Review: Pavel Milyakov has largely impressed since making his debut under the Buttechno alias earlier this year, delivering a pair of 12" singles that gather together short, hardware-driven experiments in a variety of dystopian styles. Here, the Russian producer debuts under his given name, once again flitting between dark and spacey dancefloor workouts, bleak broken techno, macabre electro, wonky IDM and panicky ambience. Despite the stylistic shifts, the EP hangs together impressively, thanks in no small part to Milyakov's penchant for industrial textures, tape echo and haunting melodies. If you're into the releases of L.I.E.S and Berceuse Heroique, you need this in your life.
Review: The partnership of Kassem Mosse and Beatrice Dillon; Dillon Wendel is a place for the two respected artists to explore soundscapes, aesthetics and synthesis in pastures aeons away from the dancefloors they're most familiar with. Both compositions weighing in over 15 minutes, they're experiences which challenge form and convention; "Pulse" ripples with its namesake, a texture that buzzes and drones in endless waves while "High" mutates a warmer, grainer tone with dizzying effect.
Review: Current heroes of the industrial techno sound here tend to focus on the industrial side of things for The Cast Project: a vinyl affair from Los Angeles based on the collective sounds from a faction of artists. They are said to gather a few artists; each of them providing several unique audio samples, clips and/or field recordings that best define their sound. They then collect the samples from each artist and redistribute them to the artists as a master pack, at which point they create a unique track. First up fellow Los Angeleno Luis Flores delivers the grinding and guttural first offering, while 138 then delivers some impressive Autechre styled IDM on his/her effort. On the flip, Dutch terroriser Bas Mooy delivers a furious and powerful warehouse techno stormer that blows the doors off as always. Finally Serbian duo Ontal deliver some more of their typically contorted takes on techno.
Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.
Review: Last year Burial and the Bug joined forces as Flame 1, delivering an in-demand EP on the latter's Pressure label featuring two sizable slabs of industrial strength soundsystem science. Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions. A-side "Dive" is a loud and claustrophobic affair, as the duo wraps dystopian dub bass and sparse, mutilated post-drill rhythms in layers of apocalyptic aural textures and mind-altering dub techno style processed noise. Flipside "Rain" is arguably more suitable for dancefloor plays and sees the esteemed twosome combine pulverizing sub-bass heaviness with dancehall style drums that come smothered in mind-melting effects and paranoia-inducing aural smoke.
Review: Texas club music icon Lotic continues Bjork's makeover on One Little Indian with another beautiful 12", cropped and packaged in a gorgeous silk-screened bag. Bjork's "Notget" had already been retuned by Lotic, but this time he returns to the turn with his Fromdeath version, jumping from solitary drones to broken shreds of power electronics, tribal drums and gun shots. It's a jagged, wayward affair for the more adventurous disc jockey, and one that will please both the floor shakers and the brain melters - this tune is only a shadow of its original self, and it comes as this week's top of the tips..!
David Bowie/The Rebels - "Revolutionary Song" (4:42)
Marlene Dietrich - "Just A Gigolo" (3:34)
Review: Here's something to get Bowie fans hot under the collar: a first worldwide pressing of the Thin White Duke's "Revolutionary Song", his only contribution to the soundtrack of 1978 West German flick "Just A Gigolo", in which he also starred alongside silver screen legend Marlene Dietrich. The song was recorded with a local band of musicians hastily dubbed "The Rebels" and sees Bowie in classic crooner mode, adding his distinctive vocals to a jangly, largely acoustic number that's effectively a folksy take on waltz. Over on side B there's a chance to enjoy one of Marlene Dietrich's last ever recordings: an atmospheric cover of 1930s cabaret standard "Just A Gigolo" which ended up being the movie's title track.
Review: For their ninth release, Berlin's mindcolormusic present another stellar release by a debutant, as well as an old schooler. Shane Teal aka Flux is based out in the Pacific Northwest U.S.A. and is said to have been recording music for over a decade, making anything from electro to drum and all that's in between. All these disparate influences can be heard on the unholy mixture of "2linx" which comes off sounding like some broken-beat offworld IDM experiment - and sounds pretty awesome. On the flip, it is over to Eddie Symons: a veteran producer based in the UK, who after releasing on his own Struktur and [d]-tached imprints, made his debut as Bovaflux for the Highpoint Lowlife label back in 2005. Four deep and dystopian electro bass offerings from Symons here, and we particularly enjoyed the Aphex/Autechre spounding melancholia of "Lmp_Nrg".
Review: You could say that Kodiak Bachine is Brazil's greatest ever Brazilian electronic producer. That would not be an overstatement, it's just a simple fact. It was 1982 when he first released this EP, and it's been a classic, and a favourite of ours, ever since. In fact, "Electricidade" is so powerful because it sounds like it could have been made today; its tenebrous synths filling the airwaves from every angle, giving the track a strange sensation of lust and wonder. The flip, "Espirito Das Maquinas", is another enchanting ride through broken electric cables and abandoned power plants, a place where Bachine clearly thrives and surpasses all expectations. Highly recommend reissue!
Review: You wait ages for a Bezier record, and two come along at once. Following hot on the heels from his excellent Telemores mini-album for Dark Entries, synthesizer enthusiast Bezier drops a surprise 12" for the affiliated Honey Soundsystem. As usual, the French producer has his sights set on mining the past for inspiration. "Mina (Everywhere)" begins in typical fashion - all spacey synthesizers and twinkling melodies - before morphing into a relentless chunk of dirty, Italo-and-EBM inspired house. The pleasingly sunny "Serengeti Drive" is more of a stripped-back Italo-disco bubbler (admittedly with dream-wave flourishes), while "Mysteries of the Deep" offers an intergalactic romp through cold-wave pastures with only cheap old synths and drum machines for company.
Review: At first glance, French enfant terrible Bambounou is a surprising addition to the Diskant impint - now known as just Disk. Known for his techno and house exploits on Clek Clek Boom and 50 Weapons, his knack for intricately programmed rhythms were on display even back then. It kind of figures that he'd be a good choice for the label, come to think of it now. That's certainly proven across the three tracks on the Parametr Perkusja EP, where his sound sits comfortably alongside label mates like Harmonious Thelonious and Durian Brothers. From the slo-mo esoterica of "Dernier Metro" which reaches near tribal moments, the hard hitting polyrhythmic techno of "Kosovo Hardcore" it is great to hear some original productions from him after lengthy absence.
Review: The seventh and final instalment of De:Tuned's brilliant Unboxed Brain series - an unashamed tribute to 1990s IDM and ambient techno featuring contributions from many of the artists who defined that scene - is predictably special. It features a slew of new remixes of previously released tracks, plus "Monolith", a previously unreleased ambient track from the Future Sound of London that's every bit as weird, wonderful and out there as the duo's greatest work. Elsewhere, Kirk Degiorgio (as Future/Past) and Mark Broom both drag B12's "World's End" towards the dancefloor (the latter providing a punchy electro re-make), while The Black Dog provides a brilliantly blissful, string-drenched ambient interpretation of Scanner's "Eros".
Review: Stupendously rare Italo gem from the criminally under-prolific Trieste-based Big Ben Tribe, this quirky poplet first came our way in 1984 on Gong. Last spotted changing hands for hundreds on auction sites, Dark Entries have done the disco world a favour and licensed a reissue. Untouched and naked in all its 80s glory, the synth patterns, abstract lyrics and arrangement were way ahead of their time and clearly influenced many electronic pop and Balearic bands who followed. Vocals just a bit too much for you? No worries, just flip for the instrumental. Tarzan loves summer nights, and we love Dark Entries for unearthing this utter classic.
Review: As per usual, those fiendish folks over at Dark Entries have amazed us once again with yet another barrel of 1980s gold from the depths of the underground. This time it's German new wave band Boytronic who see a reissue, and the EP in question is 1988's "Byllyant", which features the magnificent Plus 8 mix - a shot to the head made up of warm bass tones and hard-hitting drum machine patterns - and also the US mix, which literally sounds like it was made yesterday; for being an '80s EP, Boytronic steered well clear of cheesy and to be honest, they give New Order a proper run for their money. The 1984 mix of "Trigger Track" is a wonderful electro stormer, stamping its fast beats over eerie pads and growling basslines. This would be silly not to recommend! For the diggers.
Review: If you've ever wanted some straight-up italo disco but then wondered where to find it, where to start, who to ask, then Dark Entries have sorted you right out. As usual, the label come through strong, and this time they reissue an italo disco classic by Brand Image (T.Scarfone and M.Scarabelli) originally released in 19983, and representing the genre with flying colours. "Are You Loving?" contains the 1980's in every sense of the word: quirky, melancholic vocals riding over a grainy drum machine beat, and accompanied by massive synth stabs and an inimitable sort of groove - simply lovely. There's an instrumental on the flip just in case you love the sounds but are slightly scared by the power of the vocals...