Review: Regarded by dub lovers as a seminal collection, this three CD epic has been unavailable for a quarter of a century. It draws together three hugely important dub albums and includes seven previously unreleased tracks from the band's heyday from 1950 to 1975. Promoter, producer and DJ Arthur "Duke" Reid was a master of this form and a hero in Jamaica: his sound ruled the local dance halls and much of it was engineered by Errol Brown. You can hear his skills in all of the tracks here - the subtle keys, the sliding hi hats and the rolling drums all exude a perfectly inviting warmth.
Review: Alexander Khaliulin first donned the Flying Cobra alias earlier this year for an album on Space Of Variants that neatly showcased his seemingly innate grasp of atmospheric dub techno soundscapes. "Flowers Decay Quickly" is the producer's surprisingly speedy follow-up. It's another heady and intoxicating affair, with Khaliulin sashaying between the languid, head-in-the-clouds ambient of "Emanation", the gentle but hypnotic dub techno shapes of "Sleepless" and "Way Above", the sun-kissed laziness of "Night Walk" and the fantastically dubbed-out, slow motion soundscapes such as yearning closing cut "Light Of Truth Has Gone Out".
Review: If it's dub-wise flavours you're after, Mungo's Hi-Fi has always been a reliable source of dancefloor heat. On their latest album, the Scottish collective has joined forces with sometime Dub Mafia front woman Eva Lazarus, whose sweet singing, spoken word raps and patois-laden toaster chat are put to work over a range of sub-heavy riddims (think dancehall, dub, ragga, roots etc). The result is a set that flits between sweet, sultry head-nodders, surprisingly soulful skankers and more robust and aggressive club workouts. Highlights include a slick cover of Beats International classic "Dub Be Good To Me", the summer breeze of Kiko Bun hook-up "Light As A Feather" and the 21st century dancefloor madness of Max Romeo collaboration "Babylon Raid".