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Rush Hour Holland

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Cat: RHM 031. Rel: 28 Jun 19
Techno
  1. Demedim Mi (part 1) (23:27)
  2. Demedim Mi (part 2) (22:51)
 in stock $13.79
Gerd JANSON/VARIOUS
Cat: RHM 018LP. Rel: 07 May 19
Deep House
  1. Conga Radio - "168 North" (6:12)
  2. Leon Vynehall - "Midnight On Rainbow Road" (6:21)
  3. Joy Orbison - "A213" (5:10)
  4. AKSK - "Breaking" (4:20)
  5. Shan - "Awakening" (5:57)
  6. Bicep - "Carmine" (7:10)
  7. Fort Romeau - "Seleno" (6:31)
  8. Orson Wells - "Oribiting Jupiters" (6:23)
  9. Disco Nihilist - "Melancholy" (4:23)
  10. Lauer - "Autofahrn" (4:51)
Review: For the first Musik For Autobahns compilation, released back in 2012, Gerd Janson asked some of his favourite producers to create tracks inspired by the relentless, seemingly never-ending experience of motorway driving. Three years on, he's revisited the concept with similarly pleasing results. Subtitled "ambient race car music", Musik For Autobahns 2 offers up a largely magical blend of hyponitic, Balearic-tinged downtempo grooves (see Leon Vynehall's brilliant opener), shuffling hypnotism (Joy Orbison), obligatory nods to Kraftwerk (Fort Romeau), quirky synth-pop (AKSK), Detroit influences (Disco Nihilist), trippy Balearic boogie (Conga Radio), and sublime compositions (Orlando Voorn). More importantly, it contains some wonderfully evocative and entertaining music.
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 in stock $17.17
Midnight On Rainbow Road (12") (1 per customer)
Cat: RHM 019. Rel: 23 Apr 19
Deep House
  1. Midnight On Roadbow Road (beat edit) (6:34)
  2. Midnight On Roadbow Road (6:23)
Review: Leon Vynehall's stunningly picturesque "Midnight On Rainbow Road" was one of the undoubted highlights of Gerd Jansen's second Musik For Autobahns compilation, which was released in the autumn of 2015 by Rush Hour. Here, it gets a deserved single release, with the original - a hypnotic, driving-inspired blend of fluid electronic melodies, a wispy percussion and Jonny Nash style glistening guitar lines - being complimented by a brand new "Beat Edit". This adds a slowly unfurling, head-nodding rhythm that takes the track further towards Detroit Beatdown territory. In essence, though, it sounds like an early '90s ambient house jam. That's no bad thing, given that Vynehall seems to have emphasised the sun-kissed beauty of the original in the process.
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 in stock $8.58
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