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Artículos del 1 al 11 de 11 en la página 1 de 1
Studio Electronics Boomstar Modular Grainy Clampit Granular & Phase Distortion Additive Oscillator Module
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 1 in stock $342.49
Cat: 655801 Rel: 23 Oct 17
 
Voltage-controlled granular & phase-modulated additive oscillator module
Notes: GRAINY CLAMPIT is a granular and phase distortion additive oscillator - brand new heavy territory for Studio Electronics - wait till you hear the stunning contrast it creates when paired with our discrete Class-A OSCILLATION module, and the inorganic to downright 1970's combo organy/CS-80-ish tones it can generate. Pure voltage-controlled candy.

First Stage:
Additive mixing of 4 harmonics using one of 16 waveforms and one of 16 combinations of harmonics.

Second Stage:
Granular or phase distorted mixing of the signal from the first stage, with a sync option.

Back to the First Stage:
Additive section with selection of 16 different combinations of harmonics. The harmonics can be based on a sinewave or on one of 15 other waveforms. There's a separate control for mixing the selected harmonics.

Back to the Second Stage:
The second processing stage allows granular processing or phase distortion. Granular processing gives you control over grain length and grain position, and can produce sync, detune, and wave sequencing effects. Phase distortion allows the signal from stage one to be "looked up" non-linearly, and can produce thick detune sounds and wildly varying pitch/timbre effects.

Both settings have a choice of long buffer length (for wave sequencing effects) or short buffer length (for smoother detuned effects).

Eight attenuation and three attenuverter pots:
WAVE TYPE, OT TYPE, DETUNE, OT MIX CV, PITCH, OT MIX, OT T CV, S/A CV, LEN/PITCH, SPACE/AMT, FINE TUNE.

Switch it Up:
- GRAIN/PD - Up position: Selects Granular processing - the signal from the Wavetype/OT/Detune section is placed in a buffer, then is read back as 'grains' of sound of variable length. Down position: Selects Phase Distortion processing - the signal from the Wavetype/OT/Detune section is placed in a buffer, then is read back by a non-linear counter, distorting the waveform of the original signal.
- FIX - In GRAIN mode, the up position allows Len/Pitch to directly affect the output pitch; in the down position, Len/Pitch syncs this output pitch to the master pitch of the module. In PD mode, the up position allows Len/Pitch to continuously vary the pitch of the phase distorted output; in the down position, Len/Pitch sets the pitch of the phase distorted output to musical intervals in respect to the master pitch.
- RANGE - The size of the buffer used for Grain/PD processing. Up: Long buffer - results in wave sequencing effects, as the buffer can be heard repeating when Detune pot value is positive. Down: Short buffer - gives smoother sounds than the long buffer, which is good for detuned effects.
- LOW RES - Gives priority to the 4th bit in the 8 bit digital-to-analog converter - for harsh and noisy sounds.

Patch it Up:
- 1V/OCT - 1 Volt per octave input controlling the overall pitch of the module. Input range is 0 to 10v.
- OT T CV -CV control of Overtone Type - allows sequencing through all 16 preset combinations of 4 different harmonics. Input range is +/-10V.
- OMX CV - CV control of Overtone Mix - sweeps through the mix of the harmonics, from lower harmonics loudest to higher harmonics loudest. Input range is +/-5V.
- S/A CV - CV control of Space/Amount. In Grain mode: controls the spacing/detuning of grains.
- In PD mode: controls the amount of non-linearity in the phase distorted output. Input range is +/-10V
- OUTPUT - Sound output +/-5V range.

- Size: 18hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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Studio Electronics Boomstar Modular Levels Six Channel Summing Mixer & Attenuator Module
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 1 in stock $178.42
Cat: 655803 Rel: 23 Oct 17
 
6-channel audio & CV summing module - 10HP
Notes: LEVELS is a versatile, low-noise six channel summing mixer/attenuator for audio and CV, re-designed by Tim Caswell, which can be used rather effectively in a variety of ways: 6 in 1 out, or two separate mixers: 4 in 1 out, and 2 in 1 out, e. g., when only jacked-in to MIX 5/6 output all input channels pass through; utilizing the 1-4 OUT removes channels 1-4 from the MIX 5/6 output. Handy indeed.

The pots are wired with a logarithmic volume curve that is tuned for use with audio but it will work splendidly with CV as well. Pressing LEVELS into service as a wave-shaper by patching all of the individual OSCILLATION waveform outs (sub, sine, tri, saw, ramp, square) into CHANNEL inputs 1-6, makes for vivid beguiling shapes - a morphable hybrid waveform of your innermost sound designs. Consider pairing the two Modstar modules when building your system.

Potentiometer Potential:
Six attenuation pots control CHANNEL 1, CHANNEL 2, CHANNEL 3, CHANNEL 4, CHANNEL 5, and CHANNEL 6.

Patch it Up:
Eight patch points: CH1 IN, CH 2 IN, CH 3 IN, CH 4 IN, CH 5 IN, CH 6 IN, 1-4 OUT, MIX/5-6.

- Size: 10hp
- Depth: 25mm with ribbon cable attached
- Power Usage: 39mA, 40mA (+12 / -12)
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Studio Electronics Boomstar Modular Oscillation Module
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 1 in stock $309.49
Cat: 655839 Rel: 30 Oct 17
 
Voltage-controlled oscillator module - 16HP
Notes: At the beginning of the tone parade, we cheer on another cagey Tim Caswell hybrid, which utilizes an exponential current source in a sympathetic spirit, to the through-hole, glory days circuits of ARP and Oberheim, followed in perfect sync by wave shaping circuits adapted from 2nd generation Minimoog Model D oscillator boards, and an incorporation of waveform mixing circuits pioneered by little old SE; that's us here at STUDIO ELECTRONICS! The gorgeous 100k spray on top all the way down to a boomin' sub bottom, engineer a extravagant variety of tones that would otherwise require several patch cords, and an external mixer; with a two oscillator system, 9 or 10 patch cords and an 8 input mixer would have to be tucked into your carry-on. Where then would you secret your laptop and raw almonds?

What's nice about our OSCILLATION stunner (according to Tim) "is that the waveforms are DC-coupled [components connected directly together without any coupling capacitors], so they keep their shape even at sub-Hz speeds. The outputs are also buffered, so the amplitude is independent of the load they are driving. The waveform levels on some modern Eurorack OSCs are often all different, and they vary depending if they go into the mixer or directly to the filter!" Coupling the circuitry without capacitors in-line gives the go-ahead for the full spectrum of frequencies to do their thing, and ensures near identical response over the years - audiophile, transistor-protecting signal path stuff here. You should see these beauts on the scope: a Class-A ballet of balance and proportion, only drawing modest current, rather evenly from plus and minus.

Potentiometer Potential:
Three attenuation, and three attenuverter pots control the FREQUENCY, TUNE, PW CV IN, PUSLE WIDTH, FM CV IN, and SUB LEVEL, delivering smooth, detailed, and complex expression.

Switch it Up:
NORMAL and LOW RANGE - wide sweeping audio frequencies, or clicks (respectively) for creating a rhythmic pulse or sweep; SINE, TRI, SAW, SQR - your friendly waveform on and offs.

Patch it Up:
Eleven patch points: 1 V/O, FM IN, WAVE MIX, SYNC IN, PW IN, SUB OUT, SINE OUT, TRI OUT, SAW OUT, RAMP OUT, SQR OUT direct the deepest manipulation.

- Size: 16hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 20mA, 39mA (+12 / -12)
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Studio Electronics Boomstar Modular Quadnic Oscillator Module
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 1 in stock $282.51
Cat: 655847 Rel: 11 Sep 17
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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Studio Electronics Boomstar Modular SEM Filter Module
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 1 in stock $252.22
Cat: 655853 Rel: 11 Sep 17
 
Voltage controlled state variable filter module
Notes: Simultaneous high pass, low pass, and band pass outputs, all with a 12 dB/oct slope. The notch is the inverse of the bandpass, achieved by summing the low pass and high pass outputs. This version is a combination of the original SEM filter and the newer design from the OBX, along with improvements by SE. It has a modest current draw, which it pulls evenly from the plus and minus rails.

Potentiometer Potential:
Three attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, LP HP, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
FULL and HALF strength filter frequency keyboard/voltage tracking, and BP / LP-HP modes.

Patch it Up:
Seven patch points: 1 V/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT, BP LP-HP, and OUTPUT direct the deepest manipulation.

All Controls and Patch Points:
FREQUENCY - Adjusts the frequency, or cut-off of the filter.
RESONANCE - Adjusts the resonance of the filter.
FULL HALF TRACK - Switch between full and half keyboard/voltage tracking.
FREQ CV 1 - Frequency control voltage 1 input attenuverter.
RESO CV - Resonance control voltage input attenuverter.
LP HP - Low Pass / High Pass attenuverter.
INPUT - Adjusts the audio input.
OUTPUT - Adjusts the audio output.
1 V/O - One volt per octave control voltage input.
FREQ CV 1 - Frequency control voltage 1 input.
BP OUT - Band Pass Output. No cable patched, BP passes through the mains.
RESO CV - Resonance control voltage input.
INPUT - Audio input.
BP LP-HP - Switch between Band Pass and Low Pass - High Pass modes.
OUTPUT - Audio output.

- Size: 12hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 32mA (+12 / -12)
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Studio Electronics Boomstar Modular Shapers Dual Four Stage Envelope Generator Module
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 1 in stock $247.82
Cat: 655858 Rel: 25 Sep 17
 
12HP Eurorack dual envelope generator module
Notes: SHAPERS is a dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages. Our Pittsburgh Modular hybrid ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument, just like its antecedent. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.

The functionality of SHAPERS is easy enough: the incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the ATTACK determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. DECAY sets the amount of time needed to transition to the level set by the sustain knob. The SUSTAIN level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The RELEASE knob sets the time needed to close the envelope and return the ADSR output to 0 volts.

SHAPERS envelopes can respond lightning fast or demonstrate the patience of a saint, especially in the LONG RANGE 1 and 2 settings. INV 1 makes topsy-turvy time fun with the inverting of the ADSR 1, and the LED indicators provide a useful visual assist.

Potentiometer Potential:
Eight attenuation pots control the ATTACK (x2), DECAY (x2), SUSTAIN (x2), RELEASE (x2), delivering smooth, detailed, and complex expression.

Switch it Up:
SHORT and LONG range time settings for both ADSRs.

Patch it Up:
Five patch points: IN 1, OUT 1, INV 1, IN 2, and OUT 2 connect and direct the deepest manipulation.

All Controls and Patch Points:
ATTACK (x2) - Adjusts the attack stage.
DECAY (x2) - Adjusts the decay stage.
SUSTAIN (x2) - Adjust the sustain stage.
RELEASE (x2) - Adjusts the release stage.
SHORT / LONG RANGE 1 - Selects the evelope range for ADSR 1.
SHORT / LONG RANGE 2 - Selects the evelope range for ADSR 2.
IN 1 - Control voltage input 1.
OUT 1 - Control voltage output 1.
INV 1 - Inverted control voltage output 1.
IN 2 - Control voltage input 2.
OUT 2 - Control voltage output 2.

- Size: 12hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 16mA, 17mA (+12 / -12)
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Studio Electronics Boomstar Modular Slim O Oscillator Module
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 2 in stock $229.08
Cat: 655860 Rel: 11 Sep 17
 
Oscillator module in Eurorack format - 8HP
Notes: Identical OSCILLATION sound engine - the historic, gorgeously stable, and rich SE oscillator, slimmed down to 8hp essentials, with no tonal or quality sacrifice allowed; the Slimo is MidiMini big sonically. Compromise perfected. Three position octave switch is a bonus.

6 Pots:
FREQUENCY, FINE, FM CV, PUSLE WIDTH, PW CV.

1 Switch:
OCTAVE - Three position range switch: +1/-1 octave switch.

7 Patch Points:
1 V/O, FM CV, PW CV, TRI, SAW, SQUARE.

All Controls and Patch Points:
FREQUENCY - Oscillator frequency attenuator.
FINE - Oscillator fine-tune trim.
FM CV - Frequency Modulation control voltage attenuverter.
OCTAVE - +1/-1 octave switch.
PULSE WIDTH - Pulse Width attenuator.
SYNC IN - Oscillator sync control voltage input.
PW CV - Pulse Width control voltage attenuverter.
1 V/O - One volt per octave control voltage input.
FM CV - Frequency Modulation control voltage input.
PW CV - Pulse Width control voltage input.
TRI - Triangle wave output.
SAW - Sawtooth wave output.
SQUARE - Square wave output.

- Size: 8hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 20mA, 39mA (+12 / -12)
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Studio Electronics ModStar 8106 Filter Module
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 1 in stock $285.27
Cat: 655795 Rel: 14 Aug 17
 
Hi-pass filter module in Eurorack format - 12HP
Notes: Designer Tim Caswell: "The 8106 is a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. Three dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, one amp for the hi-pass filter, four (with added buffers) for the low-pass, and one for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4075, the tonality, especially when overdriven, is distinct."

Interface and feature Maestro Greg St. Regis, opted for the 6dB over the 12dB/18dB "tap" for the second filter output, due to its colourful, and starkly contrasting character.

And yes, this INPUT drive hits harder - much faster than our other filters - so there is plenty of dirt to go around, but a familiar and comforting Roland-y quality/tonality/flow is definitely home base, especially with a nice SLIM O top-dead-centre square wave is riotously coursing and pulsing through the 8106's veiny through-hole circuitry.

7 Pots:
FREQ, RES, FREQ CV, RES CV, HPF, INPUT, OUTPUT

2 Switches:
FULL/HALF TRACK, 6dB/24dB

Patch Points:
1V/O, FREQ CV, 6dB OUT, RES CV, INPUT, OUTPUT

- PCB Mounting Scheme: Through-hole
- Size: 12hp
- Depth: 38mm including connectors
- Power Usage: 40mA, 35mA (+12 / -12)
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Studio Electronics Tonestar 2600 Synth Voice Module
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 1 in stock $527.58
Cat: 655877 Rel: 14 Aug 17
 
32HP semi-modular Eurorack analog monosynth module
Notes: TONESTAR 2600 is an ARP 2600-inspired synth voice 31 years in the shaping, pre-patched like Pearlman's prodigy, and fully #OutsToOuts modular, allowing for highpass/bandpass/notch filter tones, and bristling X-mod effects. Connect CV / gate and twist 'n' switch, or pull its tones and voltages apart one 3.5mm cord at a time. 26 knobs, 7 switches, and 21 jacks make for complex and satisfying signal flow, colour and collisions. If it gets reedy, route the triangle wave 'round the VCF, and keep it boomin'.

26 Knobbed and "Shafted" Potentiometers:
VCO: FREQUENCY, PULSE WIDTH, LFO, GLIDE, MOD (ADSR), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQUENCY, RESONANCE, TRACK, DRIVE, ADSR, MOD (LFO); LFO: DEPTH (OSC), SPEED; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter), VOLUME

7 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF);VCF: FREQUENCY/RESONANCE (frequency/null/resonance); LFO: TRIANGLE/SQUARE (frequency/null/pulse width); ENVs: DRONE, MASTER (drone/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: Discrete, voltage controlled, 24/db/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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Studio Electronics Tonestar 8106 Synth Voice Module
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 1 in stock $535.29
Cat: 655881 Rel: 14 Aug 17
 
Self-contained synthesizer voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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Studio Electronics Tonestar Folktek'd Synth Voice Module
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 2 in stock $587.04
Cat: 655880 Rel: 11 Sep 17
 
Self-contained synth voice module in Eurorack format with panel designed by Arias Blaze from Folktek
Notes: The Studio Electronics Tonestar 2600 Folktek'd is essentially their Tonestar with a panel designed by Arias Blaze from Folktek. The module contains all the same functions as the Studio Electronics Tonestar 2600.

The Tonestar 2600 is a self-contained synth voice for use in Eurorack modular synthesizer systems. The module contains a VCO, resonant filter, voltage controlled LFO, dual envelopes, a VCA with volume control over the final output, and an array of patch points. As the latter part of its name suggests, the module was inspired by the Arp 2600.

26 Knobbed and "Shafted" Potentiometers:
VCO: FREQUENCY, PULSE WIDTH, LFO, GLIDE, MOD (ADSR), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQUENCY, RESONANCE, TRACK, DRIVE, ADSR, MOD (LFO); LFO: DEPTH (OSC), SPEED; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter), VOLUME

7 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: FREQUENCY/RESONANCE (frequency/null/resonance); LFO: TRIANGLE/SQUARE (frequency/null/pulse width); ENVs: DRONE, MASTER (drone/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole.
- Filter: Discrete, voltage controlled, 24/db/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors.
- Size: 32hp.
- Depth: 35mm including connectors.
- Power Usage: 130mA, 80mA (+12 / -12)
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