Review: Emotional Response do a great service here to all lovers of braindance craving new fixes since Rephlex shut up shop. Brainwaltzera's debut EP Marzipan was a self-released concern that sold out quickly back in 2016, meeting with emotionally charged responses from those wanting to nab a copy. Now it's more widely available, the gorgeous lilt of bubbling 101 melodies and delicate drum machine patterns can spread their wings and bring some healing vibes to a broader audience of electronica devotees. Coming on with the sensitivity of Wisp and other contemporary braindancers, this is how comforting home listening beats should be done.
Review: Last year Burial and the Bug joined forces as Flame 1, delivering an in-demand EP on the latter's Pressure label featuring two sizable slabs of industrial strength soundsystem science. Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions. A-side "Dive" is a loud and claustrophobic affair, as the duo wraps dystopian dub bass and sparse, mutilated post-drill rhythms in layers of apocalyptic aural textures and mind-altering dub techno style processed noise. Flipside "Rain" is arguably more suitable for dancefloor plays and sees the esteemed twosome combine pulverizing sub-bass heaviness with dancehall style drums that come smothered in mind-melting effects and paranoia-inducing aural smoke.
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: Music From Memory's first retrospective of obscure Brazilian electronic music, "Outro Tempo", was arguably one of the strongest compilations of 2017. There's a second volume on the way, with curator John Gomez this time focusing on music made between 1984 and '96. First, though, we get this taster EP featuring two previously cassette-only cuts. On the A-side you'll find Bruhaha Babelico's "Bruhaha II", a ghostly and mind-altering chunk of delay-laden new wave/industrial funk fusion full of fuzzy bass, echoing female vocals, dubbed-out electronics and psychedelic yelps. Turn to the flip and you're greeted by Individual Industry's off-kilter, outer-space synth-pop jam "Eyes". Like its predecessor, it's an unusual, intoxicating treat.
David Bowie/The Rebels - "Revolutionary Song" (4:42)
Marlene Dietrich - "Just A Gigolo" (3:34)
Review: Here's something to get Bowie fans hot under the collar: a first worldwide pressing of the Thin White Duke's "Revolutionary Song", his only contribution to the soundtrack of 1978 West German flick "Just A Gigolo", in which he also starred alongside silver screen legend Marlene Dietrich. The song was recorded with a local band of musicians hastily dubbed "The Rebels" and sees Bowie in classic crooner mode, adding his distinctive vocals to a jangly, largely acoustic number that's effectively a folksy take on waltz. Over on side B there's a chance to enjoy one of Marlene Dietrich's last ever recordings: an atmospheric cover of 1930s cabaret standard "Just A Gigolo" which ended up being the movie's title track.
Review: Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
Review: Brothers From Different Mothers stalwart Basses Terres is a producer to whom easy categorization cannot be applied. For example, on his 2016 debut, he rushed between a quartet of experimental techno, leftfield and electronica excursions, while 2017's "Counting Pulsations" cassette was a druggy trip rich in ambient, dub and "dungeon synth" flavours. So what's on offer here? More intoxicating, otherworldly concoctions, that's what. Highlights include the dark tropical ambient of "665 Moths", the dubbed-out post-dancehall weightiness of "Wilfred Doricent", the slipped and spacey electronica of "Deliae" and the fluid dreaminess of gently percussive closing cut "Sentiment Oceanique".
Review: After the ultra-limited white vinyl edition of Brainwaltzera's superb "Epi Log EP" sold out in record time last year, Film has bowed to demand and served up this speedy black vinyl reissue. If you missed out first time around (and many of us did), it's worth picking up. Highlights are plentiful throughout, from the mind-altering throb of "Doctor Who"-goes-dub techno pulse of "Triangulate Dither (Fairytall version)" and deep space bliss of "[Take 2]", to the Autechre style IDM breakbeats and chiming melodies of "Count_Dem_Pops". Brainwaltzera even chucks in a track that sounds like Boards of Canada jamming with Dam Funk (the dreamy "Bad Endgar"), which sounds every bit as wonderful as it looks on paper.
Review: As per usual, those fiendish folks over at Dark Entries have amazed us once again with yet another barrel of 1980s gold from the depths of the underground. This time it's German new wave band Boytronic who see a reissue, and the EP in question is 1988's "Byllyant", which features the magnificent Plus 8 mix - a shot to the head made up of warm bass tones and hard-hitting drum machine patterns - and also the US mix, which literally sounds like it was made yesterday; for being an '80s EP, Boytronic steered well clear of cheesy and to be honest, they give New Order a proper run for their money. The 1984 mix of "Trigger Track" is a wonderful electro stormer, stamping its fast beats over eerie pads and growling basslines. This would be silly not to recommend! For the diggers.