Review: The latest missive in the L.I.E.S. ongoing series of collaborative EPs brings together Cititrax regular An-I (AKA sometime leftfield disco maverick Doug Lee) and Berlin-based experimental electronics maverick Unhuman. The pair begins in forthright fashion, moving from the racing drum machine heartbeats, rhythmic noise and mangled yelps of "Five To Nine", to the doomy bass, triple-time beats and clanking metallic hits of post-punk number "Hate Thy Neighbour". Over on side B they mutilate electro beyond almost all recognition on the alien insanity of "Entschuldigung" before lolloping towards a conclusion with the fuzzy industrial funk thrust of "Cannibals".
Review: Umo Vogue formed in Bristol by Stig Manley, Russ Crook and Neil Deamer who were in Bath based ska rock outfit 'The AT's', along with Bristol based singer Debbie Marlow. Neil's Brother Clive joined the band bringing a fantastic new dynamic to the band on drums, percussion and heavy artillery. The band name is a deliberate misspelling of the ultra-chic Italian fashion magazine 'L'Uomo Vogue'. After winning the Bristol 'Battle of the Bands' in 1982 they were signed to Phonogram and dropped a few months later. They then signed to EMI in '83 and released their first single 'Just My Love' released in early 1984. The second single was 'Make It Real' and was never released as the band were culled from the EMI roster in late '84. For this reissue of their debut single we've added 3 bonus tracks, a demo of "Just My Love", the unreleased follow single "Make It Real" and a bedroom demo "Erotica." Each song displays ridiculously catchy melodies and innovative electronic rhythms. The drum tracks, a combination of rhythm machines and hand percussion, were mixed down from the 4-track tape used as backing on stage, with the rich slap bass and Roland SH09 synths weaves fluid lead lines in between the harmony vocals. All songs have been remastered by George Horn at Fantasy Studios. The record is housed in an exact replica of the original jacket and includes an 8-page booklet with photos, notes and press clippings from the band's archive. "We're synthetic but not antiseptic. We are interested in the naivety and spontaneity of music." - Umo Vogue
Review: Tabernacle turn their attention towards the industrial side of their musical repertoire with this hard-hitting release from Russian and French outfit UVB76. Hot on the heels of their S A N album on Teenage Menopause, this formidable duo serve up a searing blend of classic EBM pressure and contemporary flair, veering from the Skinny Puppy-esque stomp of "Extend" to the bruising Vex'd-tinted dubstep flex of "Ckahep". "Rust" locks into a jagged, darkside techno rut, while "Helm" gets artful with space and noise sculpture. "Citizen" offers the most measured track on the release, an uneasily submerged kind of electro noir for tortured souls.
Review: Midnight Shift continues its fine run of form via a mini-album of bleak intensity from renowned modular electro/analogue rave fusionist Umwelt, an artist whose distinctive releases are always worth a listen. The French producer sets his stall out via title track "Superior Life Forms", an undeniably heavy and distinctively dystopian chunk of broken electro fuzziness, before reaching for even grimier electronics and gut-punching bass on "Computer Controlled". "Latent Existence" is a moody, beat-free soundtrack for urban decay, "Fragment" and closer "The Windfall" are teak-tough industrial techno stompers, while "Shadow Entity" is a suitably psychedelic slab of trippy acid electro. Not for those of a fragile disposition, but impressively intense and forthright nonetheless.