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Singles
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in stock $15.30
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Review: Minimal Wave presents an exquisite 7" EP release by Martin Lloyd entitled "L'Amant Electronique". Martin is mainly known for his Oppenheimer Analysis (Minimal Wave) and Analysis (Survival Records) projects, yet through the years he recorded over two dozen tracks on his own, most of which never saw the light of day. The four selected tracks were recorded between 1980 and 1984 in his own "Feedback Studios" in Battersea , London. Martin Lloyd delivers vocals via the vocoder and carefully layers synth melodies which range from upbeat and danceable, to what could be the soundtrack to a 1981 post-apocalyptic science fiction film. The record is pressed on white vinyl with a heavy black jacket (spot gloss) and is limited to 999 hand-numbered copies.
… Read moreIntérprete: Juno Recommends Electro
in stock $12.71
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in stock $14.00
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in stock $14.00
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Shake Your Molecules EP (limited 180 gram red vinyl 12")
Cat: MW 052. Rel: 16 Apr 14
Review: Nothing but gorgeousness seems to characterise the work of the Minimal Wave imprint over the recent years. It's a label that is both unpredictable and continuously elegant in its choice of reissues. This time, it's a wonderful unearthing of Soma Holidays cult-hit, Shake Your Molecules. The Franco-American duo was part of Brooklyn's clique of artists throughout the 1980's, and although their sound is firmly representative of that era, the tracks are still ridiculously fresh and seductive both in their melodies and vocals. The title track is a sort of synth-pop tune gone wrong in a good way, where drugged-up lyrics meets morphing synths and metallic drum machines, whereas the Dub cut could easily be played in most techno DJ sets these days. On the B-side, we have the charming, atmospheric glow of "Too Many People" and "Art Dimension", the top pick in our opinion and one which is screaming to be be remixed into a contemporary house tune.
… Read more in stock $24.12
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Review: Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of
a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
… Read morea creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
Intérprete: DAVIS [BR], Juno Recommends Experimental
in stock $1.03
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Gutz (limited fluorescent orange vinyl 12")
Cat: CITI 015. Rel: 19 Nov 14
Review: Earlier this year Minimal Wave offshoot provided one of this year's most visceral dancefloor weapons in Kino-I, the debut from Doug Lee's new An-I project. Taking inspiration from techno, jack, industrial and punk, An-I successfully drew a line under some of the Berlin-based artist's previous disco-flavoured endeavours. And then some! If you like the Kino-I 12" you will love the new triplet of An-I productions housed on this appropriately titled Gutz 12". The title track alone should come with a health warning; such is the furious onslaught of machine funk it contains, whilst the unnerving "Rut" is the most schizophrenic production you will hear this year. Best of all id closing track "Save Us" sounds like a cross between in Aeternam Vale and Silent Servant. Pressed on a rather thick and dashing slab of magenta orange vinyl!
… Read moreIntérprete: Alexis Le-Tan, Tunnel Signs, Justin Van Der Volgen, Tripeo, Jacques Renault, Marsman, Jamie Behan, Francis Inferno Orchestra, 3.14, In Flagranti, Kelvin Andrews, Ali Renault, Rogér, Kito Jempere, Edward Navarro, Lurid Music, Lena Willikens
… Read more in stock $20.22
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Review: Emergent Italian producer Herva has been responsible for some truly unique music committed to wax in recent times - see last year's album for Delsin as well as his hook up with Massprod on the mighty Kontra-Musik. His run of fine releases continues here with How To Mind Your Own, a six track EP for Dublin's All City operation which doesn't so much as defy easy genre categorisation, it laughs in the face of such futile gestures. Some may call it deep house but really Herva has crafted some mutant brands of the genre where individual tracks contain more ideas and rhythmic deviations than you are likely to hear in whole 12"s from many other artists. Totally crazy and totally refreshing.
… Read more in stock $8.81
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Review: Current scene favourite Nils Frahm teamed up with Icelandic multi-instrumentalist Olafur Arnalds on three breath taking excursions through lush ambient textures on "Stare" as a surprise release back in 2012 for label founder Robert Rath. "A1" features Frahm's entrancing irresistible melody over some gorgeous all-consuming strings and glacial soundscapes courtesy of Arnalds. "A2" with its heavenly, transcendental beauty has just got to be heard while "B1" explores darker territory with its excavating soundscapes accompanying the most hauntingly delicate cello notes. Exquisite!
… Read more in stock $17.37
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Review: With a hand in several local Bristol labels, it's no surprise Young Echo man Ossia is described by Blackest Ever Black as one of the city's "most vital behind-the-scenes operators". Prior to this Red X 12" there has been very little material from Ossia, but he's clearly a very confident producer on the basis of the three tracks featured. The title track takes inspiration and sonics from the personal recorded diaries of Peter Tosh, filtering out his paranoid words and splicing them with near ten minutes of apocalyptic, dread-filled, slowed down techno. The B side sees Ossia veer off into more abstract and largely beatless terrain that slots in nicely with the more adventurous tape mangling antics of his Young Echo cohorts.
… Read moreIntérprete: Maciek Sienkiewicz, Semtek
in stock $19.19
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Review: It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.
… Read more in stock $14.51
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Review: After spending the last few months working with Second Storey on the ALSO project for R&S Records, Laurie Osborne comes through with his first solo Appleblim moves in a hot minute. Avebury represents the Bristol fixture's debut proper on Tempa, having contributed a cut to the label's scene defining sixth Dubstep Allstars compilation back in 2008. Obviously a lot has changed in the ensuing seven years or so and the three tracks here are more indicative of current approaches to bass science than the chance to revisit dubstep's glory days. As a result, the lead cut sees 'Blim in moody yet darkly intoxicating dancefloor form whilst the two B side productions veer off into more abstract terrain.
… Read moreIntérprete: Cedric Maison (Hypercolour)
in stock $7.94
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Review: Thankfully, Richard D. James has decided to finally release at least some of the output that he's been banging on about since mid-2000s. In a number of interviews, the might Aphex Twin hinted that he has vast artilleries of tracks stacked up and unreleased, probably more on purpose than out of laziness...or maybe not. What we do know is that AFX is reborn after the string of acid 12"s released about 10 years ago on Rephlex, that saw the alias become one of the most popular of James' alter egos. Orphaned Deejay Selek is a collection of tunes that contain all of the Twin's magic and unpredictably, but that also cut straight to the point and head to the middle of the dance floor. This is banging brain dynamite coated in the man's iconic style and flair. Welcome back AFX, and many hats off to Warp for making it happen.
… Read moreIntérprete: Disposable Commodities US, DJ Mau Mau, Ed DMX, Ethyl, Skudge, Kone-R (Uncharted Audio), Cedric Maison (Hypercolour), Toby Tobias, Daniel Andreasson, M50, Juno Recommends Experimental, Ali Renault, Felix Bergleiter (Nonetheless), Hyboid, Carl H (ANIMALS ON PSYCHEDELICS ), THE EXALTICS, Ipman, Borrowed Identity
… Read more in stock $15.30
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Tracks Volume 1 (12")
Cat: CITI 017. Rel: 17 Aug 15
Review: There's a delightfully celebratory feel about this debut volume of Cititrax Tracks, a new 12" series from Minimal Wave offshoot Cititrax. As beautifully presented as we've come to expect, Tracks Volume 1 boasts a quartet of dancefloor-ready smashers from a blend of new faces and label stalwarts. Amato (aka The Hacker) kicks things off with the glistening EBM funk of "Physique" - all restless synth refrains and pounding bottom end - before LIES affiliate Tsuzing go all dark, psychedelic and twisted on the thrillingly intense, acid-flecked "King of System". An-I go all DAF (with a touch of Front 242) on the fuzzy and dystopian stomper "Mutter", before Cititrax regulars Broken English Club delivers a storming chunk of industrial-tinged analogue funk ("Glass"). Bravo!
… Read moreIntérprete: Alexis Le-Tan, Nomad, Kone-R (Uncharted Audio), Mimi, Toby fairbank, Ionik (Traveller Records, KGS), Jacques Renault, Adam X Sonic Groove, Juno Recommends Techno, Marsman, 3.14, Giorgio Luceri, Ali Renault, REALMZ, Rogér, Mitchell Goor, IRON BLU, Kris Baha, Kondaktor, Brokntoys, ANFS, Lurid Music, LesYeuxOrange
… Read more in stock $23.85
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Review: Danish Damien Dubrovnik duo have been releasing psyched-out noise and power electronics since 2009, and the majority of their work has been released through their own sublime Posh Isolation stable. This time, however, they jump start their machines and distortion pedals, and land on the Jealous God imprint; the label is run by a rather startling trio, the combined talents of Karl O'Connor aka Regis, Juan Mendez aka Silent Servant, and James Ruskin. It sounds like Damien Dubrovnik have all the respect they need, then! All four sound sculptures seem tailor made for the label, where glacial drones hint at something otherworldly or religious, and faint pulses can be heard in the background of the mix. It's techno without techno, dance music without the dance, and we love it to bits. Quality.
… Read more in stock $10.89
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Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
… Read moreIntérprete: Juno Recommends Electro, Savile
in stock $12.97
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Review: James Clements continues his explorations into the depths of the grey zone as ASC with The Farthest Reaches double pack on Auxiliary. Samurai Music's Presha has excitedly called these four tracks "a definitive musical statement from one of the most important electronic musicians of our era," and who are we to argue with him? Making full usage of the format and available space, this is ASC in exploratory mode across a quartet of deep ten minute plus productions that have it all; sound design, atmosphere, groove, bass weight. To simply call these epic is selling The Farthest Reaches short!
… Read more in stock $20.74
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Review: Some 25 years after delivering his debut 12", Richard D James hasn't lost the ability to thrill or inspire. By his obtuse standards, the material that makes up the surprise Cheetah EP is actually rather laidback and melodious. "Cheetah2 (LD Spectrum)", for example, sounds like a slow house jam written by robots, while the even deeper "Cheetah7B" shuffles along in a metronomic fashion, seemingly oblivious to the increasingly aggressive World at large. Of course, those trademark skittish IDM rhythms are present - see the B-side's lead cut - and the Cornishman has thrown in a couple of hazy ambient cuts for good measure.
… Read more in stock $17.11
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Cat: MFM 015. Rel: 17 Nov 16
Review: Once again, Music From Memory has dug deep for inspiration. Very few will have come across the original 1987 pressing of Ich Traume So Leise, a long-forgotten collaborative album that brought together trumpet player Heinz Becker, songwriter Karl-Heinz Stegmann, and poet Isabel Zeumer. Predictably, though, the tracks which the Dutch label has chosen to reissue are exceptionally good. "Mein Tanzlied", for example, features Becker's meandering trumpet lines and Zeumer's eyebrow-raising spoken word vocals seemingly drifting over an intoxicatingly funky, mid-80s dancefloor groove, while "Dir" is a seriously atmospheric chunk of beatless jazz poetry. Flip for the Balearic electro-funk of "Der Schnupfen" and the languid, new age ambience of "Abends".
… Read moreIntérprete: Alexis Le-Tan, Dj N◉va ▶ Rodon FM 95, Mr. Fiel, AGCP/Dr Cuts(Plus Seven), Manu Archeo, Lexis (Music Is My Sanctuary), Dj soFa, Juno Recommends Downtempo, Mellophonia, RIZZOLO DJ, Kenneth Bager // Musicfordreams, Your Name (Legalize Lambada), Steve Lee, Mando, COYOTE, Francesco Rossini
… Read more in stock $21.52
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in stock $10.12
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Review: The MIC label has undoubtedly been one of the best things to happen this year. The London independent kicked off a few months ago with an excellent hidden gem by Mike Collins, a fringe drum machine enthusiast from the 80s, which was a record that we saw as totally unmissable (and one which flew of our shelves like hotcakes!). The imprint is back with LAPS, a cold wave duo who are making similarly stripped-back machine music, except that these two girls have only been around for a few years. This is a great signing from an indie, because it's the sort of crew that will likely be picked up by a bigger label in the future. The duo's sounds linger in mid-air beautifully, from the opening shots and burst of "Gush", to the more dancehall-flavoured chants of the leading "Who Me?", and the pensive twists and turns of "Ode To Daughter". "Edges" oozes a thick bass amid stepping drums, whereas "Lady Bug" offers the only real moment of r&b delight, all filtered through a raw and loose sort of framework. Top stuff. We love this label.
… Read moreIntérprete: West Norwood Cassette Library, Tasker
in stock $12.18
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Promises & Infatuation (limited split coloured vinyl 12")
Cat: CITI 022. Rel: 12 Jun 17
Review: Rampant and 'up for it' as usual, the Cititrax label is back with a new set of wayward technoid experiments for the more trained ears on the dancefloors. This time it's Romania's Borusiade and newcomer The Sixteen Steps who share two sides of a wax plate and, of course, proceed to annihilate any idea of a quiet night in. The former sets off with the mechanical acid bumps of "Infatuation", guided by an eerie set of vocal blurs, and that's followed by the comparatively more beat-centric techno of the apocalyptic "Confutation". On the flip, The Sixteen Steps first lands on "Signals From The South", a house banger with noxious levels of mutant bass at its core, followed by the single-minded industrialism and sheer techno brutality of "Promises On The Run". WOWZAH!
… Read moreIntérprete: Ali Renault, Elenacolombi
in stock $14.62
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Review: Amongst minimal wave and alternative synth-pop enthusiasts, short-lived London band Shoc Corridor has an excellent reputation. Although they released a pair of albums and a gaggle of singles in 1983 and '84, it is '82 debut single A Blind Sign that gets collectors drooling. On this Dark Entries reissue, it's easy to see why. Flipside cut "Sargasso Sea", a fantastically spaced-out combination of heavily dub influenced post-punk bass, minimalist drum machine hits and liquid electronics, is particularly special, while "On Reflection" is a fine slab of swooning, near Balearic electronica. The title track, a Gary Numan-esque chunk of mutant synth-pop that bizarrely includes some jangly acoustic guitars amongst the arpeggio bass and twittering synthesizer melodies, is also inspired.
… Read more in stock $12.43
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Review: Luke Wyatt is an NYC lo-fi experimentalist, now dwelling in Berlin and heads up the Valcrond Video imprint: which in recent times has served up great work by fellow retroverts in the form of Aussie electro fiend Privacy, the L.I.E.S. affiliated Steve Summers and analogue techno heroine Xosar. The sludgy and slow burning midnight rock on the title track is reminiscent of The Birthday Party via Ry Cooder, until he throws us a curveball with the aquatic electro frequencies of "Poser". On the flip, the vibe remains the same however "Stealing Geodes From The Nature Company" is a much deeper and experimental take on the Dopplereffekt sound. Finally, Wyatt gives you his perspective of Bob Dylan on the cheeky post punk ditty "Not Quite Music".
… Read moreIntérprete: Alexis Le-Tan
in stock $12.97
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Review: This Bristol based imprint is onto its third edition after smashing previous 12"s from homegirl Shanti Celeste and the mysterious Fred. Not much is known of next debutante Chekov either but if this EP is any indication: he's certainly on to great things. He could be a Bristolian, if the slowburning and bass heavy roller "Bierce" is any indication: it has a gritty industrial aesthetic to it too. "Rotlicht" (which translates into red light from German) is a dirty, late night house jam powered by dusty analogue elements and a lo-fi vibe. On the flip "Toothru" is the most mellow offering on the EP, where a woozy arpeggio is set adrift above a broken beat and some hypnotic pads letting this less is more approach really shine.
… Read more in stock $9.86
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The Floor Mixes (limited hand-numbered blue vinyl 12" in hand-stamped sleeve)
Cat: MW 065. Rel: 19 Dec 17
Review: Thanks to the eternally revered Minimal Wave imprint, out of NYC, Mark Phillips and Robert Lawrence's Five Times Of Dust project is going through a bit of a revival. The duo had first released some post-punk cassettes back in the 80s, and they clearly have not been forgotten. On this new remix EP, "Computer Bank" is given a makeover in the form of a The Floor remix, who proceeds to add all sorts of quirkiness over the tune's tough, heavy bass and driving rhythm; "Armoured Car" breaks the 4/4 in favour of something much closer to the band's original drum machine style. Once again, on the flip, we have a remix of "Like I Am, Comme Je Suis" by The Floor, who throws up a gnarly electro bass onto shady, neo-romantic vocals, and the whole things is finished off by "Imponative" from Unovodual and Tara Cross, who produce a slow, heady industrial groove for the dancefloor.
… Read moreIntérprete: Alexis Le-Tan, Dj soFa
in stock $14.51
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Review: Both "Corner Song" and "The Flying Man" were first featured on Tempelhof and Gigi Masin's second collaborative album, 2016's arguably overlooked album Tsuki. Both are naturally worthy of a single release, though, as they deserve wider recognition. Both are quietly beautiful, drowsy and hazily picturesque, with gently percussive opener "Corner Song" just edging out the beat-less brilliance of "The Flying Man" - in which Masin delivers a weary and heart-aching vocal - in the "best track" stakes. On the flip you'll find a radical re-interpretation of "Corner Song" by New York producer Jex Opolis, who wraps Tempelhof and Masin's glistening guitars around a wonderfully colourful and tactile Balearic boogie groove.
… Read more in stock $14.00
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Review: Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude's single on Celluloid "Kwai Systeme / Betty Boop." Robin Scott (M "Pop Music") had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote "Me Me Me", intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The "Me Me Me" single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single "Closer / "Tam Tam".
… Read more in stock $12.97
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Seremunia EP (12" limited to 300 copies)
Cat: BOOMARM 015. Rel: 09 Apr 18
Review: While there is barely any solid information as to the identity and ideals behind the Lokal Affair project, this is the sort of material that speaks for itself, and one which has successfully tapped into the current state of affairs in the electronic game. This badass EP lands on the increasingly relevant Boomarm Nation, and carries three killer infusions of cryptic pseudo house and ethnic rhythms for the more open-minded DJ. If there was such a thing as 'small-room tools' then these would be it; watch out for the Alter Echo remix on the flip, too, as it's a rather voracious affair for the dance. Big ol' tip here!
… Read moreIntérprete: Juno Recommends Leftfield
in stock $15.03
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Tracks Volume 3 (limited red vinyl 12")
Cat: CITI 024. Rel: 08 May 18
Review: BOOM! Our favourites, Cititrax, roll the third editions of Tracks out onto our shelves, and the results are unsurprisingly strong on this excellent various artists comp. It's a mixed bag of skills, as per usual, and the sounds are those of a new NYC, fuelled by a new sort of post-industrial sensibility. Amato Y Mariana open with the tight beats and groove of "Queires Bailar", followed closely by the ominous compositions of the EBM-flavoured "Montgat" from The Sixteen Steps. On the flip, His Dirty Secrets bleeps out some morphed acid on "Structures", and "Another Stranger" from Further Reductions churns out a slow, mild-mannered house experiment with its roots clearly planted in the coldest of waves. Sick.
… Read moreIntérprete: Juno Recommends Techno
in stock $24.12
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Review: Fans of mechanical techno-not-techno sounds will be all over Minimal Wave's latest transmission from 80s French underground heroes In Aeternam Vale. Having reissued several essential lost works from the outfit last year, most notably the proto-Sandwell sound of "Highway Dark Veins", Veronica Vasicka delivers another two tracks from the vault. Stylistically mirroring that previous two track release the title track is an equally brilliant synth-techno beast which could easily pass for a Function track today, while B-side "Calling Somewhere" sounds like a cold wave version of proto-halfstep. Needless to say, the fact that these tracks are 22 years old literally left us speechless.
… Read more in stock $20.22
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in stock $17.11
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Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.
… Read moreIntérprete: Mourad Sliti, Mukatsuku Records Chart, 7 Samurai Tom Wieland freesoulinc, JEM/Joe Europe, Owain Kimber (Owain K), AfroBase (Radio Chart), RUSTAM OSPANOFF., Thatmanmonkz (Shadeleaf Music), Rouchos (Andreas Marouchos), Flash Atkins, Per Bojsen-Moller, Sol Power All-Stars, Juno Recommends Broken Beat Nu Jazz, Galletas Calientes, Andrea passenger, NICOLA CONTE, Giorgio Luceri, DoubtingThomas, NEI a.k.a. Cosmic Monkey, DJ Kobayashi, Cervo (Banana Hill)
… Read more in stock $10.89
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Review: Raw formed during the summer of 1990 in Athens, Greece when keyboardist Giannis Papaioannou and percussionist Makis Faros started composing music for imaginary waiting rooms. They combined the traditional cut-up technique of tape-loops, the industrial timbres of musique concrete with the harmonics of world music, all filtered through digital sampling and computer programming. Their first recordings generated an 8 track demo, which was freely distributed among friends and the local underground press. After 6 months of work and several sessions with guest musicians on acoustic and electric instruments, Raw self-released their first album 'Land' in December 1991 on Elfish Records. In 1992 they recruited the band's sound engineer, Coti K., as a third member, both on stage and studio sessions. 'City' was their second album fully inspired by the mechanisms of their home town. Presenting a different electronic face of Raw, manipulating rhythms with analogue synthesizers and harsh sampling to evoke the atmosphere of Athens.
… Read more in stock $15.03
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Review: Bambooman (real name Kirk Barley) is a London based producer who presents his fourth release on Matthew Herbert's Accidental imprint - which follows up last year's terrific long player, Whispers. His new offering is the trippy minimal techno kicker "Ricochet", with its sparse arrangement revolving around a stuttering bassline and nasty chord stabs awash in plate reverb. On the flip, the man himself Herbert steps up to deliver a wacky and glitched out remix in his own truly idiosyncratic style once again.
… Read moreIntérprete: RUSTAM OSPANOFF.
in stock $10.12
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in stock $7.01
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Yoshinori HAYASHI / TELEPHONES / DB SOURCE / RICCARDO SCHIRO / DYNAMO DREESEN / OYVIND MORKEN / KAMAN LEUNG / ACIDBOYCHAIR
Graffi Gravi (140 gram vinyl double 12")
Cat: GRA 010. Rel: 11 Mar 19
Review: REPRESS ALERT: Gravity Graffiti has been doing great things with its series of split 12"s already, but now the Italian label goes one better for its tenth release with this mighty double pack of heavy hitters. First up is the ever-untouchable Yoshinori Hayashi, who gets as straight up as he possibly could with the freaky house burner "Dissociative." Telephones is feeling particularly dubbed out and groovy on "Kalimbalimbo", while DB.Source and Riccardo Schiro take things strung out and textural on "Montevago". Dynamo Dreesen is in rave mode for the pepped up and delightfully weird "Reactivate", leaving the final side to Oyvind Morken & Kaman Leung's chugging "Tunnel Visjon" and the rubbery side swipes of Acidboychair's "The End (At Any Speed)".
… Read morein stock $9.14
