Review: "We are excited to finally announce and share 'Presentiment', the second Long Player from The Connection Machine. This release is particularly special for us as it will be the first time in over 20 years that Jeroen and Natasja have put an album out on vinyl. Despite having a string of aliased releases in the '90s on the mighty U-Trax, a 12" during the early days of Carl Craig's Planet E, a remarkable album 'Painless' on Down Low Music, and most recently a series of in demand E.P.s with Lost Trax on Tabernacle, their output has remained tantalisingly infrequent. With 12 tracks that capture their unique and awe-inspiring sound, 'Presentiment' opens you up to a world that only The Connection Machine have access to."
Review: Largely found bashing out bastardised machine jams on Dark Entries, Bill Converse makes a logical move to Tabernacle for this new double pack of devilishly decent burners for the adventurous end of the night. The nagging hisses and end-of-days bleeps on "Tinnitus" will get right under your skin, while "Permission" stomps out a broken down jack to get the waifs and strays shaking. "Borealis" takes star-gazing techno into a particularly noisy dimension, "Operation" channels the spirit of Jamal Moss-minded acid freakery and "Mutiny" depicts the unkempt groove left after the breakdown of the hardware. "Awakening" ends things on a brighter note, twisting out grubby acid lines through some beautiful but distant chords and a snaking set of blown out drums.
What Doesn't Kill You Doesn't Make You Anything (4:09)
Darkly Down The Cellar Steps Again (5:02)
Review: John Heckle last released an album on Tabernacle three years ago, but he's been far from quiet since then with his Head Front Panel project diverting his attention towards blistering hard techno. Tone To Voice then represents a return to more melodic pastures with a more diverse selection of tempos and moods to choose from, but still Heckle's innate gift for expressive, dynamic machine music shines through. "Sonic Spectrometer" is a joyous slice of techno-jazz, while "Potential Life" whips up stunning cascading synth lines and pattering hats. At times, there's no need for a kick, and with ample ambient excursions woven into the mix this stands as one of Heckle's most accomplished releases yet.
Altar [Native States] (feat Scientific Dreamz Of U)
Review: Junior Loves has previously been spotted alongside Scientific Dreamz Of U on the excellent The Dreamcode cassette for 1080p back in 2015, and now the spiritually charged producer is stepping out on SDOU-friendly label Tabernacle to impart some well-travelled rhythm science to all astral journeypeople. There's definitely a psyched-out drum circle vibe to "Light/New Faith," but it's shot through with foreboding that makes it all the more alluring. "Hallowed (0.E.P)" is a strafing exercise in space age arpeggios and eerie chords, and the Scientific one lends a hand on the thrumming cosmic engine of "Altar [Native States]."
Bitch & Bites - "Techdrea In Andromeda (Time/Space)"
Bouhouz - "Fairy Tale"
Review: Tabernacle have an enviable instinct for visionary talents in the well-ploughed field of purist machine-powered techno and house, and their various artist releases can be a goldmine for new names to add to your watch list. So it goes on this latest transmission, kicking off with the dusty Chicago house styles of Models Over 18 before switching stance drastically to the splayed out tonal investigations of Paradize. Bitch & Bites are equally subversive, shirking dancefloor demands to apply classic techno motifs to a fractured but ultimately inviting strain of hardware-honed techno. That leaves it to Bouhouz to round the EP off with a gentle murmur of synth patterns carefully composed for a spiritual, subliminal end result.
Review: Manni Dee might be best known for his upfront techno tackle on Perc Trax and the like, but he's also been quietly building up a separate identity as Nuances, and it's a world away from his dancefloor output. Following on from some choice album appearances on Bastakiya Tapes, it's up to Tabernacle to give the project its first outing on wax. While Tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. Heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. Ignore the familiar name behind the music - this is an album deserving attention all on its own.
Review: Tabernacle aren't as known for their reissue work, but here they've made an exception to shine a light on a truly astounding hidden gem lost in the dry ice haze of the early 90s. Phuture Classical Appendix A originally came out on cassette in 1992 on Drome Tapes in the Netherlands, showcasing a low key selection of artists exploring the limits of deep, dark techno and house. Now spread across three 12" releases, these treasured curios now get the widespread release they deserve, leading in with the haunting self-titled track from Paradize Disowned before the gritty techno throb of "Gee Lee" by DJ Zero One. Considered in their execution and immensely evocative of the underbelly of early rave culture, these releases are ones that discerning old-skool heads will not want to miss.
Review: Tabernacle turn their attention towards the industrial side of their musical repertoire with this hard-hitting release from Russian and French outfit UVB76. Hot on the heels of their S A N album on Teenage Menopause, this formidable duo serve up a searing blend of classic EBM pressure and contemporary flair, veering from the Skinny Puppy-esque stomp of "Extend" to the bruising Vex'd-tinted dubstep flex of "Ckahep". "Rust" locks into a jagged, darkside techno rut, while "Helm" gets artful with space and noise sculpture. "Citizen" offers the most measured track on the release, an uneasily submerged kind of electro noir for tortured souls.