Review: Ted Krisko and Eric Rickers hail from Detroit, and their distinctive brand of snappy, playful electro and techno has already landed them releases on KMS, Visionquest and others. Now they land on 20/20 Vision with the devilishly fun "One LFO," an unremitting acid jam shot through with crafty drum programming and enough robotic lubricant to get the rustiest joints greased up and moving. Fellow Detroit champs Luke Hess and Delano Smith shore up on the flip with classy remixes, Hess waving his dubby strains over the original in inimitable form and Smith taking things deep, smooth and just a little spooky.
Review: Rominimal veteran Barac Nicolae returns, and this time on Felipe Venegas' esteemed imprint Drumma with a pair of tight, infectious minimal tech house productions. The rolling and hypnotic main room grooves that he's built his reputation on can be heard loud and clear on the powerful "The Mirror Of Spirit", while the flipside houses a deeper, after-hours vibe via "909". Despite its name, the beats produced by the trusty Roland drum machine aren't the main attraction. We think "303" might be more well suited for this acid entrancer!
Review: Brawther returns to one of the stand out tracks from last year's "Transient States" LP and hands it over to a couple of more-than-capable remixers. "Jaxx Freaxx" becomes an irresistibly funky bumper in the hands of Fumiya Tanaka, whose "My Jaxx" version sounds like it would be right at home in the midst of a lengthy Panorama Bar session. Zweizig follows up on his recent "Rhythm Tension" 12" for Negentropy with a sublime, subtle twist on "Jaxx Freaxx" that matches swinging micro house with dubby FX ripples that sound like they were deployed with the after party in mind.
Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: In recent times, demand has soared for a trilogy of 12" singles that Matthew "Bushwacka!" Benjamin released on Sound As A Pound Recordings in 1996. This must-have 12" gathers together some of the series' most in-demand moments. Opener "8" is warm, positive and hypnotic, with marimba style memories and sun-kissed synth chords riding layered drums and a rich bassline, while "11" is a game-changing fusion of off-kilter breakbeats, heavy sub-bass and some seriously dreamy chords and lead lines. Flipside opener "5" adds sunrise-ready deep house chords and melodies to a funk-fuelled techno groove and is therefore the purest representation here of the early UK tech-house sound. As a bonus, Desert Sound Colony offers a tough and chunky peak-time revision of "8" that's altogether denser and heavier than Benjamin's original mix.
Review: Ever reliable Berlin duo Cab Drivers are back on Cabinet with more boompty minimal house business you've come to expect from the legendary duo. Powered by analogue soul throughout, Daniel Paul and ZKY go deep into the night with the emotive, bass-driven title track before getting freakier and darker on the flip with "Quotes". Well suited for the after-hours, this 12" is packed full of vintage drum machine flair and intoxicating electronics.
Review: Varme continues its musical exploration, with the purpose of releasing and promoting under the radar artists, carefully selected by its founder Paul Popa. Second release is by Crump, a rising producer from UK, who provided 3 tracks with a minimalistic touch + a breaksy remix by long-time friend Christian Jay.
Review: Politics Of Dancing celebrate five years of pristine deep and minimal house with this first installment in a series of various artist releases. Djebali and Stephan Bazbaz are in the mood for squelchy chords and undulating basslines on "J'Adore", while Boris Werner keeps things sleek and funky on the craftily executed "Omar Coming". Politics Of Dancing themselves kick off the B side with the gorgeous "Peace", and Rowlanz locks into a sharp and sassy minimal workout with lashings of jazzy goodness bedded into the groove. It's a package delivered with the high standards of dancefloor functionality and musical personality we've come to expect from the always-on-point Parisian label.
Henry Hyde - "Every Day's A Good Day For A Swim" (6:18)
Review: The ever-charitable Needs project continues apace with another stunning cast of characters offering up their dancefloor creations to help a good cause - the environmentally-focused Cool Earth NGO. On this 12", Eris Drew delivers the uplifting breakbeat celebration of "See You In Snow", while Edward takes things deeper with the tripped out minimal house groove of "Mind Loop". D. Tiffany brings a particularly crafty approach to her own drum funk science on "Sun Trip" and Henry Hyde cools things down with the mellow, new age 2 step stylings of "Every Day's A Good Day For A Swim."
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: The Default project graduates from event series to record label with a strong first installment that features a host of talented producers operating in the field of minimal and tech house. Exander leads the charge with the intricate, bubbling mechanics of "Confuso" before Rojid steps up with the wriggling percussive programming and processed vocal treatments of "Susano". Imbue stretches out over the B-side with the more melodic, subtly psychedelic sounds of "Twotwentyeight", which takes on an organic quality as it simmers away over a steady beat. The sharp focus on proper minimal techno here should appeal to all those craving fresh sounds from rising talents within the scene.