Review: Russia's Nina Kraviz graces the record buying public with her first material in some time, with the three tracks on Ghetto Kraviz the prelude to a full album pencilled in for release on Rekids at some point next year. Nods to the seminal Dance Mania imprint abound as soon as your eyes clasp on the cover art, and this continues with the stripped down music held within, as Kraviz's languid drawl is looped up and dizzyingly placed amidst the minimalist; low slung bass and 808 flex on the title track. "Jealousy" is that bit smokier, with Kraviz herself sounding slightly intoxicated amidst the stripped down jack. (Intriguingly both sound quite fun when spun at 45 rpm). As the flipside "Show Me Your Time" operates at 45prm there's no footwork fun to be had there, though it's an equally potent combination of Kraviz's vocals laid atop each other amidst the sub heavy beat.
Review: Rekids' special Record Store Day 2018 release features two extraordinary re-edits: of recent Radio Slave tracks by Pampa boss DJ Koze. Taken from his Feel The Same album, Matt Edwards has certainly received a brilliant rendition from the Hamburg legend right here.The euphoric remix of the title track still features the looped-up diva vocals of the original and is exactly the kind of track you'd expect him to drop on a Sunday night one of his his regular appearances at Panorama Bar. On the flip, the hard hitting and tunneling "Reverse" is more on the techno tip and originally appeared as the B-side to 2017's Overdue EP. Both edits are secret weapons for any serious DJ's set.
Trans (Underground Resistance Hamtramck remix) (8:14)
Review: In its original form, "Trans" was one of the dancefloor highlights of Matt Edwards' second album as Radio Slave, 2017's Feel The Same. Here, the dark and stylish original - think alien new wave synth-pop from 1983 re-imagined as a Panoramabar-friendly workout - is given a makeover by two titans of the electronic music scene: Innervisions overlord Dixon and Detroit techno stalwarts Underground Resistance. Naturally, Dixon's rub is weightier and more obviously big room-friendly than Edwards album cut, with the foreboding original synth bassline and bubbly electronic flourishes being joined by weightier drum hits and bold new melodic motifs which fire "Trans" towards the stratosphere. In contrast, Underground Resistance's revision is fuzzier, wonkier and more hypnotic, albeit with a little disco surprise here and there.
Review: SRVD is the new collaboration between Rekids main man Matt Edwards and German art director, illustrator and model Patrick Mason. The pair supposedly met on Berlin's club scene, which led to a gradual form of collaboration - hanging out at the studio later evolved into improvised performances in their fair city and beyond. Their first single "Elevate" perfectly captures the raw spirit and vibe of their live show, which they recently premiered at the infamous Panorama Bar. A chugging, moody and heads-down affair for the back room, plus the hyperactive/bombastic jack of "Nasty" which features another arresting vocal delivery by Mason.