Leftfield charts

Review: World class dronesmiths Zach Frizzell, Marc Ertel and Damien Duque unleash their first joint effort in several years, delving deeper into the patented 'dronegaze' formula characterising their first outing 'Liberamente'. Landing somewhere in a soothingly liminal zone between the lighter and more introspective tone floats of La Monte Young and Jefre Cantu-Ledesma's roomy feedback washes, the trio extract a vast array of sweet, soporific and unconventional timbres from instruments both acoustic and electrified to meditative effect. A perfect soundtrack to studious introspection and languid bliss-outs alike.

Review: A fresh and exciting new concept record from ambient master Jan Jelinek; the new LP Social Engineering is made of nothing more than the text-to-speech renderings of the content of phishing emails received in the musician's inbox over an undisclosed period. Over the course of 13 tracks, Jelinek reworks, timestretches, juggles and expands these robotic narrations into speech-synthetic soundscapes, making for a weird and well-paced foray into a certain greyscale sonic unheimlich. Beginning with a Microsoft impersonator and ending on a 'polite threat', Jelinek's latest record presents an ironic conundrum; indeed, Social Engineering presents the only kind of decision under pressure - whether or not to buy ingenious new experimental ambient music - that we can't refuse.

Review: From the 1979 LP Accadde A... by Arawak, this superb 7" showcases standout Italian Library recordings that you need in your life. Arawak, one of Luciano Simoncini's many pseudonyms, crafted compositions for film scores, radio, and television in Italy and this album remained obscure until the legendary Madlib heavily sampled it in 2000 and drove up the price of originals. The LP received its first reissue by Golden Pavilion in 2017 so fans could cop it once more and now two of the best bits from it are on their own record. Both tracks oscillate between mellow dreamy atmospheres and irresistible drum breaks with 'Bali' being sampled in 'Real Eyes' by Quasimoto in 2000, and b-side jam coming on strong with bagpipes intertwined with punchy bass and steady drums.

Review: Rings Around Saturn (Rory McPike) returns for his latest full-length album after 2018's self-titled brokntoys debut, moving on from self-definition to explore a new concept, that of 'All Things Shining'. The LP touches on ambient, electroacoustic studies and filmic/VGM composition, but outside of these references, it stands as a beautiful suite of songs, effortlessly evoking a palette that seems to burst and ooze with a mood of jubilance and hope. Fans of hedonic calculators like Barker will similarly pleased at its use of trance dispositifs, but which are yet lent a glossier, rainmaking vibe ('Sphereology'), while later cuts go on to evoke idyllic Hellenic hallways and walled paradisiacal gardens, with a vocal-angelic edge.

Review: Multi-award winning composer and viola maestro Astrid Sonne is an artist you won't forget in a hurry. Freewheeling between the somewhat regimented, or at least highly intentional world of electronic music production and the looser, more open-ended possibilities of experimental contemporary classical, melding both together in a place which is deceptively close to pop, she runs on improvised sections and meticulously crafted arrangements alike, in ways that feel truly natural. Following her acclaimed 2021 long form, 'Outside of Your Lifetime', with another beauty on Escho, one of many standout alternative imprints active in her native Denmark, Great Doubt is perhaps her most radio-playable effort to date, and yet musically it also embraces some of the most varied influences. From loop-based hip-hop to surreal court music, patient string-focused ambient, to leftfield drum machine pop.

Review: Originally released in 2005, Silenced captures the essence of The Black Dog's enigmatic allure, transporting listeners to otherworldly realms with its lush, tuneful compositions and angular genius. Each track on the album is a testament to the group's unparalleled ability to surprise and entrance, evoking a sense of both unease and beauty. For fans of The Black Dog, Silenced serves as a welcome treat, while also serving as an entry point for those new to the group's mesmerising soundscapes. Definitelt one of their best full length albums yet to date.

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Review: Of all the artists past and present who claim to let their music do their talking for them, Burial is one of the elite band of whom this truly is the case. In fact, so reluctant is he to engage with the cult-of-personality hoopla that surrounds almost every modern producer and musician of merit, that he remains a genuine recluse; he has never appeared live, only one obliquely-angled publicity photograph is known to exist, and the number of interviews he has given can be counted on the fingers of one hand. Yet despite this, his music speaks loud and wide, and the world has been listening ever since his 'South London Boroughs' EP debut on Hyperdub in March 2005. His eponymous album, which began life as a low-key release in May 2006, is now widely regarded as the benchmark release of the ever-widening dubstep genre, picking up unanimous critical acclaim along the way, and ending the year heavily featured in many 'best of' polls. Now Burial returns with 'Untrue', a new record of weird soul music, which lovingly processes spectral female voices into vaporised R&B and smudged 2step garage. Vocal lines are blurred, smeared, pitched up pitched down and pitch bent until their content is cast adrift from their original context and they whisper their saccharin sweet nothings into the void. The album continues with the debut's crackle-drenched yearning and bustling syncopations, haunted by the ghosts of rave, but also reveals some new Burial treats with a more glowing, upbeat energy. Kicking off with the skittering 2step syncopations and vocal science of 'Archangel', 'Near Dark' and 'Ghost Hardware', before long it descends into a space of radiant divas and ambience. Where 'Burial' first was humid, suffocating and unrelentingly sad, 'Untrue' is less sunless. Many of the tracks are so sweet, they become toxic, underscored by the almost geological rumbles of growling basslines. Unlike the overpoweringly melancholic prevailing mood of before, Burial's sound is now better defined as a downcast euphoria typified by the epic, muted optimism of the album's last track 'Raver'. Forget central heating the radioactivity of this album is all that you'll need to keep you warm this winter. 'Untrue' is available as full 13 track digipack CD, including recent underground hit 'Ghost Hardware', and 9 track DJ friendly double vinyl set, from which some of the beatless pieces have been edited.

Review: The legendary Future Sound Of London have finally started dropping their Environments series on vinyl format, which will no doubt please the countless numbers of FSOL junkies out there! These sessions, the present title being the penultimate in a series of five, have been long sought after and they have been pivotal in shaping the sound of today's electronic dance music. Fifteen tracks in total here and the interesting thing about this album is the fact that it can be heard either as single tracks or as one developing and morphing wall of sound. All but one of these tracks, "Murmurations", are from way back and haven't seen the light of day, so get listening and indulge yourself in some pioneering sounds!

Review: Thankfully, Richard D. James has decided to finally release at least some of the output that he's been banging on about since mid-2000s. In a number of interviews, the might Aphex Twin hinted that he has vast artilleries of tracks stacked up and unreleased, probably more on purpose than out of laziness...or maybe not. What we do know is that AFX is reborn after the string of acid 12"s released about 10 years ago on Rephlex, that saw the alias become one of the most popular of James' alter egos. Orphaned Deejay Selek is a collection of tunes that contain all of the Twin's magic and unpredictably, but that also cut straight to the point and head to the middle of the dance floor. This is banging brain dynamite coated in the man's iconic style and flair. Welcome back AFX, and many hats off to Warp for making it happen.

Review: When it comes to a reissue such as this it can't be understated just how arresting the work of Boards of Canada can be in the right situation. This EP, that came to light in between Music Has The Right To Children and Geogaddi, represents the enigmatic duo at their most powerful, channeling their energy into four long-form tracks that draw on all of their combined strengths. "Kid For Today" is haunting and dark but utterly heartbreaking, whilst "Amo Bishop Roden" heads into more mysterious territory. "In A Beautiful Place Out In The Country" is eerie in its titular invitation to join a cult, and "Zoetrope" tips its hat to Terry Riley et al in its looping phrases, but really there's no describing the magnificence of these gems, pleasingly reissued on vinyl to beat the Discogs chancers.

Review: With an extensive legacy and a list of alter egos longer than your arm, Martin Damm aka Biochip C achieves a delicate balancing act on this 11 year old record, a handful of extras copies of which were recently unearthed in what can only be described as a highly fortunate 'warehouse find'. He pulls off a delicate balancing act here, letting the abrasive, industrial punk rock side of his music off the leash to frolic unhindered, while never losing sight of the needs of dancefloor and its needs across the six tracks. Highlights? Well, the title track's speedy electrofunk is highly addictive, 'Eraser' has a driving, chunky techno edge that fans of Force Inc will love, while the double dub speed grooves of 'Knobgine' and 'Liquid Silence' are forces of nature in themselves.

Review: Oh mama, it's the second instalment of one of the most hotly tipped compilations around! The Bay Area Retrograde series from Dark Entries and this second chapter particularly, showcases San Francisco's buzzing post-punk and noise scene of the early 1980's, so we're talking real pioneering stuff here! There's everyone from Factrix to the legendary Tuxedomoon, but also some lesser known and more obscure names such as Chrome - a truly badass outfit if you ask us. Dark Entries couldn't have done a better job and this is the leftfield pick of the week from us!

Review: Nocturn I from Abraco De Vapor is a first release for the new LILA label. Accompanying the music is a note that a core belief for this label is that "we are all in this adventure of eternal life together." As such, the imprint pledges to donate a portion of income from all sales to various different charity organizations whose aim it is to improve the living conditions of those who need it. This first album is a life-affirming ambient soundscape with heavenly chords and choral vocals all layered up so beautifully that you will find yourself with an empty mind, dreaming of nothing in particular.

Review: The LILA label is dropping a wealth of essential new ambient albums this month and Eternell is one of the artists behind them, an alias of Ludvig Cimbrelius who says he has been hearing new music in his mind all of his life. Here he gives it a form in the real world as he offers up real emotional depths and wondrous highs that will encourage deep introspection and firm connections with your inner most self. Mira is full of widescreen pieces, smeared pads and gently rising lines that subsume you in heavenly sonics.

Review: Kicking off his new R&R imprint, LA-born and Berlin-based producer Huerta brings us TV Slang - an LP which exists somewhere between rhythmic and ambient house. For the title track, woozy voice samples drift in and out of focus, existing in a space just outside of reality. 'Stutter Dub' emerges as one of the more dance-geared tracks, yet it's still decorated with the hazy sound design of the release's ambient numbers; its buffed-out environment softening the edges of Huerta's percussion. On the B-side, 'Traces' features dreamily reverberating piano chords embellished with glittering breaks. This is a highly multi-faceted release which promises to take listeners and dancers alike into a beautifully realised soundworld.

Review: Colin Potter has a unique approach to electronic rhythm that is fully laid bare on this Ago long player. His signature sound design defines the six cuts which were recorded in the mid-80s and late-90s at IC studio in Tollerton in North Yorkshire. Various bits of classic hardware were used in the making of these tunes - an Akai S950 sampler, an Emulator II, Roland TR727 and Yamaha RX11 digital drum machines, a Roland Juno 60, and more, and the results are mind-melting cuts that fuse bleep, electro, EBM, techno and acid.

Review: Twisted are continuing their solid reissue campaign for one of the true greats of psy-trance culture, the mighty Sphongle. Simon Ponsford and Raja Ram's project of course reached beyond the trappings of dancefloor formula to become a much broader concern drawing on global music traditions and new age spirituality as much as mind-tweaking electronica. On this, their fourth album, the electronics were positively subsumed by intricately woven layers of flute, guitar, sitar, cello, hang drum and much more besides. Released in 2009 and remaining a firm favourite amongst the group's devoted fanbase, this remastered repress spread Ineffable Mysteries across three discs for maximum fidelity.

Review: Sphongle continue to gift their fans with these exquisite reissues of their illustrious catalogue, catching up to more recent times with the richly dynamic sound of Museum Of Consciousness. This 2013 epic leant in on every dimension of Simon Ponsford and Raja Ram's sound, at once bristling with kinetic electronica energy while keeping their much-loved mysticism front and centre. It's a trip, like a Sphongle album should be, but it's also got a certain bite which more than stands up to the rigours of the modern dancefloor. One of the group's great skills has been in moving with the times while staying true to a certain deep-rooted, festival-friendly playfulness. Grab a slice of cosmic delight, freshly remastered for your brain to happily feast on.

Review: Lithuania's Greyscale label has knocked it out of the park with its first nine releases and now this 10th follows that same high-class pattern. It finds the revered Submersion - of labels like Silent Season and Milieu Music - serving up more of his textbook deep ambient dives, with elongated synth craft and heady atmospheres all sinking you into a mindful state. The rainy day feel of the tracks and their misty pads is offset by constant subtle hints of hope and optimism in the ever-shifting melodies. It makes for an uplifting and deeply moving listen that you will keep on coming back to for more.

Review: Danish ambient electronica mastermind Croatian Amor returns to the fore with a fresh album, A Part Of You In Everything, not long at all after his most recent, angelic-themed full-length Remember Rainbow Bridge. The Posh Isolation crew, of course, have always traded in heartbreak: the album is a tribute to the artist and label owner's late brother, who died at birth, also making up a companion piece to the previous album. In a whirl of steady, gut-punching feels-oozes, Amor is backed by his label coevals Perko, Vanessa Amara, NikkiH2OP, Alto Aria and Jeuru, all of whom help him lay down an incredible sense of pacing, space and depth.

Review: Past Inside the Present's 'Pulse' series is an investigation into ambient tech and beat-driven ambient sounds. Who better for the job on this second edition than master craftsmen ASC and Joachim Spieth? ASC opens up with 'Tidal Disruption Event', an understated, underwater rhythm with jittery percussive patterns and bright shards of melodic light piercing through the mix as more coarse soundwaves break over the top. Spieth's 'Subtle' is just as artful and delicate a mix of persuasive rhythm and melodic beauty. A classy Nitechord remix closes out this fascinating EP.

Review: Uganda keeps on giving, with the country currently at the forefront of sub-Saharan Africa's electronic underground: a fertile corner of the world in terms of emerging and established talent. Enter Hibotep, a Kampala-based rising star who was born and raised in Ethiopia but grew up in Somalia. Joining her on this EP, another one to know from the Ugandan capital, Hibo Elmi, a DJ, filmmaker, fashion designer, installation artist, rapper and studio head considered to be one of the most important female dance music makers on the continent right now. Running the gamut from 'Amber''s dark, hypnotising dub-hop moves, through 'Ebwino's sparse, weightless tones, which eventually give way to playful stepping rhythm beneath the relentless microphone skills of MC Will'stone, and 'Saffron' with its slow mo, exotic shuffle, if those responsible for this EP themselves reflect the incredible diversity of the city's scene, the sounds do the same.