Review: Martin Jenkins dons the Pye Corner Audio alias once more, transferring to Death Waltz in order to deliver the soundtrack to an imaginary horror film. It's naturally an all-analogue affair, with Jenkins making the most of his impressive collection of vintage synths, analogue drum machines and effects units. There's much to enjoy from start to finish. Check, for example, the ghostly chords, foreboding bassline and spacey electronics of "Do You Hear Then", the creepy, Carpenter-ish horror-ambience of "It May Not Be Real", the evocative late night paranoia of "Descent" - which is similar in tone to some of Jonny Jewel's soundtrack work - and the clattering dancefloor throb of "The Spiral", whose bassline, beats and darting melodies are just begging to be played over a booming club soundsystem.
Review: Soundtrack reissues specialists Death Waltz finally deliver what everyone has been waiting for; a newly remastered edition of Angelo Badalamenti's timeless score for Twin Peaks. A project that was first announced back in 2014, Death Waltz have really put the work in here on this double LP presentation. Seeking out engineer Tal Miller to remaster the score, getting the approval of David Lynch on the artwork, sleeve notes from Badalamenti and of course the music itself pressed up on "damn fine coffee" coloured vinyl. Musically speaking, do we really need to describe what is a classic selection of compositions from the American? Both the foreboding "Twin Peaks Theme" and somewhat more soothing "Laura Palmer's Theme" should be singed on the cerebral cortex of any self-respecting fan of culture.
Montage From Twin Peaks - Girl Talk/Birds In Hell/Laura Palmer's Theme/Falling (5:25)
The Voice Of Love (3:52)
Review: Death Waltz has pulled of something of a coup here, obtaining permission to release Angelo Badalamenti's score from David Lynch's controversial Twin Peaks movie spin-off, Fire Walk With Me. The film was panned by both critics and fans of the original TV series on its 1992 release, but has since becoming something of a cult classic. Badalamenti's fine score is as atmospheric and beguiling as his work on the original Twin Peaks series, and contains a number of tracks that rework musical themes from that acclaimed production. Death Waltz has gone all out on the production, too, housing heavyweight, cherry-splattered vinyl in a luscious gatefold sleeve.