Review: Deko reconsecrate Angel's debut LP on the band's formative 50th anniversary, coinciding with a fresh wave of tour dates from the theatrically inclined glam-prog rockers. Originally signed to Casablanca after being spotted by then-A&R Gene Simmons, the Washington, DC band's first album leaned heavily into lengthy, keyboard-drenched pomp, a sound more progressive than the tighter glam stylings that followed on On Earth As It Is In Heaven and Sinful. The lineup at the time included Frank DiMino, Punky Meadows, Gregg Giuffria, Mickie Jones and Barry Brandt, building stage staples like 'Tower'. On this limited blue-black swirl vinyl edition, we've liner notes from journalist Dave Reynolds and a small selection of bundles signed by the four surviving original members.
Review: Billy Idol, one of the most iconic figures in British rock history, has returned with his first full-length album in over a decade. Known for his punk roots as a member of Generation X and subsequent MTV-era persona, Idol has constantly evolved, blending his early rebellious spirit with a more reflective, mature approach to life and music. This latest release captures that transformation, offering a blend of punk rock energy and introspective storytelling. Idol's partnership with longtime guitarist Steve Stevens continues to define his sound, while collaborations with rock legends Joan Jett, Avril Lavigne and Alison Mosshart further solidify his place at the forefront of rock's new generation. Having emerged from the early days of British punk, Idol's legacy spans decades, and this new record marks both a personal reflection and a return to form.
Review: Tin Machine II was first released by Victory Music in 1991. It was the second and last studio long player from Tin Machine and was followed by a tour. Once it was done, the band's legendary frontman David Bowie went back to his solo career and never looked back. Over the years, the album has take on cult status with Uncut magazine once calling it "extraordinary" and placing it in their list of 50 Great Lost Albums. It is a must-have record with plenty of pure-Bowie moments such as 'baby Universal' and singles like 'You Belong In Rock N Roll,' which did well in the charts at the time.
Review: This deliberately mysterious outfit hailed from Italy, and this, the first of two previously ultra-rare and highly collectible LPs, is no less than a psychedelic classic, chock full of wild keyboards, fuzz guitar rampage, blissed-out trance states and fearful avant-garde trickery. It's been ascertained that Braen's Machine was the work of heralded soundtrack composer Perio Ulimani, as well as Morricone collaborator Allesandro Allesandroni, and this would make perfect sense, as "Underground" is very much in the metier of Italian soundtrack legends Goblin, and bound to appeal to fans of the widescreen psych sweep of Aphrodite's Child. Bellisima.
Lahaina (feat Mick Fleetwood, Jake Shimabukuro & Henry Kapono) (4:17)
Review: Multi-genre acrobats and 70s American rockers The Doobie Brothers are back with more silky smooth signature harmonies from their home base in California with Walk This Road, a ten-tracker that unites core members Patrick Simmons, Tom Johnston, John McFee and Michael McDonald. It was produced by John Shanks and does a fine job of working each member's unique songwriting style into a cohesive collection. Themes of recovery, reflection and spiritual awakening run throughout, with Simmons describing it as "waking up to see the important things you've been missing." The title track has the legendary Mavis Staples and stands out as a fine soulful anthem of unity and hope that will resonate in any era.
Review: Now reissued on vinyl, this 1999 album from veteran solo crooner and former Roxy Music frontman sees him in full command of his cabaret croon and vintage sensibilities, diving headlong into a collection of pop standards from the 1930s and 40s. Known for reshaping rock and pop songs in his own image, Ferry here takes a more classical routeinot to reinvent, but to evoke, with renditions rendered with delicate, period-authentic arrangements: intimate string sections, lilting piano and subdued brass, as Ferry's famously tremulous voice drifts like perfume through the arrangements. He approaches standards like 'Lover Come Back To Me', 'I'm In The Mood For Love,' and 'You Do Something To Me' with characterstic effortlessness, and rather than sounding like a museum piece, As Time Goes By feels lived-in and cinematic. A smooth, sepia-toned reverie.
Review: Fleetwood Mac's Tango in the Night, originally released in 1987, shows the band's meticulous production and artistic evolution. Now presented as a numbered-edition audiophile vinyl version by Mobile Fidelity, this reissues sonic brilliance with stunning clarity and depth is on full display. The painstaking effort behind its creation, primarily helmed by Lindsey Buckingham and co-producer Richard Dashut, allows listeners to experience its lush harmonies and intricate arrangements like never before. Featuring hits like 'Big Love', 'Everywhere' and 'Seven Wonders', the album effortlessly blends electronic and acoustic elements, resulting in a dreamy pop landscape. Buckingham's innovative use of the Fairlight and the band's harmonious interplay create an fantastic listening experience. Spinning at 45rpm, this amplifies the album's airy highs and dynamic ranges, enhancing its timeless appeal. Tracks like 'Little Lies' and 'Mystified' highlight the collaborative magic between Buckingham and Christine McVie, while Nicks' haunting vocals add depth to the overall sound. Ultimately, Tango in the Night stands as a testament to Fleetwood Mac's creative strength, marking a pivotal moment in their legacy and solidifying its status as a pop-rock masterpiece.
Review: Few artists embody rock 'n' roll's rebellious spirit like Joan Jett. From her early days with The Runaways to fronting the Blackhearts, her blend of punk attitude and stadium-sized hooks reshaped rock history. 'I Love Rock & Roll' became an era-defining anthem, while 'Bad Reputation' cemented her status as an uncompromising trailblazer. This 40th-anniversary edition sees Jett revisit these classics with The Sex Pistols and Germs/Nirvana man Pat Smear, two figures whose own punk legacies align perfectly with her fearless approach. Still as electrifying as ever, Jett's influence echoes through generations, proving rock 'n' roll will never die - if anything, it only gets louder.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.