Review: Alzo's 1973 hit single 'Lover Man' is heard reissued by the amorous hommes over at Elznavour. Hailed by the label as two romantic bangers - selectly chosen from the American soft rock musician's second LP Takin' So Long - Elznavour are keen to highlight the songs' equally tragic pull, for Alzo sadly passed away in 2004. Echoing the muted hey-heys of Sixto Rodriguez on the A, before launching into a cinematic psyche-soul number predictive of much modern pop music , 'Come On, Come On', on the B, this is a premium slice of well-cured rock music on 7", recalling the music of an unforgettable musician.
The Mexican (Mister Mushi Special edit - vocal) (5:20)
The Mexican (Mister Mushi Special edit - instrumental) (5:16)
Review: When British prog rock band Babe Ruth recorded 'The Mexican' - a low-slung funk-rock workout that came complete with weighty bass and killer drum breaks - they could have had no idea of the impact it would have during the block party phase of hip-hop's evolution (or, for that matter, that Jellybean Benitez would record a Latin hip-hop cover in the early 80s). It's the track's significance within hip-hop that inspired these revisions from break-digger Mister Mushi. Both of the producer's 'Special Edit' versions - vocal on the A-side, instrumental on the flip - make the most of the track's prototype hip-hop breaks, restless bassline and Latin-tinged fuck-rock guitar licks. They're basically the breaker-friendly revisions the dancers want and need.
Band Aid - "Do They Know It's Christmas?" (1984 version) (3:51)
Band Aid 20 - "Do They Know It's Christmas?" (2004 version) (5:05)
Band Aid 30 - "Do They Know It's Christmas?" (2014 version) (3:48)
Band Aid - "Do They Know It's Christmas?" (2024 Ultimate mix) (5:00)
Band Aid - "Do They Know It's Christmas?" (live) (4:33)
Review: The 40th-anniversary release of 'Do They Know It's Christmas?' is a fitting tribute to the enduring legacy of Band Aid, the charity/supergroup formed by Bob Geldof and Midge Ure in 1984. This special 12" vinyl not only celebrates the iconic track but also continues its mission to support the Band Aid Trust's charitable efforts. The record compiles key versions of the song, including the original 1984 rendition, the Band Aid 20 and Band Aid 30 versions and an all-new 2024 Ultimate Mix by Trevor Horn. This fresh edit creatively weaves together the contributions of countless legendary artists from across the decades into a seamless, unified anthem that feels both nostalgic and innovative. The inclusion of the live version from Wembley Stadium in 1985 shows the energy and passion of the song's historic performance. Across all versions, listeners are reminded of the track's power to unite the music world for a greater cause, featuring some of the finest voices in British rock history. This release is a compelling collector's item, combining timeless music with a renewed purpose, ensuring the song's message resonates for generations to come.
Band Aid - "Do They Know It's Christmas?" (1984 version)
Band Aid 20 - "Do They Know It's Christmas?" (2004 version)
Band Aid 30 - "Do They Know It's Christmas?" (2014 version)
Band Aid - "Do They Know It's Christmas?" (2024 Ultimate mix)
Band Aid - "Do They Know It's Christmas?" (live)
Review: This CD compilation brings together four decades of this iconic charity anthem, showcasing its evolution across generations while maintaining its heartfelt purpose. Featuring the original 1984 version by Band Aid, this release captures the raw urgency of the collective's mission to combat famine in Ethiopia. The 2004 rendition by Band Aid 20 introduces a modernised arrangement with a fresh lineup of artists, while Band Aid 30's 2014 version incorporates contemporary production and voices, reflecting the ongoing relevance of the cause. The 2024 version offers a reimagined take, balancing the classic's spirit with current musical sensibilities, ensuring it resonates with a new audience. Closing the collection is a powerful live performance from Wembley Stadium in 1985, a moment steeped in history and emotion that amplifies the song's legacy. Spanning generations of talent and commitment, this release is a celebration of unity and a reminder of the enduring power of music to inspire change.
Review: There are as many opinions on 'Now & Then' as there are people, but regardless of your own thoughts on this revived Lennon sketch there's no denying the arrival of the final Beatles single has been one of the major musical events of 2023. Collectors and completists, meanwhile, of which we gather The Beatles have more than a few, will be trampling on top of each other to get hold of these Japanese editions of the single.
Review: Following their 15 part BBC radio series Pop Go The Beatles, the legendary Liverpool group returned for a set of two-hour holiday specials titled From Us To You. The first was recorded on December 18 at the BBC Paris Studio and aired on Boxing Day, December 26, 1963. Somewhat randomly hosted by Australian television personality - turned national pariah - Rolf Harris, the show included a special performance where the Beatles joined him for his 1960 hit 'Tie Me Kangaroo Down.' Also featured was the group's favourite British rocker, Joe Brown, accompanied by his band, the Bruvvers, who brought an extra dose of British rock 'n' roll to the event.
Review: Initially put forward as a potential Beatles single during the mid 1990s 'Anthology' period but shelved due to objections from George Harrison, 'Now and Then' has been trailed as the iconic band's 'final single'. It's re-emergence now in finished form (it was completed partially using AI, but also some studio trickery by Giles Martin) ties in with the reissue of the band's two 1973 'best of' compilations (the so-called 'Red' and 'Blue' collections). Like their two singles of the 90s, it features Paul McCartney, Ringo Starr and the late George Harrison finishing off an early 70s John Lennon demo, with a little help from producer Jeff Lynne. It comes backed with a freshly remixed, 'proper' stereo version of their debut single, 'Love Me Do', thus completing the band's musical journey once and for all.
Review: With a million preorders in the UK alone, The Beatles' 'I Want To Hold Your Hand' soared to number 1 in December 1963 and knocked their own 'She Loves You' off the top spot. It became their first official single on Capitol Records and was backed by an aggressive marketing campaign. The single, which had 'I Saw Her Standing There' on the B-side, was rush-released in the USA in January 1964 and quickly hit number 1 on the Hot 100 by February 1st. Selling over 12 million copies worldwide, it marked the arrival of Beatlemania. Now it has been remastered from original US tapes by Kevin Reeves for this special 7" reissue.
Review: The second BBC bank holiday Beatles special From Us To You was recorded on February 28, 1964, at BBC Piccadilly Studios and it aired a month later on Easter Monday, March 30. Hosted by DJ Alan Freeman, the set featured The Beatles' debut performance of 'You Can't Do That,' which had been recorded just two days earlier. Initially considered for their next single, it was later placed as the B-side to 'Can't Buy Me Love,' which came in March of that year. Bonus tracks included here from the August 1964 show are 'Boys' and 'Long Tall Sally,' which serve to highlight the band's evolving repertoire and their energetic live performances during this period.
Heroes: Santiago Chile September 1990 (Jesse Zotti extended version) (7:01)
Heroes: Santiago Chile September 1990 (Jesse Zotti instrumental) (10:11)
Review: The Icons label presses up tracks in numerous different genres from legendary artists from across the years on nice coloured vinyl. This one is an orange 12" from the iconic David Bowie who was on tour across the world in 1990 when he stopped in Chile for one particularly stand-out night. That evening amongst many other classics in his set was 'Heroes' which features here as a live recording from the night first as a Jesse Zotti Extended Mix and then on the flip as a Jesse Zotti Instrumental. Two great versions of a great track.
Love Is Lost (Hello Steve Reich mix By James Murphy For The DFA) (10:23)
The Informer (4:34)
I'd Rather Be High (Venetian mix) (3:51)
Like A Rocket Man (3:26)
Born In A UFO (3:06)
God Bless The Girl (4:02)
Review: This extra EP came as part of a follow-up box set released in the November of the same year that David Bowie released The Next Day, his post-ironic album that cemented the starman's return to the limelight after a mild heart attack in 2004. Almost a decade of recovery and recording went into the album; this tidbit of outtakes and rarities from the album features everything from a collaboration with Steve Reich and James Murphy (LCD Soundsystem) to a new version of 'I'd Rather Be High'.
Robert Byrne - "Do You Wanna Make Some Love" (previously unreleased) (2:52)
Review: Byrne and Barnes 'Love You Out Of Your Mind',first released in 1981, epitomises the smooth blend of soft rock and AOR during its peak era. Featured on the album An Eye For An Eye, this track marked a unique collaboration between the duo, both of whom would later contribute to the success of artists like Earth, Wind & Fire, Patti Austin, and Phil Collins. The song showcases the signature AOR sound, merging jazzy elements with soulful grooves, giving it a timeless WestCoast flair. Now, for the first time, this classic is getting the 7" single treatment, backed by an exclusive, never-before-heard track from Byrne's archives. 'Do You Wanna Make Some Love', also rooted in AOR and WestCoast vibes, flirts with Boogie and Disco influences, offering a fresh yet nostalgic sound. This newly unearthed gem, found by the original executive producer, is a great B-side addition. Despite being somewhat overlooked in its time, Byrne & Barnes' music has built a dedicated following over the decades. This reissue brings their sophisticated sound back into the spotlight, ready to win over another generation of music lovers.
Review: The Psychedelic Breaks & Beats label isn't hard to get the measure of - they make their MO pretty clear in their name after all. It's a fairly safe bet you won't have heard the kind of obscure wonderments they dust down from the history of funky nuggets on the far out fringes, and so it goes on this opening gambit - a split 7" from Capprells & Soul Brothers Band and The Inner Thumb. The Capprells were a Pittsburgh-based family group who released a string of singles in the 70s, all of which are hard to come by but with 'Close Your Eyes' quite possibly being the pick of the bunch, still carrying a little of that 60s magic and more than deserving of a fresh airing on this release. On the flip we get 'Soul Submarine' by The Inner Thumb, an appropriately deep-diving joint originally released on the Soul Ecstasy soundtrack in 1999.
Review: This new series brings forth a fusion of late 60s/early 70s Funky Rock Breaks from around the world, promising dancefloor action for Hairy B-Boys and Head-Banging Breakers alike. Side-1 kicks off with 'Good Thing Going (Put It On A Record),' blending guitar riffs, big beats, rock vocals, and rap phrases to ignite any party atmosphere. On the Side-2, 'Whole Lotta Drugs!' delves into the wild world of groupies and illicit substances, featuring an obscure brassy cover of a classic rock track with added beats and samples for a backstage after-party vibe. Released on limited edition purple and black vinyl, this series delivers a high-octane soundtrack for the upcoming festival season.
Review: Pressed for the first time on 7" vinyl, two killer rock club tracks from the legendary Colloseum, track 1 and 2 from their sophomore 1969 album 'Valentyne Suite' - 'Elegy' and 'The Kettle'.
The powerful and up-tempo 'Elegy' is a funky love song, with steaming guitars and heavy groove, an absolute home run of a funky club banger. On the flip is the 'The Kettle', featuring a heavy rock groove that the attentive ear will recognise as sampled by Fatboy Slim for 'Ya Mama'.
Review: Deep Purple have been rocking long enough to have written a song in response to the infamous Montreux Casino fire, which nearly killed Frank Zappa, forever changing his vocal range, in 1971. By the time that smash hit single came out - complete with arguably rock & roll's most iconic riff - the band were already on their sixth studio album. Skip forward 51 years after the track came out, alongside the Machine Head album, and we're still writing about Ian Gillan, Roger Glove, Ian Paice, Don Airey and Simon McBride. In a lot of ways, our thoughts are still the same. That blues psychedelia at work here, and the work still sets a benchmark for heavy rock and proto-metal. Of course, both canons have evolved and developed since their inception - which Deep Purple had a big hand in - but when you're faced with the pioneers and their new single, they rarely sound this complete.
Review: Sheffield rock royalty Def Leppard build momentous hype for their upcoming tour alongside Journey with the release of their brand new single 'Just Like 73'. Written in collaboration with Rage Against The Machine axeman Tom Morello, the banger comes complete with an absurd music video of computer generated de-aged models of the band and a parachuting Morello making their way to Earl's Court to perform for a massive crowd of adoring fans. Elaborating on the experience, the guitar guru stated - "I had a blast rocking a solo on 'Just Like 73.' I played 'Rock of Ages' in my college cover band almost 40 years ago and here Def Leppard are still killing it in stadiums with a brand-new tune that's one of their best." Pressed on limited 7" wax with an alternative version on the flip, the Leppard evidently still have plenty of sugar in the petrol tank.
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