Past Inside the Present US Vinilo y CD

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


36's new album Reality Engine explores "the blossoming dynamics of artificial intelligence and the ever-changing definition of reality" on Past Inside The Present and does so with a continuation of his richly melodic sound while also evolving into new realms. The sheer beauty of these sounds is enough to uplift and energise, with chords ascending to the heavens on the opener 'Imagine The Truth' and then rolling out to infinite horizons on 'Axiom Haze'. 'Reality Engine' suspends you amongst the clouds and 'Beyond The Hyperreal' is a perfect marriage of immersive and organic sounds and hints of digital augmented reality engines. A sublime album, for sure.

Review: 36's new album Reality Engine explores "the blossoming dynamics of artificial intelligence and the ever-changing definition of reality" on Past Inside The Present and does so with a continuation of his richly melodic sound while also evolving into new realms. The sheer beauty of these sounds is enough to uplift and energise, with chords ascending to the heavens on the opener 'Imagine The Truth' and then rolling out to infinite horizons on 'Axiom Haze'. 'Reality Engine' suspends you amongst the clouds and 'Beyond The Hyperreal' is a perfect marriage of immersive and organic sounds and hints of digital augmented reality engines. A sublime album, for sure.

Review: This intriguing and predictably atmospheric album is the first collaborative full-length from experienced modern ambient producer Dennis Huddleston AKA 36, and Los Angeles duo Awakened Souls, whose full-length hook-up with Pepo Galan, Palettes, received plenty of praise last year. Between them the trio have conjured up a hugely evocative and emotion-rich collection of cuts, where heart-aching, slow-motion guitar laments stretch out across swelling synthesizer chords, meditative pads, distant-sounding vocal snippets, enveloping aural textures and soft-focus piano refrains. It's a wonderfully meditative and picturesque set all told, and one that could well turn out to be one of the most essential ambient albums of 2021.

Review: Drum & Lace, aka Sofia degli Alessandri-Hultquist, is an Italian composer, sound artist and performer that writes and creates music for film and media. 'Natura' is her debut Past Inside the Present release, in addition to it being her first formal full-length album. Natura pays homage to intelligent electronica and will no doubt be a defining album in the ambient/IDM genre.

Review: Regular collaborator with label boss zake, City of Dawn teams up with From Overseas, an aptly named producer based on Reunion Island in the Indian Ocean. The result is classic Past Inside The Present - quivering, celestial ambient music that would fit into the drone category if it weren't for the fact it's constantly, subtly changing and evolving almost imperceptibly. Utterly horizontal in attitude, utterly heavenly in realisation, this is a corker even by PITP's very high standards, with this edition arriving in limited transparent sepia vinyl LP (+ download code) form.

Review: Regular collaborator with label boss zake, City of Dawn teams up with From Overseas, an aptly named producer based on Reunion Island in the Indian Ocean. The result is classic Past Inside The Present - quivering, celestial ambient music that would fit into the drone category if it weren't for the fact it's constantly, subtly changing and evolving almost imperceptibly. Utterly horizontal in attitude, utterly heavenly in realisation, this is a corker even by PITP's very high standards, with this edition arriving in limited oxidized iron vinyl LP (+ download code) form.

Review: Aussie composer Cat Tyson Hughes is an experimental artist whose new album Crossing Water on Past Inside The Present marks her debut long player. It comes after she's been involved with several other projects and offers a fragile and delicate mix of subtle instrumentation and rich voice textures imbued with an array of lovely field recordings. These are superbly patient and slow-burn tracks that really have a cathartic effect as nature and natural sounds permeate each composition. The melodies take your mind away as the freely structured, minimal arrangements really make you take note.

Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.

SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.

'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.

Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.

Review: 'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.

SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.

'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.

Influx is the techno/acid/trance moniker of James Bernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.

Review: The sophomore solo release of Los Angeles-based artist and producer marine eyes (Cynthia Bernard), moving to the esteemed Past Inside The Present after her soothing debut record, idyll, on Stereoscenic Records in March 2021. Also one half of the ambient duo, awakened souls, she most recently curated the mental health benefit compilation for Past Inside The Present, Healing Together. Filled with the sounds of nature and visions of the clouds and heavens above, chamomile is a totally absorbing listen, wrapping you up in its harmonious chordplay and transporting you to a calmer, sunnier, altogether nicer place.

Review: ***B-STOCK: Record has light surface marks/scratches, otherwise in excellent working condition***


According to the artist himself, zake's first solo album of 2020 was recorded and produced during "a four-day excursion in several secluded areas" in South Carolina. As a result, listeners can expect to hear babbling brooks, birdsong and the gentle rustling of leaves beneath Zake's alluring mixture of enveloping ambient chords, unearthly drone tones, opaque electronics and slowly-shifting, heavily processed neo-classical movements. The results are hugely immersive and undeniably enjoyable, with each of the four tracks delivering a head-in-the-clouds journey that ripples with becalmed, atmospheric intent. In other words, it's the kind of ambient music you can get lost in. More please!

Review: As with the first volume of his Orchestral Tape Studies series back in 2019, zake places a real focus on tone and recurrent murmurs in these magnificent arrangements. They are a mix of delicate repetition, sound treatments and subtle manipulations that pay homage to minimalist symphonic composers and orchestras in his own unique way. It is another adventurous and immersive listen from zake and one that comes in many different coloured vinyl versions. This one is a coloured version, but what colour you will not know until you open it up.

Review: Ambient innovator make seems to drop something new almost every week. But you won't hear us complain because few have a breadth and depth of sound that matches his lo-fi and absorbing output on his home US label Past Inside the Present. He dropped the first volume of his Orchestral Tape Studies way back in 2019, and finally follows it up now with a second volume. Once again this is a selection of richly layered movements of fragmented orchestral loops that all pay homage to minimalist symphonic composers and orchestras and makes use of field recordings as well as gentle drones to soothe your soul.

Review: The ever inventive and always prolific zake is back on his own label Past Inside The Present with yet another new album. Deep Into The Unknown We Shall Endlessly Roam has already arrived with us on cassette tape and now it comes as a limited edition album on white and brown vinyl with just 200 copies pressed. It has been made from archaic tape machines such as a Sony M-570V microcassette voice recorder and obsolete VSC Soundpacer and then recorded to analogue tape for that levelly lo-fi and misty aesthetic. The artist himself says this record is "is dedicated to those who continue to yearn for greater understanding" and it is another sublime listen.