Review: Battista, John Swing and EMG's first hook-up under the SPS moniker - the thrillingly hard-to-pigeonhole Sintomi Di Gravita 12" - was arguably one of 2014's most slept-on records. Here they join forces for round two, delivering another two tracks that neatly sidestep the accepted norms of house and techno. A-side "Movimento (Consico Mix)" is a wonky chunk of well-swung, jazz-flecked deep house, smothered in filters and tipsy chords. Flip for the Inconsico Mix of the same track, a brilliantly far-out fusion of odd electronics, glitchy rhythms, shimmering synths and bubbling found sounds. It's hardly dancefloor-centric, but it's certainly really, really good.
Review: Emotional Rescue and Malka Tuti serve up another round of top shelf remixes and revisions of John Rees Lewis' mid-late 80s project C Cat Trance, following in the wake of the Screaming Ghosts compilation. First up to bat are Red Axes, who bring a seductive line in loose and limber drumming to "Shake The Mind" that should suit the Fourth World dancefloor massive just fine. Jamie Paton brings a tough, clamouring intensity to "Take Me To The Beach," while Prins Thomas takes a truly spiritual approach when weaving the intricate arpeggios and percussion of "Sudaniyya." Khidja and Borusiade team up on "Simple Helen," presenting a dense and hazy trip into exotic territory with sinister undertones.
Review: Based in Peckham, Tokyo Wax is a unified collection of creatives sharing an appreciation for a broad range of Electronic Music. Having refined their tastes and gathered experience through promotion and radio shows their focus has since shifted to releasing records and in doing so, providing a platform for auspicious piers to bloom. In the wake of the success of that inaugural record from label owners Presence and Persona they ready their carefully crafted return with the second installment coming courtesy of 20 year-old mastermind Circula backed up by Endeguena Mulu of Ethiopian Records on his first ever remix.
Review: Having built its name on various artist releases featuring old and new artists, Contort Yourself is branching out with a new series that focuses on one contemporary act per release. In this instance it's Coletivo Vandalismo getting some much-deserved attention. The Portuguese industrial punk outfit have a visceral sound that favours noise and distortion, but most importantly they know how to wield these sonic tools for maximum impact. The snarl of the synths and the crunch of the drums on "Hostages Of Society" could easily be too much in the wrong hands, but here the errant tones find their own space in the mix, making the impact of the track all the more on-point.
Review: By now Future Nuggets have surely been established as one of Romania's leading exponents of leftfield electronic oddities, and they don't disappoint on the surprising delights of this new 7" from Renato Din Sala and Ion Din Dorobanai. There's an Eastern lilt to the vocals and melodies on both tracks, but they're framed by some wonderfully quirky synth parts and budget drum machines. "Nu E Injoseala (N-am Carti De Credit)" in particular capitalises on cranky monosynth squelch and organ wails, while "I Love You Viata Mea (Lema)" takes a more energetic approach and works some Rhodes-like sounds into the mix.
Review: Antonio Marini aka Healing Force Project is back with the Tranhumanism EP on Ambiwa. Starting out with the ever mysterious "Methodical Ear", it's more of the same later on "Sinapsi Sonora" which like the previously mentioned track sounds like the dusty and emotive deepness of early Sound Signature via the tough and rusty swing of fellow Italians Relative; a nice touch indeed. He then gives us the brooding and hypnotic "Shadow Manipulation Of The Mind" awash in delay drenched organs and skeletal vintage drum machine flair. But the fierce yet restrained functionalism of "State Of Induced Hibernation" with its near tribal moments supported by a series of exotic and mindbending drones is pure bliss. We'll say it again: Marini is undoubtedly one of the most underrated producers in techno at the moment!
Review: Kalbata is a delightfully unpredictable fellow, one minute turning out slick tech house with Guy Gerber and the next starting a dancehall riot with Warrior Queen. His long and varied career continues following a recent spot on Optimo Trax with this first 12" on Brush & Broom, a new label that is housing some particularly straight up 4/4 jams from the prolific producer. "Obskuur" has a clue in the name, plying a trade in the kind of furtive deep techno that ekes tension out of the most ambivalent of crowds with its oh-so-slow but powerful sense of progression. "Rumoured" has a broader palette, letting undulating threads of melodic synth work slither around the subby, minimal percussion.
Review: There's only been one other release to date on the aptly titled Night Sea Journey, whose M.O. is, "focused on simplicity." The Chicago label started life with label heads Garrett David and Colin Johnson, and now Adam Rowe has come to join in with his own take on simple approaches in ambient and deep house. "9_27 (edit 1)" may have a lovely sub bass propelling it, but the languorous quality of the keys makes it feel almost static in the best possible way. "8_27 (edit 1)" welcomes some needlepoint drum machine rhythms into the mix, preferring a broken beat over anything too straight. "Nite Houss" has a similar mysterious charm you might hear on a Real Soon record, while "Hanging Lake" swerve into more ambient territory again, with spectacular results.
Review: The Shahr Farang label is always an interesting one to check in with, sometimes veering towards fragile ambience as much as intriguing beat constructions. Here, label mainstay Sohrab invites Erik Jahaali to join in on the tough yet atmospheric thrust of "Industriegebiet", before he goes it alone on the moody beatless blanket of sound that is "Fasseleh". Jahaali is back on board for "Skypainter," which pivots around dusty pads and subtle, snaking rhythms in the deepest techno tradition. "Dayi Mohsen" is the surprise of the record, dropping into a Mo Wax style funk that should soothe all manner of chill out room scenarios.
Tipping Point (AnD Tipped Over The Edge & Back Again remix)
Blood On The Controls (Whok mix #1)
Blood On The Controls (Whok mix #2)
Review: For those who don't know, Trensmat is not a rip-off of Detroit's Transmat, but rather, Ireland's answer to labels such as Blackest Ever Black and Hospital Productions. If you check their discography, there's plenty of hidden gems to uncover. On this record, the enigmatic Valved receives a furious remix treatment from two Juno HQ favourites. "Tipping Point" is downright disfigured by the incorrigible AnD duo - not once but twice: the first remix offers a cascade of fuzzy, distorted kicks and incessant drone loops, while the second removes all traces of a beat and delves deep into the cogs of the machines. On the flip, "Blood On The Controls" is rewired twice by Whirling House of Knives. The first is a chest-bursting monster from the depths of the drum machines, while the second is a slice sparse and experimental neo-funk with an otherworldly succession of popping kicks and crystal-like background atmospherics. TIP!
Review: The Poverty Is Violence stable are firmly established now as an essential conductor for rabid, rowdy and downright rasping mechanics from subterranean operators of all shapes and sizes. Anonymous but reportedly veteran Dutch producer XXX previously appeared on the label in 2016 with the wild Noorder Scannen 12", and now returns with a bludgeoning new release. There's a consistent metal grind to the percussion on Westzaan Doelen, while the synth tones in between tend towards the jagged and abrasive, there's space and poise in the arrangement to lift this out of knuckleheaded noise. "Don't Go After Her" reverberates with clamouring intensity while the beefy chassis of "Just The Two Of You" shimmers under an acidic glaze - this is full-tilt deviant music executed with finesse to match the grime.
Review: It's not hard to admire the sheer bloody-mindedness that drives Tadd Mullinix's label venture, Bopside. In between the recent Charles Manier album and the upcoming JTC long-player - a contender for house album of the year - comes Skein. Produced under his birth name, it's a deeply experimental three-tracker. The title track is a succession of screeches, howls and white noise blasts, while "Hadopelagic Chime" sees the US producer map out a series of soundscapes against a low tempo backdrop. Closing track "Bridge Out" is a succession of abstract clatters, noisy interference and scattered dissected FX. God knows what demographic Mullinix is hoping to a appeal to - if any.
Review: Hailing from Derry, Ireland, Culture Glitch has been established as a platform to showcase local talent in the field of electronica, and by the sounds of this compilation the town is a hotbed of exciting, original producers pushing introspective sounds. There are delicate ambient tones with vocals from Soul Plateau, crafty breakstep constructions from Shocko, off-kilter beats from Hylo and much more besides. What binds the release together is a strong sense of melody and emotion, bringing all manner of tempos and rhythms together in one strong statement of what the Derry underground is all about.
… Read more
$8.09 SAVE 40% in stock$4.86
Ambivalent(cassette + MP3 download code limited to 50 copies)