Review: Adam Monti aka ADMNTi heads up 4Plae Records out of London and joins Casey Spillman (who just debuted on Infuse) for his label's fifth release. Monti opens with the hypnotic, bass-driven and swing-fuelled loops of "0207", a sublime groove reminiscent of iO (Mulen) or Jack Wickham, while Spillman's contribution comes in the form of the very UK influenced bounce of "Juice Appeal". This takes the best of 2-step and garage (and even the mandatory "rewind") to create a sexy serving of late night mood music. On the flip they flip the script, with both artists remixing each other's track and for what it's worth we reckon it's all about Spillman's remix of Monti's - tough rolling and functional tech house that's aimed squarely at the main room at peak time!
Review: Founder and leader of the Banana Hill parties out of Sheffield, Cervo has started churning out some seriously bad-mannered house music as of late. Interestingly, his devious blends of 4/4 dance recall the same sort of experimentation and freedom as Toddla T's tracks, the main star to have come out of Steel City. The man debuts on London's Black Acre with these two spicy rave bangers, kicking off with the smooth and liquid-like "Deyo", before turning everything into a bumpy stomp on the more acid-laden "Kasoa". The main thing about these two tunes is the funk running deep in its veins - boom!
Review: David Gtronic kicked off the Black Wood label with the Kryptoo 12", and now Javier Carballo swiftly follows up with the immersive tones of Morning Vibe. Carballo's sound is undoubtedly rooted in the minimal house he's turned out for One Records amongst others, but he's got a distinctive edge in his productions that makes them stand out. "Morning Vibe" in particular does so well because it matches airy pads and skittering drums with a measured lick of acid, making something truly trippy in the process. "Back For Good" pairs dubby chord pulses with shuffling hats, and "Chunchuneo" gets locked into an insistent rhythmic chug that it's tough to resist.
Making Ends Meet (Subb-an & Adam Shelton remix) (10:46)
Review: The 5th release on BLKMARKET MUSIC comes from Scumdolly entitled 'Making Ends Meet' in the format of two separate vinyl. Changing Room One and Changing Room Two are tracks that were made around seventeen years ago and never saw an official release. Scumdolly is an alias of Craig Richards, an artist we admire and are really hyped to work with. On Vinyl One [BLKMUSIC 004.1] The A side features Making Ends Meet (Changing Room One), which is an original breakbeat version by Craig Richards that comes with with a twisted remix by Birmingham's Subb-an & Adam Shelton on the B side.
Review: Undisputed heroes of the Berlin underground Cab Drivers get their Comfort Inn EP from 1997 on Cabinet re-released, so get in there and grab your piece of history! iI's always a pleasure to hear their now signature sound, it's timeless. Starting out with "Elwico" a deep and bumping groover sitting somewhere in the grey area between deep house, minimal and techno. Yep: that's their sound alright! "Arcade" is fiercer: an 808 rhythm track and DJ tool that would suit a variety of purposes. Hell, it sounds good enough just on its own. Finally on the flip is "Sunday Best", a funky and emotive exploration in deepness that would sound great as the sun's coming out on Sunday morning at Hoppetosse.
Review: If you're reading this we've got to hand it to you; you really know your stuff! The Cab Drivers are Berlin's undisputed masters of quality techno and house that all the heads can count as some of their secret weapons in their records bag. The man himself Richie Hawtin even compiled a body of their work on his Plus 8 imprint in 2006, Cabinet Classics, which is testament to their illustrious discography. This release is another worthy addition to their catalogue. "Taxi Funk" is all that its infectious swirling synth stabs and syncopated rhythms. "Bon Bon" is more uplifting with its shimmering keys and mesmerising melody pushing you into a truly higher state!
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: Berlin's finest and Cabinet Records head honchos Jens Augustowsky and Daniel Paul return for more perfect loops with their signature all hardware setup. The most infectious and hypnotic minimal house served up to perfection on their newest offering. It starts off with the plonky swing fuelled groove of "Alternative Acts": a signature sound of theirs which you can hear in the work of other artists they no doubt influenced such as Mike Shannon. On the flip, there's the deep and emotive "Drive One" supported by thunderous toms and bittersweet pad textures complete with perfectly filtered chords. Finally "Holiday Ahead" is the most positive and uplifting offering here and perfect to play just as the sunlight starts to peer through the blinds on Sunday morning: there's hell of a lot of soul on this boompty acid jam.
Review: It would be fair to say that Claque Musique, a freshly minted outlet for tactile tech-house, skewed deep house and otherworldly techno, has hit the ground running. Their debut release is something of an epic, featuring eight tried-and-tested cuts stretched across two slabs of wax. There's plenty of subtle variety on show throughout - compare, for example, the hissing percussion, jaunty synth bass and trippy spoken word vocals of Carola Pisaturo's "Ganzirri" and the jazzy, dub-flecked deep house shuffle of "Cenere" by Calma - plus a swathe of notable highlights. This include the spacey machine funk of Analog Inside's wonderful "Deep Time '88" and the psychedelic acid madness of Iuly B's "Alien Acid", whose delay-laden percussion hits are particularly wonky.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Cong Burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. It's surprising they haven't done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from Chekov before pirouetting into one of Duckett's illustrious abstractions around the techno blueprint. Label regular Lack is back on side B with the stern and punchy "Track 3," and then Haddon finishes the record off with "Anabiosis," a densely textured, slow creeping trip of a track.
Review: Since 2015, Bucharest-based producer Andrei Ciubuc's been releasing one EP per year and, while we'd like to hear more from him, they've all been similarly dope. This is no surprise, as the artist hails from what is now surely the headquarters of contemporary tech-house, but it's important to point out that he's definitely at the top of that food chain. "Strei2" comes through on the young and ambitious Cuplet label, and bursts through our charts with a powerful, wonderfully minimalistic groove that has a certain industrial flair about it, buzzing and twisting head-first into a whirlpool off strangely jazzy sonics and complex percussion patterns - a real floor burner. "Cel Putin", on the flip, oozes a magnetic, dub-filtered tone from all angles, and its bubbling drums are the perfect solution to any oversized sound system wishing to be taken to overdrive. Pressed up on heavyweight vinyl, too.