Review: DJ Central presents three new aliases on this elegantly put together 12". Conjuring up the perfect recipe for a DJ Cake, Central blends and explores the likes of pulsating atmospheric techno on the track "Balast", smoothly escalating breaks on "Ko Ko Dak Dak" and hazy crackling ambient on the finale "Daeksel". Unique, inspiring and truly excellent works from the one they call DJ Central.
Review: Earthen Sea adds to the Kimochi Sound with a soulful examination of indistinct margins, suffused with dusky haze. It's a heady atmosphere and has a palpable heaviness throughout. Starting the record are the concrete reverberations of You Don't Never Know, followed by the murky ebb and flow of Fly. 13 Beat(less) is diffused ambience.
Shielding fittingly closes the record, and weaves Earthen Sea's many textures with intricate syncopation.
The Heart Of A Man, The Desire Of A Monster (5:06)
Psajcedelic Power (3:17)
X20000 (Open Source) (6:01)
The Dominance Of Blood Worship (7:24)
Review: Swiss minimal electro pranksters Les Points return with another mysterious release under the alias of Elektronische Sequenz Proleten. We aren't exactly sure which members of the collective are responsible for this one, but you can sure bet it's jam packed with more zany retro shenanigans than you can swing a modular at. Early '90s industrial seems to be in the heart of side A, as heard on the muscular stomp of "The Heart Of A Man, The Desire Of A Monster", while the pounding rhythms and stuttered samples of "Psajcedelic Power" call to mind early acts like Front 242 and Frontline Assembly. On the flip, we have two mental and full throttle acid cuts which are not for the faint-hearted.
Review: It would be fair to say that Montreal duo Essaie Pas don't have a particularly positive view of our planet. "Earth, what a shithole," they moodily grumble on the title track from their latest EP on DFA, their first since the release of last year's "New Path" LP. The cut itself is perhaps not quite as dark as you'd expect, with its throbbing, dark Italo-style arpeggio bass and crunchy drum hits being peppered with sharp, trance style synthesizer motifs, bubbly electronic riffs and female vocals that add an extra frisson of positivity. Italian scene stalwart Marco Passarani delivers a flipside interpretation that brilliantly re-casts the cut as a Bobby Orlando style mid-1980s Hi-NRG club cut, while bonus track "Corps Etranger" is a pleasingly sparse, bubbly and alien-sounding chunk of intergalactic electro.
The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
Review: Alexandra Drewchin's work as Eartheater reached a wider audience when it landed on Pan last year via the head-spinning "IRISIRI" album. Now she returns to the label she first emerged on, Hausu Mountain, for a reissue of her 2015 album "Metalepsis". It's a surprisingly direct record, even as it swerves from folky incantations to pastoral techno ruminations across nine bold and distinctive tracks. Both ambitious in scope and focused in execution, it's a perfect companion piece to "IRISIRI" that points out the skill and versatility at the disposal of this most crucial of contemporary artists.
Review: The ever reliable Macadam Mambo returns with the second opus of Eiger Drums: featuring more oddball grooves of the ambient/krautrock persuasion by Louis E Bola. He's one half of Lyonnaise outfit The Pilotwings in collaboration with musicians Geddes Hadden, Arthur Tempo, Akino Karma, Sound Of Duty Free & Pierre Mortimer-Dubation. A more dancefloor oriented album than the previous outing, reviving early new age/trance aesthetics with tribal influences. From the lo-slung weirdo folk of "The Sun", or "Astral Lights" with its exotic psych-drone aesthetic through to the steely slo-mo post punk of "Astral Lights" or the horror movie vibe of "The Moon" - be prepared to get weird on this one!
Review: Electric Capablanca is a mystery artistic outfit who, on this evidence, are lovers of pastoral landscapes, innocent lullabies and day dreaming. This collection is a spellbinding one with clean, crisp synths and distant pads, soft focus arps and, in some cases, gentle IDM patterns all washing over you time and again. The music here is too detailed and meaningfully structured to be classed as ambient: it demands close attention and rewards it in kind, either with soul soothing and diffusive moods or more edgy drone tracks, amongst a range of other immersive styles.