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|1.||"Club Revival Performance"|
|2.||"The Middle Distance"|
|1.||"Dance Of The Spiritcatchers"|
Philadelphia-based Charles Cohen has been making improvised electronics since the early '70s, almost entirely with the rare vintage Buchla Music Easel synthesizer, of which only 25 were made. One of Cohen's most noted fans is Morphine boss Rabih Beaini, who has organised the most comprehensive retrospectives of his work to date. The Middle Distance provides the first full record in a series of three planned releases, and contains seven tracks recorded between 1979 and 1988 from art installations and live performances. Fans of Beaini's work as Morphosis will find much to love in Cohen's compositions, which blur the lines between techno and 20th century minimalism in unique and enveloping ways.
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