Montage From Twin Peaks - Girl Talk/Birds In Hell/Laura Palmer's Theme/Falling (5:25)
The Voice Of Love (3:52)
Review: Death Waltz has pulled of something of a coup here, obtaining permission to release Angelo Badalamenti's score from David Lynch's controversial Twin Peaks movie spin-off, Fire Walk With Me. The film was panned by both critics and fans of the original TV series on its 1992 release, but has since becoming something of a cult classic. Badalamenti's fine score is as atmospheric and beguiling as his work on the original Twin Peaks series, and contains a number of tracks that rework musical themes from that acclaimed production. Death Waltz has gone all out on the production, too, housing heavyweight, cherry-splattered vinyl in a luscious gatefold sleeve.
Review: As an ode to the upcoming remake of David Lynch's infamous Twin Peaks, there is a flurry of Angelo Badalamenti reissues at the moment. In fact, both this original soundtrack, which is the official music as heard in the 1992 film, and the Fire Walk With Me spin-off have both resurfaced as reissues this week. Unsurprisingly, we recommend for you to snap up both because they have been something of a rarity over the last 10 years. Timeless and iconic from start to finish, this soundtrack is not for the faint of heart, and will likely stir some feelings upon initial listen. This will be all the more palpable if you were shocked and eternally intrigued by the movie. We were, of course, and we absolutely cannot wait for the new series either!
Montage From Twin Peaks: Girl Talk/Birds In Hell/Laura Palmer's Theme/Falling (5:25)
The Voice Of Love (3:52)
Review: Angelo Badalamenti is to noir thrillers what Ennio Morricone is to the spaghetti Western scene. The Italo-American composer has been a pivotal part of the Hollywood soundtrack scene since the 70s and, among many cult-like figures, he's collaborated extensively with the great David Lynch on projects such as Blue Velvet and, of course, the present Twin Peaks, a film which has reached a God-like status over the last two decades. The music from the motion picture is as vivid and dream-like as the film itself; Badalalementi immerses you in a world of Neo-gothic trance and bizarre, fairy-like dances that instantly recall the movie's infamous dance scene concerning two horses. What is most notable about it is his use of subtle jazz nuances and the man's pioneering downtempo style. NB: this particular release, Fire Walk With Me, features additional music and acts as a companion to the official soundtrack as heard in the movie. What a soundtrack. Totally essential.
Review: Before Twin Peaks and all that followed, director David Lynch and composer Angelo Badalamenti had worked together just once: on the former's 1986 mystery noir movie Blue Velvet. Lynch asked Badalamenti to create an original score inspired by both the works of Shostakovich and the smoky, clandestine atmosphere found at blues and jazz clubs. These two musical threads are explored on side A and B respectively. So, while the first side contains numerous sweeping, dark and moody orchestral compositions, turn the record over and you'll find classics from Roy Orbison and Bill Doggett, as well as Badalamenti's spine-tingling interpretation of pop standard "Blue Velvet". Featuring a mixture of simmering strings, breathy female vocals and atmospheric field recordings, it's as creepy a version of the much-covered song as you'll hear.
Review: Soundtrack reissues specialists Death Waltz finally deliver what everyone has been waiting for; a newly remastered edition of Angelo Badalamenti's timeless score for Twin Peaks. A project that was first announced back in 2014, Death Waltz have really put the work in here on this double LP presentation. Seeking out engineer Tal Miller to remaster the score, getting the approval of David Lynch on the artwork, sleeve notes from Badalamenti and of course the music itself pressed up on "damn fine coffee" coloured vinyl. Musically speaking, do we really need to describe what is a classic selection of compositions from the American? Both the foreboding "Twin Peaks Theme" and somewhat more soothing "Laura Palmer's Theme" should be singed on the cerebral cortex of any self-respecting fan of culture.
Angelo Badalamenti - "Fred & Renee Make Love" (2:08)
Marilyn Manson - "Apple Of Sodom" (4:22)
Antonio Carlos Jobim - "Insensatez" (2:53)
Barry Adamson - "Something Wicked This Way Comes" (edit) (2:58)
Marilyn Manson - "I Put A Spell On You" (3:28)
Angelo Badalamenti - "Fats Revisited" (2:32)
Angelo Badalamenti - "Fred's World" (3:02)
Rammstein - "Rammstein" (edit) (3:26)
Barry Adamson - "Hollywood Sunset" (2:00)
Rammstein - "Heirate Mich" (edit) (3:05)
Angelo Badalamenti - "Police" (1:39)
Trent Reznor - "Driver Down" (5:18)
David Bowie - "I'm Deranged" (reprise) (3:47)
Review: Since its release in 1997, David Lynch's neo-noir-horror, Lost Highway, has become something of a cult classic. The accompanying soundtrack album, here reissued on weighty double vinyl, is similarly revered in some circles. Put together by Nine Inch Nails' frontman Trent Reznor, composer Angelo Badalamenti, and punk-turned-producer Barry Adamson, it's a mish-mash of darkly intense songs (Bowie, Smashing Pumpkins, Lou Reed and Rammstein all contribute), and the kind of creepy, other-worldly soundscapes that have always been a feature of Lynch's work. It's arguably the latter tracks, composed by Badalementi and Adamson, which remain creepily potent all these years on.