Review: Acid Pauli and Nico Stojan, the masterminds behind the Ouie label, reunite for another collaborative effort, this time delivering a two-track EP that embodies their signature sound. 'Vola' is a hypnotic and psychedelic journey, its spongy rhythm and eclectic samples creating a lush and meditative atmosphere. The track's intricate textures and subtle melodies invite the listener to get lost in its depths, a perfect example of the duo's ability to craft intimate and evocative electronic music. 'Tensione', the B-side, builds upon this foundation, incorporating modular arpeggios and tasteful pads to create a more dynamic and expansive soundscape. Hypnotic rhythms, intricate textures, and psychedelic flourishes - job done.
Review: ViGis opening salvo for 2025 brings together four artists from four continents who all blend their own diverse cultural roots and influences into a superb collection of cuts for the club. This is a 12" that offers a refreshing take on familiar sounds and delivers subtle yet punchy variations in style and rhythm. Adema keeps it nice and clean and slick on the deep, bubbly tech of 'Jm Glavio' while Red Pig Flower's 'Stardust' is a zoned-out roller. Artur Nikolaev's 'New Edition' is a deft minimal soundscape with warped lines and bubbles dub undercurrents. Cladu shuts down with 'No Name' which is a more propulsive cut.
Review: Planka Records continues to solidify its underground credibility with its third release which offers up a group of international producers. The EP dives into electro grooves and stripped-back, hypnotic rhythms designed for the raw, gritty corners of the club and Aka Juanjo kicks off with the neck-snapping pressure of 'Modo Electro.' Jesse You brings some proto-trance synth work then Stefano Andriezzi gets freaky with ice-cold drum machines and --burrowing basslines on 'Teknica'.
Review: The all-new Tapioca label debuts here with a head-turning EP full of lovely bright, bulbous and fresh synth designs. Nathan Alzon is the alchemist behind it and 'Wiggle & Wobble's Russian Roulette Extravaganza' soon locks oyu in with nice tech drums and busy synth daubs darting about the mix. 'Garage Baker' is a hurried, scruffy and UKG-tinged sound with more unique synth work and 'Hopeless Maniac (feat Litmus)' completes this most vivid and vivacious EP with another stylish tech house twist.
Review: This new one on mysterious UK label MoonVoid Records serves up a trio of previously unreleased tracks that were originally recorded in the early 90s on tape cassette by Benjamin Wetherill under the Amethyst Moon alias. Apparently this EP is the first of a few, which is great news once you hear them. 'Lifestheme' is a crunchy and wiry electronic workout with fizzing synths and dense beats. 'Human At The Controls' brings slower rhythms and snaking synths and hissing hits while 'False Alarm (Look Over Your Shoulder)' spins you out in silky cosmic synths and snappy metallic snares.
Review: Circulo Cerrado introduces its first sub-label, here. E.T.D.G. is "where sound tells a story." Aniano invites you in with Una Serie de Crimenes Sonoros, a concept EP that blurs the line between fiction and reality. Driven by a techno undercurrent, the release continues the exploration of El Terror De Galdar while incorporating electro and minimal influences and drawing inspiration from 1980s sci-fi cinema and retro video games. The EP features TR-909 rhythms and intricate Nord Lead 2 synth work and delves into human darkness through electronic soundscapes.
Review: Anil Aras' latest effort strikes with unexpected force, blending deep house with subtle nods to dub and techno. The EP has a tangible weight, where basslines resonate with a satisfying depth and rhythms maintain a fluid, hypnotic quality. Aras doesn't rush, opting for a slow, deliberate groove that feels like a late-night conversation. There's no push for flashiness, but rather a focus on space, restraint and atmosphere, allowing each track to breathe and shift in an organic, almost meditative fashion.
Review: Edinburgh's Neptune Discs bring crazed happy-acid hard trance come progressive disco to the fold, welcoming four fresh faces to their roster in so doing. Biodive, Astro, Dylan Forbes and Glen S all work impressive atmosses and well-integrated pad flavours around primal progressions, centring on a unified vibe of tunnelling rave intensity. The tone quietens on 'Tranquility', an emanative favourite of ours, whose pulsatory lead blurt sounds like a lighthouse through benevolent mist.
La Isla De Margarita (Johannes Albert remix) (6:21)
Review: Since first making his mark midway through the last decade via a series of quietly impressive EPs on Toy Tonics, Ricardo Baez has flitted between labels, in the process alternating between throbbing, 21st century electronic disco, deep house, techno and acid. On the Florence-based artist's latest EP, a Live at Robert Johnson label debut, he delivers four varied but uniformly floor-focused affairs. So 'Tears of Joy', a glossy, warm and rolling slab of tactile deep house colour, is followed on side A by the sparse, squelchy, mind-altering and EBM-influenced throb of 'My Thursday Night'. The Italian successfully puts a twist on his nation's 1990s house history on the picturesque 'Arroz Con Leche', while Johannes Albert's rework of 'La Isla Da Margarita' cannily combines sparkling synth sounds and fizzing TB-303 motifs with weighty dub disco bass and unfussy drum machine beats.
Basement Space & Mans Glaeser - "Spacer Glaezer" (6:01)
Eric OS - "Timeout" (5:13)
Baby Rollen - "TwentyTwenty Home" (8:23)
Anna Kohlin - "What Time Is It?" (7:06)
Review: A releaser that crackles with an energy that could only emanate from the shadowy corners of the Swedish electronic underground. Anna Kohlin, label co-head and architect of hypnotic soundscapes, guides us through a diverse sonic landscape, her own 'What Time Is It?' leading the charge. Built from the evocative textures of the Roland JV-1080, it shimmers with a sunrise glow, ethereal pads interweaving with delicate melodies. Kohlin, a master of contrasts, doesn't shy away from the shadows, injecting her creation with sharper, dynamic elements that add a touch of grit to the dreamlike atmosphere. Eric OS throws down a challenge with 'Timeout', a sonic time capsule that transports us back to the early 2000s. Analogue warmth collides with the raw energy of digital sound, vintage synths intertwining with crisp beats in a nostalgic yet undeniably fresh sonic tapestry. Baby Rollen, armed with a looped double bass sample and the crisp snap of a 909, crafts a hypnotic groove with 'TwentyTwenty Home'. A warm 303 bassline snakes through the mix, adding a touch of acid-tinged euphoria to the already infectious rhythm. Basement Space and Mans Glaeser, never ones to shy away from the unconventional, deliver 'Space Glaezer', a sonic maze that twists and turns through intricate textures and unexpected rhythmic shifts. Kohlin's curation is nothing short of masterful, showcasing the diverse and ever-evolving landscape of the Swedish electronic music scene. Inside Out 002 is a testament to the power of electronic music to transport, inspire, and defy expectations.
Review: Bedouin return to their Human By Default imprint with a two-track EP that showcases their signature blend of organic house and melodic techno. 'Better Than This', featuring the soulful vocals of IVETA, is based around hypnotic rhythms and emotive melodies. The track's bouncy beats and intricate synth work create an irresistible groove, while IVETA's tender vocals add a layer of soulful depth. On the flip, 'Khazna' takes a more introspective turn, its deep house soundscapes and hypnotic rhythms evoking the ancient city of Petra. The track's haunting lead melody and lush, swinging woodblocks create a mesmerising atmosphere, culminating in a euphoric climax that's sure to ignite dancefloors. With its blend of soulful vocals, hypnotic grooves and intricate sound design, 'Into The Wind' is another impressive offering from Bedouin, further solidifying their position as leaders in the world of melodic electronic music.
Review: An elusive producer, shrouded in mystery, emerges with a fresh batch of irresistible edits. With a knack for crafting infectious grooves and a growing reputation amongst discerning DJs, this anonymous artist is set to ignite dancefloors with their latest offering. Having garnered support from tastemakers like Hunne, CC: Disco and Shanti Celeste, this release is guaranteed to ignite dancefloors and satisfy discerning DJs. 'Forgive Me 1' sets the tone with its irresistible energy, while 'Forgive Me 2' offers a slightly different flavour, maintaining the infectious groove while exploring new sonic territory. Expect a collection of expertly crafted cuts, brimming with energy and primed for peak-time moments. With its limited availability, this a must-have for those seeking to add some heat to their record bags.
Review: Brooklyn is not often somewhere you think of when it comes to minimal, a sound more usually associated with European artists these days, unless of course, you're talking about early US originators like Dan Bell and Robert Hood. This release suggests that view is wrong with a trio of classy cuts. Mike Berardi's 'Helicopter Ride' is lively and jazzy and rides a nice broken beat. Samuel Padden's 'String Theory' is more icy and paired back to a minimal cosmic trip and Jay Tripwire's 'Floorboards' a wonky late-night charmer.
Review: With a CV that includes releases on Skylax, Berg Audio, Raum Musik, Constant Black, Infuse and, most recently, Aku, Nick Beringer is one of the European tech-house scene's most reliable and storied producers. It's little surprise then to see him showcasing his wares on Maik Yells' Movetone Wax imprint. The Berlin-based producer impresses on both original cuts: the deliciously spacey, funk-fuelled tech-house shuffle of 'Shortcut', where intergalactic bleeps, immersive pads and rubbery bass catch the ear, and the more percussive, driving and mind-melting tech-house wonkiness of the electro-tinged 'Broken Bit'. Remix-wise, Tommy Vicari Jr slickly re-frames 'Broken Bit' as a sub-heavy dance through classical tech-house territory, while Pascal Benjamin adds warmth and the swinging shuffle of UK garage to his wonderfully starry interpretation of 'Shortcut'.
Review: A slick fusion of tech house and UK garage, delivering four tracks that balance energy, groove and atmosphere. Side-1 opens with 'No Exceptions', a lively, uptempo garage-inspired cut with a deep groove. Its eerie break injects just the right amount of mystery, making it a standout for the dancefloor.'All My Life' follows, leaning into catchy tech house vibes with smooth house elements that keep the rhythm infectious and engaging. On Side-2, 'Red Dot' takes a techier turn, driven by a commanding bassline and a deeper, more hypnotic tone that's both captivating and club-ready. Closing the release, Harry Wills reimagines 'Red Dot' with a more minimal approach, layering in unique melodic flourishes and atmospheric organ touches. The result is a track that feels spacious yet intricate. This EP skillfully bridges dynamic energy with strong, refined production.
Review: The latest from Bossibility and Look Perry on their Split Series is a precise, layered exploration of minimal and tech house that never quite settles in one place. Bossibility's contributions are subtle yet compelling, balancing clean rhythms with restrained complexity, particularly in 'Morphoder,' where the tension between the bassline and atmospheric layers steadily builds, leaving just enough space for the track to breathe. Look Perry's side offers a contrasting dynamicihis deep percussion on 'Way to the Dance' grounds the track, while 'International Beats' surges with a forward momentum that feels unpredictable, yet right on target. It's an unassuming yet compelling exchange of ideas and proof that simple elements, when handled with care, can pack a real punch.
Review: It's five up for Spanish label Les Enfants who have done a fine job of bringing some colour and personality to minimal, which can all too often be rather dry and abstract. 'Adapt Or Die' opens up with nice fleshy bass rotations and some characterful synth details then 'High Volatility' gets more direct with an acid-tinged vibe and dirty low ends. A Priku remix then smooth stings out and brings some signature cool to 'Love That Keys' and the original is a frantic collage of hurried loops, deep space pads and progressive energy. Bravo by name, bravo by nature.
Review: In the summer of 2023, Upgrade Records launched via a nostalgic, party-starting EP from the previously unheard artist In 5 D (likely an alias for someone a bit better known, but don't quote us on that). For the label's return, long-serving DJ/producer Buckley Boland (best known for his releases on Made To Play, Black Riot and One Records) is the man at the controls. What he's delivered is a nostalgic, sample-rich affair that combines the angular wonkiness and mind-mangling noises of early-to-mid-2000s tech-house with nods towards vintage acid house, electro-house and the hard-to-pigeonhole house filth of the (long gone) Music For Freaks label. Basically, it's all fun-time, party-starting fare, with the bump-and-squelch of 'Daft Sandwich', the bustling brilliance of 'Nude Night' and the break-sporting hustle of 'S/A/M Real Man' standing out.
Review: Burnski and Kepler, two names synonymous with the deeper shades of house music, converge on Chris Stussy's Up The Stuss imprint for a collaborative EP that showcases their shared passion for dancefloor-focused soundscapes. 'Solstice', the title track, sets the tone with a hypnotic swing, its subtle rhythmic shifts and infectious bassline weaving a mesmerizing tapestry of sound. 'Contemplate', the second collaborative effort, offers a more introspective vibe, its bumping rhythms and melancholic melodies suggesting a moment of reflection amidst the dancefloor euphoria. The flip side sees the duo explore their individual artistry. Burnski's 'Give' is a late-night gem, its shimmering textures and hypnotic rhythms conjuring a sense of blissful introspection. Kepler's 'Transcend', on the other hand, lives up to its name, its vibrant energy and captivating melodies transporting the listener to a higher plane of dancefloor consciousness. It's a confident opening salvo for 2025 from Up The Stuss, a label that continues to champion the most vital strains of contemporary house music.
Review: Byron The Aquarius is a bastion of quality modern house music and the seance volume f this series on Phonogramme can't come soon enough. It finds the keys master and former hip-hop producer doing what he does best - laying down raw, dusty beats with captivating melodies. 'Co$mic Felacio (Freaking92)' stars with low-slung menace, 'Gift Of Gab' is a bright house stomper with smudged and smeared chords and 'Willie Wonkaaa' has a darker, more unsettling edge and squealing synth lead. 'Akirashi' is a nice chilled-out beatdown to close.
Review: Gaston Cabrera, an Argentinian producer on the rise, delivers a captivating four-tracker for Exarde. 'Romance Electro' sets the tone with pulsating synths and driving percussion, conjuring a dark and hypnotic atmosphere. Cabrera's sound blends house and techno with a touch of Italo-disco, creating a unique sonic tapestry. 'Baile Y Drama' picks up the pace, its infectious groove and swirling melodies leading the listener on an exhilarating journey. On the flip, 'Atmosfera Yonki' is a masterclass in sonic manipulation, its haunting textures and disorienting soundscapes evoking a descent into the depths of a Buenos Aires nightclub. The EP closes with '7AM', a melancholic yet uplifting exploration of intricate rhythms and introspective melodies. With its diverse sounds and undeniable dancefloor appeal, this EP is a testament to Cabrera's talent.
Review: Italian pair Carebears bring a freaky twist to their brand of minimal here. 'Phone Home' has a wonky dial tone that slowly disorientates you over loopy drums and bass and 'White Boards' then gets more raw. The drums are precise and militant and the mood is mysterious. Remixing is Thomas Melchior, who to our mind has made some of the most unique minimal cuts of the last 15-plus years. His deftness always shines thorough in his airy, hypnotic drums and here as Melchior Productions LTD he does that again, flipping 'White Boards' into something that is weightless yet rooted on the floor and dreamy but driving.
Review: You'll find fewer headier and more impactful hybrid tech-house/deep house cuts than 'Binga', the lightly breakbeat-driven gem that opens this EP from up-and-coming artist Philip Chernikov. Featuring plenty of trippy effects, dusty samples, driving bass and echoing, spaced-out riffs, it offers a neat summary of the producer's signature sound - and what you can expect from the rest of this fine four-tracker. For proof, check the sub-heavy, tech-house-with-breakbeats flex of 'Multicultural', the funky bass, spacey chords and restless beats of 'Dopey', and the delay-laden early morning delights of 'Gideon's Legacy', where dreamy chords, echoing vocal snippets and ultra-deep sub-bass catch the ear.
Review: Chicaiza, co-owner of Berlin's Kimchi Records, makes a confident solo debut on Off The Grid. These tracks strike a balance between warm, melodic textures and a subtle melancholy that feels both introspective and grounded. Each piece reveals a careful attention to detail, with rhythms and atmospheres that evolve naturally. Perfectly aligned with the label's aesthetic, this release captures the understated refinement of an artist exploring new creative spaces while staying deeply connected to his roots in Berlin's underground.
Santonio Echols - "Piano In The Light" (Emanuell Echols mix)
Brian Kage - "This Saturday Night"
Ryan Sadorus - "Down Below"
Review: Upstairs Asylum is kicking off the year in some style with a couple of killer new EPs. This one is the first in what is presumably a new series to showcase the talents of the Motor City. Mike Clark & Marcus Harris get things underway with 'Hey' which has a subtly uplifting feel thanks to the bright, sustained chords and cuddly drums. Santonio Echols's 'Piano In The Light' (DJ Emanuell Echols mix) is laidback, playful deep house with magical chord work and Brian Kage brings his classy depths to the smooth grooves of 'This Saturday Night.' Ryan Sadorus brings things to a close with the smoky 'Down Below.'
Review: Steve Cobby is surely one of Hull's finest musical exports. The musician and producer has mastered many different sounds across the downtempo and electronic spectrum and here he dips his toe into deep house with a new limited 12" on Declasse. 'Hot 4 U' opens up with a gorgeous vocal sample and plenty of reverb on it so it pings around the mix over dubby drums. 'Santa Eularia' is a more jazzy and percussive, stylish sound with a smooth cruising groove for sundown or sun-up magic.
Review: The mighty Rawax empire has always got just the right record for whatever occasion. It is Bucharest's Costin RP who steps up now with two expertly designed minimal gems for cultured dancefloors. 'Arai' is a nearly nine-minute trip that's built on a fluid, rolling tech groove but is masterfully embellished with watery droplets, echoing vocal whispers and deft little sci-fi motifs. 'Everyday I Am Thinking Of You' goes even longer and is one of those sounds that utterly immerses you in your own thoughts and amongst dreamy synths and wavy grooves that you never want to end.
Review: Portuguese artist Cruz, a pivotal figure in Lisbon's music scene, finally makes his vinyl debut with BLOOP027. Leading the charge on A1 is 'Interstellar Odyssey,' a track that showcases Cruz's talent with a driving bassline and dark, atmospheric tones, delivering a polished, space-bound journey. The B-side opens with 'Milky Way Melodies,' featuring acid-dipped synths and a deep, impactful groove that takes the listener even further into the cosmos. Closing the EP is 'Porto Supernova,' where snappy snares and haunting vocals round off this stellar release. It's a debut that feels overdue, leaving us eager for more from Cruz.
Review: Deadbeat, the Montreal-based dub techno maestro, returns to Echocord with a trio of immersive and hypnotic tracks. 'Pressure Double Down' showcases Deadbeat's signature sound, a blend of dub-infused techno and minimal aesthetics that has captivated listeners for over two decades. 'Too Much Pressure' is a 15-minute odyssey through intricate percussion, dubbed-out stabs and psychedelic vocals, its subtly unfurling layers and nuanced dynamism creating a captivating sonic experience. 'Double Bubble' follows with a delicate interplay of chord melodies, sub-bass tones and a crunchy analogue rhythm section, its hypnotic groove drawing the listener into a world of sonic exploration. 'Rattle The Roof Down' closes out the EP with a heavy dose of dub reggae bass, its spacey delays and murky swells adding a layer of hypnotic depth.
Review: A tech house release that offers the perfect balance of groove and melody. 'Hold Me Tight' opens with a melodic, addictive groove, blending deep house elements with tech house energy. The track's strong production and underlying melodies build an irresistible vibe. The DOP remix of 'Hold Me Tight' on Side-2 takes things in a raw, techy direction, offering a dub version with deeper grooves and a more stripped-back feel while maintaining the vocal elements. 'She's Got Nowhere To Go' closes the release with catchy vocal samples and a soulful, fun melody, making it a great dancefloor anthem. The track is both playful and infectious, ensuring it will keep the energy high. Overall, a dynamic fusion of melodic depth and tech house vibes, perfect for any set.
Review: DJ Normal 4 infuses plenty of psyched-out colours, trance from the 90s and sleek deep techno rhythm in his work for this new one on Fantastic Planet. 'Eden Responding' kicks it off with singing synth lines over quick beats. 'Spore Clouds' is more deep and driving with less melodic playfulness and 'Green Mantra' brings some more twisted after-party energy. 'Liquid Desire' then slows things down with watery sound effects and hypnotic layers of sound designed to zone you out.
Review: 'Unreleased Stuff Part 'I dives into the rich vault of Charles Webster, a revered name in UK house with a career spanning over three decades. This release brings out three hidden gems from his archives that capture the depth of his skill in minimal and tech house production. Side-1 kicks off with 'The Same Thing (instrumental mix)', a refined deep house track with a tasteful nod to 90s acid influences. Over on Side-2, 'Halftoo' delivers a melodic deep house vibe that feels fresh despite its 1997 origins. Rounding out the collection, 'FYU' combines smooth, classy production with that unmistakable 90s touch, creating a sound that feels timeless yet distinctly of its era.
Review: Arpanet is a new imprint focused on reissuing far-sighted club cuts and electronic curiosities from the dim and distant past, helmed by French veteran DJ Speep. Fittingly, the label's first release is a reissue of Speep's 2001 collaboration with friend Fab, Sensitive. The title track, which resides on side A, is a classic example of moody, turn-of-the-century tech-house, where metallic electronic motifs, foreboding chords and layered percussion rides a dark bassline and swinging, non-stop drums. 'Space Road' offers a more intergalactic, acid-flecked take on early morning, early noughties tech-house, while 'Ladiescope' is warm, tactile, rolling and quietly postive: dreamy tech-house for wannabe astronauts and sun worshippers of all ages.
Review: The second offering from the Infrequent label comes from the assured and esteemed mini man Dubtil. This limited 12" kicks off with a silky mix of dubbed-out but paired back minimal tech drums with watery synths and loopy swirls that lock out into the moment. 'II' is clean and perfect for cruising along to thanks to the supple and succulent kicks that are oversized and delicious under the balmy synth smears. 'III' cuts loose with a more warped lead motif and snappy, militant tech house drums below and last of all 'IV' gets freaky with some bubbling and tightly programmed kick and bassline combos. Serious stuff, for sure.
Review: Though now almost at 20 releases deep, the EEE label and production outfit remain a mystery to us. What we do know is that since debuting in 2017 they have served up a steady stream of playful, charming, accessible edits and mash-ups across the house and minimal spectrum. 'Dubs 4 Clubs' takes a classic vocal that keeps pushing on with thudding kicks, a rolling bassline and enough synth detail to make it a standout in plenty of Ibiza sets this summer.
Review: The Cimedirapax crew are back with another superb various artists collection that nudges at the borders of tech house and minimal. Eliaz's 'Enbaspremal' is an alien sound with abstract designs and trippy pads and Lapucci then gets deeper and darker on the menacing 'To Be On Top.' F_Phono brings some nu-disco energy and bright 80s arps to 'Sollievo' then Marco Biagioli heads into more occult worlds with the eerie and haunting 'Strange Mirror' before Equinox's 'Intergalactic Space' offers a caustic electro workout.
Take This (feat Margongon - Birdsmakingmachine remix) (7:25)
Review: Swiss-French label Miniclic Records builds on the momentum of its first outing with another cultured EP, this time from Enzo Leep. He shows his knack for crafting kinetic grooves on the quick, tight tech opener 'Ultra Girl 'Elastic 140 Vision' which has all sorts of great and unusual sound designs. 'Forest 2.0' is grittier and more dark then 'Take This' (feat Margongon) is experimental in its blend of blues guitar smudges, female vocals and minimal drums. A minimalist Birdsmakingmachine remix brings more dance floor heft to what is a beguiling original.
Review: Eoin DJ is back with a tune that belies his age and taste: this one is a homage to Nalin & Kane's legendary 1997 classic 'Beachball' which was a huge hit in Ibiza and just about everywhere else in those heady and trance-tinged crossover dance-pop days. The EP blends sparse, organic percussion with potent bass and lush atmospherics that hark back to that era while also sounding contemporary - a fine mix of euphoric vibes and club-ready grooves. The title track you may well have heard as it has been something of a hit for a while in the clubs and has been championed by tastemakers like Job Jobse, Sally C and Spray. Bliss Inc's remix elevates the original into a modern hard-house anthem, while Infinite Well and On Lilac Skies deliver techno restraint.
Review: Eris, aka. Enrica Falqui and Dea Dvornik, mint the Plexus 4 label with the 'Glimmers' EP. New outings breed novel vibes; so too does this exciting new house pairing bring future-facing, melancholic electro-progressive flavours to the table with opener 'Kundalini Rising' and A2 ensuer 'Serpente'. Both tracks shimmy and plod through the twinned vibes of alien atmospherics via a driven whimsy, nailing a sweet interplay of seriousness and affability. B-siders 'Anticipation' and 'Game Over' contrastingly move more minimal with things, using, revelling in the natural monophony of, their various analog synths, their delectably dedicated studio gear. The final track ends on an eerier note, suggesting murkier future ambi-topias to navigate.
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