Music For Dreams Denmark Vinilo y CD

Review:  London-based DJ and composer/producer Phil Mison revisits his Ambala project with a fresh collection of immersive, sun-drenched soundscapes, weaving together breezy rhythms and luminous synth work. A defining force in Balearic music, Mison has long explored the genre in various guises, including Reverso 68 and Cantoma, the latter earning a place in chillout's informal "most revered albums" section. On this second Ambala release, he refines his approach, balancing crisp electronic foundations with warmer organics. A cast of collaborators from the Music For Dreams label join, including guitarist Santino Surfers (Jonas Krag), whose fluid solos range from sultry noir to Mediterranean reverie, composer Troels Hammer, and ambient producer The Swan And The Lake. The result is a dreamlike blend of melody and plunge-texture, perfect for late night reflection or hazy afternoons by the sea.

Review: Music For Dreams label head Kenneth Badger was so inspired by the Tangerine Dream soundtrack to the classic Michael Mann film The Thief that he and Tolga Bo0.95yu0.95k from the Turkish band islandman decided to write their own soundtrack to an imaginary movie. They managed to write 10 tracks within 24 hours while imagining a film that told a story about two people stuck on the arctic ice cap where one tries to fool the other. Influences from Vangelis, John Carpenter, and Tangerine Dream all feature in what is a superb and escapist listen.

Review: Danish electronic pop act Hess Is More's CaeKE marks a return to pop's borderlands after detours into orchestral and experimental sounds. Minimalist and mellow, the new album eschews sprawling ensembles for a DIY space of piano, drum machines, and vintage synths all of which frame Hess' wandering voice with eccentric poetry. Balancing maturity with childlike curiosity tracks like 'I Love My Life... Again and Again' exhibit a subversive lightheartedness amid mellow existentialism. The album is a reflection on fatherhood and life's changes since the early 00s that finds Hess embracing a new melody-one that harmonises seriousness with carefreeness, introspection with outward expression.

Review: It is always a joy to hear from the Music For Dreams label. Not only is it a musically interesting outlet but also one that digs deep into plenty of fascinating different scenes. And this is one such case as the project is centered around 99-year-old Iboja Wandall-Holm who sings about memories from her childhood growing up in Eastern Europe. The record plays out like a musical encounter where the songs are worked into magical forms by Danish musician Mikkel Hess and other members of his Hess Is More band with extra collaborative input from label head and producer Kenneth Bager.

Review: After a 10-year hiatus, Balearic Mike and Kelvin Andrews return to continue the journey of the Balearic Beat with another edition of their distinguished Down To The Sea And Back compilation series, presenting a formidable new set of rare and obscure records. Once more sifting from the formidable crock of late 80s to intra-90s Balearic music, this eight-track LP begins on a serene note with the expertly layered guitars from Dagobert Bohm on their re-arrangement of Josete Ordonez, before moving into increasingly complex but still no less sunny waters from the likes of Vidderna, Lee Ryda, and Pressure Drop. A veritable three years' worth of digging, finally condensed into a single selection.

Review: First released in 2022, Rheinzand's Atlantis Atlantis updated the Belgian disco-house collective's sound for the utmost present, laying down a thickly layered collection of uncanny dark disco via post punk across thirteen tracks. Now two years on from the original release, Netherlands producer Pete Blaker has teamed up with the band to rework the album tracks; however, in the words of the label and Blaker themselves, this is by no means your bog-standard 'remix' album! Unlike most, this one hears Blaker go the extra mile, sonically refurbishing the tracks with entirely new instrumental layers and vocal takes, personally commissioning the band to do so himself. Formatively emerging after being asked to do just one remix for the band in 2021, this is a rare case of divine inspiration striking in an unexpectedly extended fashion - not to be missed.

Review: Jonas Visti introduces a new project, Visti's Vinyl Collective, blending diversities of Afrobeat, soul, house, jazz, boogie and pop, crafted with a motley crew from Denmark's jazz scene and international guests. Along with William Winding, Visti infuses electronic elements with instrumental Balearic-esque contributions from fellow musicians Emma Sehested Hoeg, Dawda Jobarteh and Markus Artved, whom all add their voices and instruments. Visti's vision is to create a freeform, genre-defying project, tracking experiences alongside other artists and a connoisseur's intel, built up as he's developed his Visti's Vinyl radio show.