosts were destined to forever haunt them. A lofty subject for young musician Ben Cooper, at a mere 24 years of age he has already notched up a full album under the hugely acclaimed Electric President moniker, and now "Ghost" is here to show a more sensitive side to his sound. Instead of the electro glitch-pop of Electric President, the Radical Face material shows a much deeper reliance on songwriting, looking toward musicians such as Jeff Buckley and Elliott Smith for influence. Recorded almost entirely alone in a shed in Florida, there is a singular vision on display across the course of eleven tracks and an intimacy rarely heard anymore on pop records - Cooper manages somehow to distil his emotions and peculiar concepts perfectly and the songs are some of the most memorable we've heard on the Morr label. "Welcome Home" is almost a miniature radio-play with banjo, tumbling glockenspiel, children's voices and the rattle of toy drums. Elsewhere, "Wrapped In Piano Strings" shows that Cooper can take a softer approach with light guitars and hushed vocals uttering sweet farewells. When the album comes to a majestic close with the appropriately titled "Homesick" you realise the album has more than lived up to the concept as the ghosts of these delicate pop vignettes haunt your mind for the days and weeks to come. A spiritual experience.
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out of stock $18.03
Sidonie T-Shirt (yellow)
Sidonie T-Shirt (yellow) (t-shirt (medium size))
Cat: 431178 Rel: 01 Jan 90
out of stock $16.97
Sidonie T-Shirt (yellow)
Sidonie T-Shirt (yellow) (t-shirt (large size))
Cat: 431320 Rel: 06 Jul 11
out of stock $0.17
Dream Is Murder
Dream Is Murder (limited gatefold 2xLP (side 4 etched) + MP3 download code)
Cat: MORR 185LP. Rel: 04 Jan 22
 
Indie/Alternative
Imaginary Love (4:11)
Calling For Your Touch (6:42)
Shame (3:20)
Mandatory Love Story (3:44)
Tell Your New Lovers (6:11)
Where The Maps Run Out (3:43)
Today I Wrote Nothing (3:04)
Impossible (3:49)
Lake With No Name (4:13)
Run Deep (3:56)
Mothership (3:33)
Afterparty (4:03)
Review: RECOMMENDED
Three acclaimed musicians, one incredible way to start your 2022 music collection. With members boasting heritage including the mighty FM Belfast and mum, we shouldn't need to explain there's real pedigree here, and in generous, beautifully sung, emotionally captivating spades. From the tender quiet of 'Afterparty', to the more rousing, chart-worthy 'Where The Maps Run Out', one thing is clear from the off - song craft is rarely so well accomplished.

For the most part, concerned with hushed atmospheres and subtle but effective technique, highlights for us include the gentile vocal harmonies of 'Shame', the swooning neo-journeyman sound of 'Tell Your New Lovers', and the unassuming but unarguably infectious 'Today I Wrote Nothing', but ultimately this one is about diving in and fully immersing yourself in the complete package.
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 in stock $30.76
Farewell Islands
Farewell Islands (LP + MP3 download code)
Cat: MORR 171LP. Rel: 13 Mar 20
 
Ambient/Drone
Miya (10:21)
Lakka (7:30)
Shona (12:46)
Farewell (8:08)
Review: Kicking off, or rather easing in with the lush and absorbing 'Miya', it's hard not to imagine vast landscapes when exploring this effort from Slow Reels. Constant refrains of shimmering sounds seem to pervade most corners of the four tracks, which could be used for background atmosphere one moment, and then act as the driving forces behind a deep cognitive adventure the next. As with many ambient works of this kind, you can find beauty and heartbreak in equal measure, perhaps positioning this end of the canon among the most reflective of the human experience. 'Farewell' might not scream about this from the rooftops, but there's a tangible sense of time passing, thoughts and the thinkers closest to us leaving it all behind. Definitely aimed at inspiring ideas and imaginations, this will be a muse for many.
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out of stock $20.15
Steps
Steps (LP)
Cat: MM 134LP. Rel: 21 May 15
 
Coldwave/Synth
Minuit (4:33)
Sun Moon (5:32)
Prince De Combat (4:21)
Vostok (5:32)
Break My Soul (1:45)
Aquabed (2:14)
Review: It's safe to say that Thomas Morr's Berlin-based Morr Music has become something of an institution for electronic beats and outsider sounds. The label is fast approaching its fifteen-year anniversary and both the quality and variety of the catalogue is worth plenty of praise in itself. Moreover, Mr. Morr has always had a knack for finding new and exciting talent, the latest of whom offers six gorgeous pieces of industrial synth-pop. Slow Steve offers an exciting blend of poppy vocals and hard-hitting drum beats, all coated in a thick layer of psychedelic melancholia - check "Sun Moon" for some lovely downtempo business with an indie sensibility, for instance. Alluring, as per usual!
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out of stock $15.65
Kromantik
Kromantik (limited 10" + 8 page booklet)
Cat: MM 130LP. Rel: 07 Jul 14
 
Experimental/Electronic
Stiklur
Fantasia
Falski Pianotiminn
Kaosmusik
Kromantik
Stofuvals
Eftirteiti
Swing
Review: Iceland's Soley returns to music after a three year hiatus. Her last work was 2011's We Sink LP, a varied and daring pop pastiche with its claws firmly planted in electronica, but she returns with this stunning EP for Morr Music. It's a bold statement from an artist who was producing quasi-dance music, while Soley now prefers to delve into the minds of her listeners with delicate improvisations of the piano keyboard. Silky, fragile and pensive, these tracks are a vivid representation of the artist's deepest emotions. Stunning and provocative.
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out of stock $19.08
Spirit Fest
Spirit Fest (limited LP + 7" + MP3 download code)
Cat: MORR 155LPLTD. Rel: 15 Nov 17
 
Indie/Alternative
Deja Vu (5:56)
Rain Rain (4:08)
Nambei (5:40)
River River (4:40)
Inklings (4:43)
Hitori Matsuri (7:19)
Shuti Man (2:41)
To The Moon (4:37)
Take Me Home (5:07)
Mikan (6:18)
River River (4:41)
Donguri (5:36)
out of stock $22.01
Spider Smile
Cat: MM 073LP. Rel: 20 Apr 07
 
Balearic/Downtempo
Shirley Temple
World Of Things To Touch
Witchpark
A Marriage In Belmont
Lower Manhatten Pantoum
Roderick Usher
Arkestra
When Love Was The Law In Los Angeles
Easy Sermon
Sweethome Under White Clouds
When Tomorrow Comes
Review: Tarwater is the long-running project from German musicians Bernd Jestram and Ronald Lippok. Together they have produced a wealth of material. "Spider Smile" is their second release for the Morr Music imprint. Clipped glitchy drums are placed next to acoustic sounds and analogue synthesizers, and the result is truly explosive. This could be the band's most forward thinking collection of work so far, and is without a doubt the album with the most potential for crossover success. Blending the finest elements of the Berlin scene with something altogether more contemporary, they have come up with a winning formula and one that should be enjoyed by the masses.
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out of stock $12.72
Spider Smile
Cat: MM 073CD. Rel: 20 Apr 07
 
Balearic/Downtempo
Shirley Temple
World Of Things To Touch
Witchpark
A Marriage In Belmont
Lower Manhatten Pantoum
Roderick Usher
Arkestra
When Love Was The Law In Los Angeles
Easy Sermon
Sweethome Under White Clouds
When Tomorrow Comes
Review: Tarwater is the long-running project from German musicians Bernd Jestram and Ronald Lippok. Together they have produced a wealth of material. "Spider Smile" is their second release for the Morr Music imprint. Clipped glitchy drums are placed next to acoustic sounds and analogue synthesizers, and the result is truly explosive. This could be the band's most forward thinking collection of work so far, and is without a doubt the album with the most potential for crossover success. Blending the finest elements of the Berlin scene with something altogether more contemporary, they have come up with a winning formula and one that should be enjoyed by the masses.
Read more
out of stock $12.72
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