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Eight Weeks: Rock (All)

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Álbumes
Cat: BELLA 943CD. Rel: 30 Aug 19
  1. Calm Down aka I Should Not Be Alone
  2. Evening Prayer aka Justice
  3. Transition From Nowhere To Nowhere
  4. Rated R Crusaders
  5. Trauma
  6. Thermometer
  7. I Wanna Be Your Girlfriend
  8. Blown
  9. My Teeth Hurt
  10. In America
  11. What Can You Do But RocknRoll
Review: Troubadour for the dejected, rejected, never-did-fits, Ezra Furman deserves to be ranked among the greatest songwriters of our time. On "Twelve Nudes" he takes the hard-learnt lessons of previous records and channels that anger, desperation, euphoria, fear and hope into an impassioned call to arms - his finest since "Perpetual Motion People". In many ways, this is a far more positive outing, too, or at least one that largely keeps the focus on big noise. "My Teeth Hurt" and "Thermometer" are ferocious, head-banging whirlwinds. "Evening Prayer aka Justice" throws fists to the air with protest-esque pride. "Calm Down aka I Should Not Be Alone" offers Northern Soul-leaning drums and rhythms. Of course, there's still room for freaky, introspective rockabilly melancholia - namely "I Wanna be Your Girlfriend". Like Furman himself on-stage, it's unashamed and unwilling to compromise, making for one of this year's finest bloody-lipped, sweat-soaked rock 'n' roll records.
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 in stock $9.87
Cat: BELLA 870CD. Rel: 27 Aug 19
  1. Bloom
  2. Footsteps
  3. Turbulence
  4. Criminals
  5. Seance
  6. Nightmares
  7. Peradam
  8. Oracle
  9. Nature
  10. Devotee
Review: It's hard not to feel hypnotised by "How To Live". Modern Nature's debut long form outing opens with the sombre, mournful strings of "Bloom" - a strong case for albums setting the mood before developing. Finally kicking in with a stepping, building track, from thereon in the record expands, contracts and burrows through looping guitars, segments of field recordings, earthly folk lyricism, and wild saxophone solos. Second-to-last track "Nature" is almost a mirror image of "Footsteps", or at least an answer to any prevailing questions - they get deeper and more immersive. "Nightmares" pulls you in with gentle synths rippling in the background beneath soft lines of brass. "Criminals", meanwhile, is a more complex sounding affair, a fittingly dark-hued arrangement of simple guitar hook and slightly unnerving timbre that slowly reveals its true, far more positive intentions.
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