David Bowie/The Rebels - "Revolutionary Song" (4:42)
Marlene Dietrich - "Just A Gigolo" (3:34)
Review: Here's something to get Bowie fans hot under the collar: a first worldwide pressing of the Thin White Duke's "Revolutionary Song", his only contribution to the soundtrack of 1978 West German flick "Just A Gigolo", in which he also starred alongside silver screen legend Marlene Dietrich. The song was recorded with a local band of musicians hastily dubbed "The Rebels" and sees Bowie in classic crooner mode, adding his distinctive vocals to a jangly, largely acoustic number that's effectively a folksy take on waltz. Over on side B there's a chance to enjoy one of Marlene Dietrich's last ever recordings: an atmospheric cover of 1930s cabaret standard "Just A Gigolo" which ended up being the movie's title track.
Angelo Badalamenti - "Fred & Renee Make Love" (2:08)
Marilyn Manson - "Apple Of Sodom" (4:22)
Antonio Carlos Jobim - "Insensatez" (2:53)
Barry Adamson - "Something Wicked This Way Comes" (edit) (2:58)
Marilyn Manson - "I Put A Spell On You" (3:28)
Angelo Badalamenti - "Fats Revisited" (2:32)
Angelo Badalamenti - "Fred's World" (3:02)
Rammstein - "Rammstein" (edit) (3:26)
Barry Adamson - "Hollywood Sunset" (2:00)
Rammstein - "Heirate Mich" (edit) (3:05)
Angelo Badalamenti - "Police" (1:39)
Trent Reznor - "Driver Down" (5:18)
David Bowie - "I'm Deranged" (reprise) (3:47)
Review: Since its release in 1997, David Lynch's neo-noir-horror, Lost Highway, has become something of a cult classic. The accompanying soundtrack album, here reissued on weighty double vinyl, is similarly revered in some circles. Put together by Nine Inch Nails' frontman Trent Reznor, composer Angelo Badalamenti, and punk-turned-producer Barry Adamson, it's a mish-mash of darkly intense songs (Bowie, Smashing Pumpkins, Lou Reed and Rammstein all contribute), and the kind of creepy, other-worldly soundscapes that have always been a feature of Lynch's work. It's arguably the latter tracks, composed by Badalementi and Adamson, which remain creepily potent all these years on.
Review: We're not going to introduce Frankie Goes To Hollywood to you because you should know who they are - just in case you don't - and you would have heard their timeless songs like "Timeless" played out left, right and centre. Liverpool, however, their 1986 album and their second LP, is a little less played-out and very representative of the rocky side of post-punk that was heavily popular from New York to London, and pretty much anywhere with dance floors. The mood is upbeat and groovy but, as with all of their work, there is a subtle layer of romanticism and melancholia, a perfect cocktail for a companion piece to pretty much everything and anything. We can't recommend this enough, especially seeing as the original is kinda hard to find these days..
Review: Originally released on Point Music, Philip Glass' 1993 masterpiece is now available on vinyl for the first time. Having always been reissued as a CDR, the wonderful folks over at Music On Vinyl have remastered this three-tracker for turntable use, on 180 G format, of course, and it was about time somebody did so! The three works are deep, luscious and glide between neo-classical and avant-garde with utter ease. Our cherry pick has to be "Subterraneans" for its delicate waves of strings and general feeling of peace. This is THE soundtrack EP and it's a shame it has yet to be used...