Review: Alzo's 1973 hit single 'Lover Man' is heard reissued by the amorous hommes over at Elznavour. Hailed by the label as two romantic bangers - selectly chosen from the American soft rock musician's second LP Takin' So Long - Elznavour are keen to highlight the songs' equally tragic pull, for Alzo sadly passed away in 2004. Echoing the muted hey-heys of Sixto Rodriguez on the A, before launching into a cinematic psyche-soul number predictive of much modern pop music , 'Come On, Come On', on the B, this is a premium slice of well-cured rock music on 7", recalling the music of an unforgettable musician.
Review: Heavy Jazz returns with Ellis Island, their latest instrumental offering following the success of 'Indian Rope Man'. This new release highlights Brian Auger's signature jazz prowess, delivering another intricate and powerful workout. The flip side honours the late Zoot Money with the first-ever 7" release of 'George Bruno Money'. This limited edition comes in a carefully designed sleeve featuring foldout flaps and a cutaway rear. It's an essential piece for jazz lovers and collectors alike, brimming with soulful rhythms and nostalgic nods to jazz legends.
Review: Indonesia-based Babon was founded in 2023 by longtime friends Wahyudi T. Raupp and Rayi Raditia and craft instrumentals addressing environmental issues. Their sound fuses Melbourne's vibrant music energy with dangdut rhythms, gamelan percussion, and melodic keroncong folk styles. Here they debut on Batov Records with the wonderful 'Tropical Desert Music' which blends Indonesian traditions with Afro-Latin funk, Morricone-inspired grooves, Bollywood breaks and blues. It's the sort of sound that is perfect for fans of Khruangbin or Sababa 5. The A-side 'Desert Rose' is a spaghetti blues anthem, while the flip 'TNT' tells a miner's tragic tale through cinematic, explosive instrumentation.
Review: Having played a slew of inimitable and unforgettable television comedy characters over the past decade or so, from Toast of London's Stephen Toast to Douglas Reynholm in The IT Crowd, Dixon Bainbridge in The Mighty Boosh and Todd Rivers in Garth Marenghi's Darkplace, you could be forgiven for expecting Matt Berry to use songwriting and music as another form of hilarious release. That's definitely not the case. There's plenty of release on I Gotta Limit, but this is anything other than satire. The first new music to come from Berry's 2025 album, Heard Noises, the two tracks here are pure joy, authentic and genuinely impressive on a technical level. Exchanging lines in a duet with Kitty Liv for the titular number, the vibe is part Northern Soul, part psych rock, and pretty much all completely captivating.
Take Me For A Little While(limited coloured vinyl 7" (indie exclusive) (comes in different coloured vinyl, we cannot guarantee which colour you will receive))
Review: After leaving his native California for Chicago, Rudy De Anda dimmed down his beachy, psych-rock roots and dipped into some unknown waters, yielding enchanting results. His latest album, which was recorded in Austin, Texas, is romantically familiar and novelly soulful Latin pop that's a pure joy to behold. The b-side here - '83' - is a key number from that album. It has a subtle, cool groove perfect for sparking up a fat cigar and putting your feet up for the day. Given that De Anda is on such top form in this chapter of his life, it's no surprise he's done justice and then some to with his cover of Royal Jester's version of 'Take Me For A Little While'. The two tracks fit seamlessly together and beg repeat listens.
Review: Mexico city label Discodelic shares the first edition in their Eclipse series and sublabel, which focuses on obscure and undocumented or under-documented Mexican groups. On the first of two new 45s, the label focus on Los Sabios and Los Eliceos, two obscure monster Latin funk psych groups who recorded in the mid 1970s. Packed with a wowwing lead guitar focus and a vintage psychedelic baste, Los Sabios' 'Trip To The Moon' takes its name from the first ever sci-fi film, and aptly lays back while playing through a distinctive Latin pulse and swarthy funk dust-cloud. Eliceos' 'La Cabana', meanwhile, teleports us right on down to the poolside beach hut, as a chuffing electric organ line buzzes atop a bustling drummed undercurrent.
Review: The Mocambo label introduces Turkish artist Peki Momes who began recording music by chance in 2023. Despite no formal music training, she brings a fresh, authentic approach to groove music based largely on intuition. Her first two tracks reflect her versatility and feature here - 'Goc Mevisimi' combines Japanese City Pop with tropical boogie to create a global underground vibe with dirty disco grooves, jazzy flute and Turkish lyrics. 'Ruya' then delivers a gritty psychedelic Anatolian sound with fuzzy guitars and hypnotic energy. Momes is working on a debut album, we hear, and we can't wait.
Review: The charming slight crackle of a vintage stereo sound suits 60s garage rock best. If these tracks from German beat group The Rippers were scrubbed up too clean and streaming digitally it just wouldn't have the same charm. When you hear the funk-y a-side 'Honesty', with its Doors-esque organ flourishes, on this 7" format it takes you right back to 1968 when it was recorded. And B-side 'The Night At The Lagoone' is garage-psych-rock at its absolute finest. For all its woozy psychedelia, at its core is a strong pop sense that makes them appealing to fans of the Hollies or The Beatles, too. These deep cuts, lifted from an album released that the pioneering British indie label Saga Records originally released, make for a true marvel in even the most experienced crate digger's collection.
Review: Maestro Argentinian producer Kevin Fingier returns with a brand new 45 on his Finger Records imprint, this time lifting the curtain on Santa Fiebre, the newly tipped red-hot rhythm & soul outfit from Buenos Aires. Forged in the fire of the Argentinian capital comes this rip-roaring band, debuting a rootsy, double-clapping, firebrand form of Latin soul. Fingier's in-house production backs up the band's taseringly tasty performances, as 'That's Where We Go' is heard to riff highly on brasses and bombast, and 'Earthsplosion' predicts a future detonation beneath our shared subterranean mantle, producing a bubble-bursting, Hammong-hummingl, bongo-banging funk stank of cosmic proportions.
Vivi Hernadez Y Su Conjunto - "Tocando Macizas" (3:47)
Grupo Caverna - "Caverna" (2:46)
Review: Vivi Hernandez Y Su Conjunto's 'Tocando Macizas' emerges as a coveted collector's item, limited to 100 copies in a bespoke silkscreen sleeve. This 7" release captures the raw essence of 1971 Mexican funk, offering a tantalising glimpse into a pivotal moment in Latin music history. The A-side's infectious rhythm and bold instrumentation are perfectly complemented by Grupo Caverna's 'Caverna' on the flip. This rare pressing stands as a testament to the enduring appeal of vintage Latin funk, promising to be a prized addition to any discerning vinyl enthusiast's collection.
Vivi Hernadez Y Su Conjunto - "Tocando Macizas" (3:51)
Grupo Caverna - "Caverna" (2:47)
Review: The 7" single Tocando Macizas by Vivi Hernandez Y Su Conjunto is a standout Latin funk gem from 1971. Known for its raw, heavy grooves, this track epitomises the best of Mexican funk, delivering an irresistible energy. Paired with Grupo Caverna's Caverna on the B-side, both tracks pack an intense rhythmic punch, combining sharp instrumentation with infectious beats. This release has gained legendary status among collectors and DJs for its rarity and quality, marking it as essential for Latin funk aficionados.
Are You Lovin' Me More (But Enjoying It Less) (2:29)
Thirty-three Voices (3:22)
Review: The Voo-Dooms are back, ready to rattle bones and raise the dead with their signature trashy, Sci-fi Voodoo Caveman Garage Punk sound. Featuring garage-punk legends like Bruce Brand (Thee Headcoats, The Masonics), Dan Whaley (The Dustaphonics), Mark Braby (Vic Goddard & Subway Sect) and Mick Cocksedge (The Untamed), this lineup is a powerhouse of doom. Their latest four-track EP delivers pounding drums, fuzz-soaked guitars, rumbling bass and a dash of theremin. Expect a reworked 'Hangman Stomp' and a gnarly Electric Prunes cover. Limited to just 300 bone-shaking copies!
Cotton, Tsuyama, Kawabata - "L'ambition Dans Le Miroir" (11:22)
Review: Riot Season's vinyl reissue campaign brings new life to Acid Mothers Temple's 2004 album Mantra of Love. Makoto Kawabata and the band deliver an intense journey where layers of heavy white noise are met by cosmic effects and powerful guitar solos in a fearless fusion of psych-rock and experimental sounds. The vinyl comes in a limited edition cream colour and includes carefully restored archival photos held in Acid Mothers Temple's Osaka vaults. With fresh remastering by James Plotkin, this release revives a standout in AMT's catalogue for devoted fans and new listeners alike.
Review: Aguaturbia's 1970 debut is a cornerstone of Chilean rock, crucial to understanding the genre's evolution in South America. The album is fierce and vibrant, brimming with heavy riffs, bold distortion and Denise Corales' ethereal, phased vocals that echo the style of Jefferson Airplane. Blending original compositions with dynamic covers of hits by Tommy James & The Shondells, The Beatles and Jefferson Airplane, Aguaturbia infuses these tracks with an intensity that feels fresh and enthralling. Their bold musical expression, combined with provocative cover art, pushed boundaries in Chile's conservative society at the time. The album's raw, untamed energy made it a symbol of artistic rebellion. Guitarist Carlos Corales captivates with his powerful solos, leaving live audiences in awe. His mastery, paired with Willy Cavada's exceptional drumming, is showcased in unforgettable moments like Cavada's thrilling solo on 'Ah Ah Ah Ay', recorded perfectly in one take. Standout tracks include their hypnotic rendition of 'Somebody to Love' and the sultry, electrifying 'Erotica', where Denise's seductive vocals meld effortlessly with Carlos' scorching guitar work. Their version of 'Crimson and Clover' transforms the classic into a pulsating, psychedelic experience. This album, with its raw edge and groundbreaking style, remains an essential listen for anyone delving into the roots of psychedelic rock in Latin America, providing a truly riveting sonic journey.
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