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Tectonic

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Tectonic

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Artículos del 1 al 9 de 9 en la página 1 de 1
Cocktail Party Effect (double 12")
Cat: TECLP 024. Rel: 29 Apr 20
Bass
  1. PSA (part 3) (1:13)
  2. Talking To Bricks (feat Redders) (3:38)
  3. For The Memory Exchange (3:53)
  4. Brutalism (2:07)
  5. PDA (5:19)
  6. War On Codex (4:50)
  7. Cause For Bad Shelving (4:25)
  8. Lack Of Wrong Format (2:59)
  9. Deerhorn (3:33)
  10. I Get It (Lost Banknote) (2:57)
  11. Low Rise (5:02)
  12. Loner (4:33)
Review: Debut album time! Berlin-based CPE has a reputation for generous EPs but this body of work is a whole new brutalist level. Stirring his techno-meets-grime-meets-dubstep cauldron with a series of sharp implements, Tectonic is the perfect playground for the young fusionist's fire. From the distorted electroid energy of "For The Memory Exchange" to the pulverising drum militancy of "War On Codex" via the more restrained, dreamy "Lack Of Wrong Format" and the total glitch frenzy of "I Get It (Lost Banknote)", Cocktail Party Effect references so much of modern electronica yet sounds unlike anything else at all. Dark times call for dark music...
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Intérprete: Juno Recommends Bass
 in stock $17.41
Cat: TEC 108. Rel: 18 Sep 19
Bass
  1. Cooper's Dream (5:12)
  2. For The Future (4:10)
  3. Endorfiend (4:33)
  4. The Shermi Paradox (5:01)
 in stock $9.09
Cat: TEC 106. Rel: 12 Apr 19
Experimental/Electronic
  1. Chaos Engine (Shatter remix) (8:32)
  2. Cold (Crystalline remix) (14:03)
$9.09 SAVE 33%
 in stock $6.10
Cat: TECCD 025. Rel: 24 Jun 20
Bass
  1. Entangled Particles (feat Emika)
  2. All Man Got (feat Trim)
  3. Accelerated Culture
  4. Returnity
  5. Making Space
  6. Party (feat Killa P)
  7. Back To Beyond
  8. Change Is A Must (feat Inezi)
  9. Non-Terrestrial Forms
  10. The Last One (feat Nive Nielsen)
Review: It was arguably 2007 debut LP "Underwater Dancehall" - still one of the greatest dubstep albums of all time - that made Tectonic co-founder Pinch one of British bass music's most celebrated talents, so this solo sequel is long overdue. Much has changed in UK bass - and his life - since then, and "Reality Tunnels" reflects that. Much more widescreen in approach and sound, it sees him flit between vocal grime and dubstep, 21st century jungle mutations, future dub, ambient soundscapes, deconstructed dancehall and - most surprisingly of all - weighty, bass-heavy, Bristol style techno. Some fans may be surprised at the decidedly different directions, but it all makes perfect sonic sense - after all, British bass music has long been about more than just dubstep and D&B.
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 in stock $9.34
Cat: TECLP 025. Rel: 25 Jun 20
Bass
  1. Entangled Particles (feat Emika) (3:50)
  2. All Man Got (feat Trim) (3:18)
  3. Accelerated Culture (5:11)
  4. Returnity (4:08)
  5. Making Space (4:00)
  6. What Are We Waiting For (feat Trim) (3:34)
  7. Party (feat Killa P) (4:22)
  8. Back To Beyond (5:33)
  9. Change Is A Must (feat Inezi) (3:58)
  10. Non Terrestrial Forms (4:16)
  11. The Last One (feat Nive Nielsen) (4:04)
 in stock $17.15
Cat: TEC 109. Rel: 23 Oct 19
Dirty Dubstep/Trap/Grime
  1. Crossing The Line (4:37)
  2. Send Out (4:37)
Review: Given the beat-making and production talents of Bristol boys Pinch and Khan, this hook-up with grime MCs Killa's Army - Killa P, Irah and Long Range - was never going to fail. Even so, "Crossing The Line" is insanely good; a future club anthem in which the three MCs get the hype going over a weighty, fuzz-fuelled beat that sits somewhere between grime, dancehall and dubstep. Killa (sorry) stuff. Pinch and Khan ditch the MCs on B-side workout "Send Out", instead peppering a moody bassline, clandestine aural textures and ricocheting vocal samples with gunshot snares, gut-punching sub tones and panicked electronics.
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 in stock $9.88
Black Lotus (2xLP)
Cat: TECLP 023. Rel: 11 Jul 18
Bass
  1. Black Lotus (2:44)
  2. Point Blank (4:31)
  3. Koto Riddim (VIP) (4:24)
  4. No Mercy (feat Riko Dan) (3:58)
  5. Mad Zapper (4:15)
  6. Angry Drummer (4:35)
  7. Pan (5:26)
  8. Erhu (4:55)
  9. Vectors (feat Wen) (4:10)
  10. White Lotus (5:01)
Review: Much has changed since Walton's last full-length excursion, 2013's Beyond. Back then he was being nurtured by the Hyperdub label, which gave him the time and space to develop his own brand of melodic bass music. Since 2015 he's been signed to Pinch and Ginz's Tectonic stable, delivering 12" singles that expand his sound palette earlier. Black Lotus, his sophomore album, is arguably his most impressive release to date. While it boasts a wealth of sparse, bass-heavy, dubstep workouts (see "Koto Riddim (VIP)" and "No Mercy", featuring the distinctive flow of Riko Dan), you'll also hear more experimental takes on the bass music template ("Mad Zapper" and the deliciously percussive and Brazilian-influenced "Angry Drummer") and the kind of beautifully melodious and breezy fare that's as attractive as it is hard-hitting.
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Intérprete: Juno Recommends Bass
 in stock $18.69
Inside EP (12")
Cat: TEC 105. Rel: 06 Feb 19
Bass
  1. Bullet 2 (4:44)
  2. Inside (5:11)
  3. More Cowbell (4:56)
  4. Gunshot Clap (5:01)
Review: Busting open a brand new bottle of 2019 with his bare Mancunian hands, Walton returns to Pinch's Tectonic with his first fresh dispatch since his sophomore album Black Lotus. As always, it's a full-bodied assault as "Bullet 2" licks shots with technoid venom. "Inside" follows with a similar spirit but with even less layers of armour and a bouncier bassline, while "More Cowbell" does that toxic Pulse X style alien bass thing, gets all trippy with the percussion and seriously stampy with the kicks. Finally, we close with a bruked up G swagger on the spacious, foreboding "Gunshot Clap". Shots fired.
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Intérprete: Juno Recommends Bass
 in stock $9.09
Abyss EP (12")
Cat: TEC 110. Rel: 04 Mar 20
Bass
  1. Scooped (5:35)
  2. SBWYS (5:12)
  3. Smashed Crabs (4:52)
  4. Abyss (5:21)
Review: With his weighty fusions on murky dubstep, broken techno and mutilated polyrhythms, Sam Walton has always been a hard producer to pin down. He's at it again on "Abyss", his first missive of 2020. There's much to set the pulse racing throughout, from the smoky aural textures, sustained organ chords and off-kilter rhythms of "Scooped", to the warped bass, rolling drums and popping electronic motifs of closing cut "Abyss". Sandwiched in between you'll find a razor-sharp cut of raw rave revivalism (the '92 hardcore style rush of "SBWYS") and a muscular fusion of mind-bending bass and stuttering drums that sounds like a bassbin-bothering anthem in the making ("Smashed Carbs").
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 in stock $10.39
Artículos del 1 al 9 de 9 en la página 1 de 1

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