Peoples Potential Unlimited Vinilo y CD

Review: Moon B's next mini-LP offering to PPU, entitled III, is a varied affair. The a side offers up the older taped track "Realms", a semi-muted yet chuggy number for the dance floor overwrought with moon-roasted synth progressions that coat the ears. "Neither Here Nor Where" is an ode to forgotten spaces and places, wrapped tightly in synth bazz and creamed pads that emanate from Moon's favorite synth, the Alpha Juno 1. Flip the record to find Moon's most "instro-spective" offerings to date. "Art Direction" bottomed out tempo conjures up images of 1984 Prince replacing Appalonia with Inga Copeland as his motorcycle passenger after a neon lit love-making session. "Moonda"'s slow fluctuation and linn drum echoes paired with sorrowful yet hopeful chords attempts to warm you in the coldest of polar vortices. "Polywarp" rounds out the affair with syruppy vacillating instrumentation paired with unforeseen wobbly bits and foreign percussive hits. -

Review: Sporty Cat sykes delivers the album he always wanted to in the 80s. Laid down the traditional Tascam way, the talented Michigan multi-instrumentalist digs deep into soul palette with equal measures of organic and electronic instrumentation. Expect heavy waves of atmospheres, rich layers of funk and consistent levels of emotion as we glide and stumbled between each touching moment; the drifting sunset ballad "The Best Of My Love", the weeping keys and fluttering slap bass of "Togetherness", the cloud surfing dream boogie of "Sometimes", the rude synth bass and sultry R&B vocals of "If You Want Me", the list goes on...

Review: Another one from the original dirty south in the ATL. Love Juices features nine unreleased tracks from Wilkie And The Wayy, and also includes the recording from Wilkie Hill Jr.'s sole 7" single released in 1983 on the infamous Cold Wave Records, 'It Only Happened Once'. A specially-curated compilation hunted down from various old DAT tapes and reels, this is an unmatched disco-funk heart-stopper, straight from the core of Atlanta, and far ahead of its time at that. Choice cuts include the bass-led opener, 'Laura', a deliciously sensuous ode to its namesake, and 'Caught Up In Stress', a bit-reduced future disco curveball and a miraculous exercise in future-disco soothsaying; its retrofuturistic aesthetic makes it seem as if the track were made now, but no, this is the real future-past deal.