Review: A-ha's 2016 compilation Time and Again: The Ultimate A-ha makes its debut on vinyl with a newly expanded tracklist of 21 songs, now encompassing material from all 11 original studio albums. The collection's first disc features their iconic hits like 'Take on Me' and 'The Living Daylights,' spanning their career from upbeat synth-pop beginnings to the more orchestral tones of later works such as 'Under the Makeup.' This compilation remains the most comprehensive overview of A-ha's career to date, now available in vinyl format that captures the breadth and evolution of their sound across the decades.
J'ai Dormi Sous L'eau (BBC live Session - bonus track)
Sexy Boy (BBC live Session - bonus track)
Kelly Watch The Stars (BBC live Session - bonus track)
Kelly Watch The Stars (extended - bonus track)
Remember (Davis Whitaker version - bonus track)
Review: When Air's Moon Safari first landed on terra firma in 1997, it was a revelation that flipped the French touch boom on its head. Swapping discoid thrust for sensual lounge, Nicolas Jean Godin and Jean-Benoit Dunckel kept a certain sophisticated nostalgia in their sound which tracked with their compatriots, but they absolutely weaved their own spell with it. The hits caught on for good reason, from the dirty grind of 'Sexy Boy' to the swooning romanticism of 'All I Need' featuring Beth Hirsch on vocals, but the moments in between merely added to the spectacle, lodging Air in the hearts and minds of a whole generation. This special anniversary edition adds a second disc of B-sides, remixes and session tracks, plus a Blu-ray disc featuring the iconic videos and a documentary from the Moon Safari era.
Be My Lover (live At Mar Y Sol Pop Festival, Puerto Rico April 2 1972) (5:32)
You Drive Me Nervous (live At Mar Y Sol Pop Festival, Puerto Rico April 2 1972) (2:19)
Yeah, Yeah, Yeah (live At Mar Y Sol Pop Festival, Puerto Rico April 2 1972) (4:03)
I'm Eighteen (live At Mar Y Sol Pop Festival, Puerto Rico April 2 1972) (5:38)
Halo Of Flies (9:56)
Is It My Body (7:38)
Dead Babies (5:28)
Killer (9:23)
Long Way To Go (9:53)
Under My Wheels (5:54)
You Drive Me Nervous (alternate version) (2:22)
Under My Wheels (alternate version) (2:36)
Dead Babies (alternate version) (5:42)
Review: Alive Cooper's 1971 classic Killer was his fourth studio album during a truly unstoppable period for the Detroit rocker. He clocked up consecutive platinum-selling albums as well as five Top 40 hits such 'I'm Eighteen,' 'School's Out' and 'No More Mr. Nice Guy.' This reissue comes alongside a reissue of the 1972 album School's Out and has been newly remastered with the addition of rare recordings and previously unreleased live performances. This one topped out at #21 on the Billboard albums chart and featured hit singles such as 'Under My Wheels' and 'Be My Lover' as well as a prog-rock-inspired epic in the shape of 'Halo Of Flies.'
Montage From Twin Peaks: Girl Talk/Birds In Hell/Laura Palmer's Theme/Falling (5:25)
The Voice Of Love (3:52)
Review: Angelo Badalamenti is to noir thrillers what Ennio Morricone is to the spaghetti Western scene. The Italo-American composer has been a pivotal part of the Hollywood soundtrack scene since the 70s and, among many cult-like figures, he's collaborated extensively with the great David Lynch on projects such as Blue Velvet and, of course, the present Twin Peaks, a film which has reached a God-like status over the last two decades. The music from the motion picture is as vivid and dream-like as the film itself; Badalalementi immerses you in a world of Neo-gothic trance and bizarre, fairy-like dances that instantly recall the movie's infamous dance scene concerning two horses. What is most notable about it is his use of subtle jazz nuances and the man's pioneering downtempo style. NB: this particular release, Fire Walk With Me, features additional music and acts as a companion to the official soundtrack as heard in the movie. What a soundtrack. Totally essential.
Review: Originally released under the name The English Beat in 1982, this album sees the Two Tone experts spreading their wings and incoporating African vibes and jazz into their revolutionary sound. It's joyful, party-fuelling stuff but usually with a social message snuck in for good measure, which is just how we like it. Throw in some bonus studio and live tracks on this double deluxe RSD version and it really can't be Beat.
Review: Benson's first album since rejoining Warner Music Group earlier this year, it was originally recorded in 1989 but was never released. It features the celebrated composer-arranger Robert Farnon and his orchestra and Farnon's lush arrangements beautifully complement Benson's soulful vocals and fluid guitar work on American standards like 'Autumn Leaves,' 'At Last,' and 'My Romance', as well as reimagined pop classics such as the Beatles' 'Yesterday' and Leon Russell's 'A Song For You.' The album was delayed and subsequently lost until recently rediscovered in Benson's archive and with the help of pianist, composer and arranger Randy Waldman, Benson has revived and remastered the recordings, adding new overdubs and choral arrangements. This release adds a new chapter to Benson's illustrious career, following his tenure with Warner Records from 1976 to 1993, during which he released 12 studio albums, including the triple-platinum Breezin'. Recognised as a jazz master by the National Endowment of the Arts (NEA) in 2009, Benson continues to be a giant in both jazz and contemporary music.
Review: An album that surely needs no introduction and does precisely what it says on the tin (like Ronseal), Black Sabbath by Black Sabbath is often considered (and rightly so) to be the first true heavy metal album, while the deeper nerds will also attest to the project birthing the doom metal genre as an entity thanks to guitarist Tony Iommi's signature menacingly psychedelic tone. Originally released in 1970, this self-titled debut boasts some of the band's most iconic cuts to date such as the looming title-track as well as 'The Wizard', 'Behind The Wall Of Sleep', and, 'N.I.B.', while the fact that they managed to also record and release their sophomore follow up Paranoid the very same year is anyone's guess (drugs).
Early WB Scores: The Depression Era (1936-1941) (6:01)
The Good Egg (1939) - A Vintage Merrie Melodie (4:37)
Various Cues From Bugs Bunny Films (1943-1956) (4:54)
There They Go Go Go (1956) - A Complete Road Runner (1:31)
Stalling Self Parody: Music From Porky's Preview - Preceded By The Introduction From You Ought To Be In Pictures (3:00)
Anxiety Montage (1952-1955) (0:45)
Stalling: The War Years (1942-1946) (15:41)
Medley - Dinner Music For A Pack Of Hungry Cannibals (1941-1950) (5:01)
Carl Stalling With Milt Franklyn In Session (1956) (5:32)
Speedy Gonzalez (1955) Meets Two Crows From Tacos (1956) (7:13)
Powerhouse And Other Cuts From The Early 50's (5:59)
Porky In Wackyland (1938) / Dough For The Do Do (1949) (5:38)
To Itch His Own (1958) - Stalling's Last Score (6:14)
Review: This is a delightful celebration of classic cartoon scores that arrives for a special Black Friday 2024 release. The collection showcases the genius of composers like Carl Stalling and Milt Franklyn, whose music defined the Looney Tunes and Merrie Melodies era. Orchestral brilliance and playful synchronisation bring timeless characters like Bugs Bunny and Daffy Duck to life. With all new remastered tracks, the album highlights intricate arrangements and whimsical motifs that revolutionised animation scoring. Perfect for collectors and nostalgia enthusiasts alike, this one honours the artistry behind some of the most iconic and enduring cartoon soundtracks in entertainment history.
Review: Who can argue with them for wanting to repress this beauty? It's quite simply one of the best pop albums of all time. Tracy Chapman's voice is inimitable and she is, frankly, a genius. The timeless yet nostalgic 'Fast Car' is the unmistakable standout here - be teleported back to late-80s Britain (when it was a ubiquitous presence in public spaces) but know that if an emerging artist wrote that today it would still be a number one. Strictly speaking this is a 37th anniversary reissue - but who's counting? The label, with Chapman herself involved, have gone to meticulous steps to ensure it's an audiophile delight: Heavyweight vinyl and sourced from the analog master. The trusty Bernie Grundman, who is one of the best mastering engineers in the world, was the honoured hire in bringing this work of art back to life.
Make Me Smile (Ballet For A Girl In Buchannon) (1:57)
So Much To Say, So Much To Give (2:06)
Anxiety's Moment (2:43)
West Virginia Fantasies (1:34)
Colour My World (1:48)
To Be Free (1:34)
Now More Than Ever (2:00)
Fancy Colours (4:50)
Saturday In The Park (6:02)
Mother (5:26)
It Better End Soon (17:41)
I'm A Man (6:44)
Free (7:18)
Does Anybody Really Know What Time It Is? (Free Form intro) (5:22)
Does Anybody Really Know What Time It Is? (4:47)
25 Or 6 To 4 (6:09)
Review: This comprehensive special edition of this classic album comes across eight sides of vinyl and captures the iconic band at the peak of their early career. Performing in the nation's capital, Chicago delivered a wonderfully dynamic set that showcases their unique fusion of rock, jazz, and brass. It features plenty of great work from the band's well known and distinctive horn section and intricate arrangements. A magnificently captured live recording, it features hits from their early albums such as Chicago Transit Authority and Chicago II, and also takes in fan favourites like 'A Song For Richard & His Friends' and 'Beginnings.' The performance is a testament to Chicago's musical versatility and powerful live presence and this version of it takes you right back to the heart of it all.
Review: Chicago's third greatest hits album, originally released in 1989, is now available on sea blue vinyl. This collection spans from Chicago 16 to Chicago 19, featuring classics from both Peter Cetera and his successor Jason Scheff. Highlights include power ballads like 'Hard to Say I'm Sorry' and 'Hard Habit to Break' by Cetera, and 'If She Would Have Been Faithful' with Scheff on vocals. Chicago's resurgence in the early '80s and continued success with hits such as 'Will You Still Love Me?' and 'Look Away' show the band's enduring appeal. With over 38 million units sold in the U.S. and numerous gold and platinum albums, Chicago remains one of rock's most successful groups. This compilation alone features 6 top 10 hits alone!
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