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|1.||"Cabras No Elevado Quilombola" (7:12)|
|2.||"Onna No Yujyo" (1934 edit) (3:44)|
|2.||"Excellent Drom" (7:14)|
Some of you may remember Ricardo Vincenzo from his 2015 debut Pororoca Transatlantica, a two-track missive that blended South American production with all the warmth of sun-kissed downtempo electronica. If anything, this belated follow-up for esteemed Finnish label Sahko is even better. Vincenzo begins with the farmyard animal samples, rolling tribal percussion, African chants and rich electronic bass of "Cabras No Elevado Quilombia", before chopping and looping a dusty old tango track on the mid-tempo house pulse of "Onna No Yujo". On the flip you'll find the low-slung, post-dubstep creepiness of "Haru", where exotic vocal samples drift across a sparse but heavy beat pattern, and the aural trip to Morocco that is "Excellent Drom".
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