Things I see. Things I hear. Things I say. Things I wish I'd said. Things I do. Things I'm meant to do. Things I wish I'd done. Things I love. Things that make me love. Things that make me smile. Returning to Not An Animal for the 4th time, Ess O Ess create the 'Voice Inside' on NAAR 16.
Instantly tom rolling into a neo-electro commodity, 'Voice Inside' undulates with lustrous vocals that stand as the tracks core. Pads cling to bleeps and guitar chunks that evaporate with alternating delays. 'Voice Inside (French)' adds a sensual linguistic twist, although the elements remain the same, they feel so different. 'Voice Inside (Dub)' completes the A, stripping tones back and chopping the duration to find yet another gorgeous avenue.
On the flip, Backwoods Remix adds to the original atmosphere with a face scrunching bass-line and pulsating 4/4 kicks that embraces the not so distant future. Last but by no means least, the mighty Craig Richards' signature 808s pound on the remix to close the B. Pulling darker tones to pitch shifted vocals, this minimalist beat composition is perfectly suited for vigorous floors.
Review: To accompany the reissue of Man Jumping's Jumpcut album, Emotional Rescue offers 2 remix EPs that showcase the band's music with versions by contemporary producers.
Starting with stalwarts and friends in duo Khidja, it's not often you can put together a reissue that modern day wunder producers have requested, however, that is precisely what occurred. Badgering over several years about their love of Man Jumping and how they should be revered, when the call came that the reissue was happening, Khidja were the first names down.
After breaking through on sister label [Emotional] Especial way back in 2013, the pair have gone on to much acclaim with releases for Malka Tuti, Hivern Discs and DFA to name (drop) a few.
Handed the tapes, their love of Man Jumping's virtuoso playing is evident in these amazing remixes. Walk On, Bye takes its Reich meets Pop aspirations and drifting across 9 minutes of laidback but bass heavy rhythms, intricacies of clarinet, sax and trumpet are stretched and fused to repetition perfection.
Following, Down The Locale's jazz roots is developed, recast and updated, extenuating the bass, while piano and vocals interplay over scattered, skipping drums to become a latter day 'contemporary dance' odyssey.
Review: Emotional Rescue again delves in the world of private pressings, with a reissue of British electronic pop meets proto-House duo 4AM. With copies of their self titled album now highly sought after, this timely reissue presents two of their songs as a stand alone 7".
Consisting of multi-instrumentalist Steve Kirby - piano, guitar, bass, programming - and vocalist Kevin Finch, 4AM came together after youths filled with a love of music. Following a string of band attempts, Steve dived in to the world of midi, allowing him to build a studio set up and play solo. A meeting with new work colleague Kevin quickly developed to joining forces to expand on his early demos.
Their melodic, dance-influenced pop draws on a love of Japan, OMD and The The, but also ECM jazz and a touch of "white boy soul". The TR-808 drum and hi-hats, string stabs and random acid squelches - although no TR-303 was used - highlights the influence the nascent House sounds emanating from the "second summer of love" of 1988 / 89 had in their music melting pot.
Over this, personal lyrics flow, full of honest emotions and a touch of youthful naivety thrown in - of relationships, love, sex and passions. Intended as a personal artifact, the original album was released in 1990 with no promotion or live shows and has taken until now, some 30 years, to find a cult audience. I want you with a Passion.
Review: The second EP of remixes from Man Jumping's reissue on Emotional Rescue features luminaries Bullion, Reckonwrong, Gengahr and William Doyle with their reversions of songs from the Jumpcut album.
Nathan Jenkins aka Bullion follows his recent rerub of Thomas Leer (ERC072) to provide two remixes. His remake of In The Jungle keeps the originals (leftfield) dance floor roots, but sprinkles the ubiquitous warm glow and off kilter fun(k) that he evokes; while his retake of Walk On, Bye drifts back, highlighting intricate percussion; congas, bass and vocal atmospherics along some breezy swing.
Reckonwrong is next; turning the bossa vibes of Sqeezi into his own new wave meets italo reversion; topped with his unique 'under the cupboard stairs' vocals. Funky, driving, this overlooked star adds to his cannon for Whities, Pinkman and DEEK.
After a string of impressive releases for Trangressive / Beggars, Gengahr make a surprise addition, lifting Down The Locale from deceptive beginnings to anthemic heights, adding echo-laden guitar and vocals to the original's underbelly, before a bass break and return lifts to the heavens.
Finally, William Doyle provides perfect closure. Moving away from his East India Youth moniker (XL Recordings), his output has drifted towards ambient introspection, however, here points to addtional layers; rebuilding Belle Dux On The Beach with added bass, guitar, drums and finally vocals that culminate in a prefect 'to the skies' outrospection.
Review: Emotional Rescue presents the music ensemble Man Jumping, with a reissue of their experimental, post-minimalist meets pop debut album Jumpcut, to be followed by 2 special remix EPs featuring Khidja, Bullion, Reckonrong and more.
Formed in 1983 out of the disbanded The Lost Jockey (Les Disques Du Crepuscule), Man Jumping's aim was to move on from the unwieldy nature of that collective to combine the 'systems music' of Steve Reich, Terry Riley, LaMonte Young etc with rock, funk, dance and world music and create a new cross over.
Consisting of studied musicians and created from theory as well as technique, the liberation from formal restrictions took shape over four years that spawned 2 albums and one 12".
Released on Bill Nelson's 'Cocteau' label in 1985, Jumpcut's was critically praised but destined for more discerning ears. The 7 songs - including here a 12" mix of Aerotropics - developed from 16 stave manuscript into live recordings straight to tape, with no sequencing to keep their live feel intact.
Carefully planned but made in the moment, members Charlie Seaward, Glyn Perrin, John Lunn, Orlando Gough and Shaung Tozer's legacy is demonstrably durable, a testament to their originality of thought to an idea of what might be rather than an imitation of what has been.
Review: Here after a long time the first EP release on Best Record containing new unreleased music. Afrodesia project born from a close collaboration between Periodica Records and Best Italy featuring Mystic Jungle & Whodamanny.
Afrodesia took inspiration from the italian afro-movement that lasted for few years during mid-eighties expecially from those songs produced at the legendary Les Folies Studios in Milan. Afrodesia sounds balearic boogie afro and cosmic with heavy use of original past synths and drum machines programmed and played by Dario Di Pace, Raffaele Arcella and real acoustic instruments thanks to the musicians : Giulio Neri (Tenor Saxophone and vocals), Andrea Farias (Guitar), Davide Di Sauro (Bass) and the late George Aghedo (Percussion).
Review: Best Italy presents : the official remastered limited edition of one of the most sought after italo-disco jam from 1983! A one-off studio project featuring Belen Thomas on the vocals. This one became huge in the early chicago house movement and represents an early example of use of the classic Roland TB-303 Bassline!
This 2019 release offers for the first time the unreleased dub version of Melody plus the original versions.
Review: Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.
Review: Remastered reissue of a double A-side classic by LAMA a studio project from 1983. Both tracks here are killer electro/italo tracks well worth their weight in gold. Love On The Rocks is a electro-fied cover of Lucio Battisti's original disco smash "Il Veliero."
On the flip we have the dark apocalyptic feel offered by "Nineteen Ninety Three".
Review: There's not a lot of info about this one other than it's a "mysterious" re-edit that's been setting alight the DJ sets of some serious selectors on the European electronic disco underground. Whoever is behind it, and whatever the original source material may be - we've not got a clue - "Koy Jaye" is astonishingly good: a throbbing chunk of glassy-eyed, shirts-off Italo-disco/Bollywood fusion that layers exotic Indian vocals and snaking horn lines over druggy arpeggio style bass and a stomping drum machine rhythm. It's the kind of thing capable of sending dancefloors crazy at four in the morning, and there's always room in the record bag for jams like that.
Review: Faze Action Records presents the official reissue of three of Micky Milans classic tracks from the early 80's, including the stunning "Quando Tu Danses", orginally recorded in 1980. This hybridAof Disco and Brazilian music, with percussion and infectious piano hooks, has been given a re edit by Pacha resident Willie Graff and is already receiving big support from DJ Harvey at his Pikes residency in Ibiza. This track is now officially available for the first time on one side of a 12".
Micky Milan came to prominence in the early to mid 70s as one of France's first DJ's to support the Funk and Disco sounds from the US. Packing out clubs in Paris and delivering marathon sets til 6 in the morning, Milan quickly earned a reputation as a top DJ in the Paris nightlife scene with touring artists such as Prince, Madonna, Delegation all dropping in to catch him spin.
On B1 we have "C'est Une Bombe", a classic example of French boogie, included here is the Faze Action Edit and on B2 we have the dreamy balearic boogie sounds of "Les Vacances On S'Eclate, On S'Evade".
Review: Kalita are proud to announce the first ever official reissue of the holy grail of disco 12" singles, Vance and Suzzanne's 'I Can't Get Along Without You'. A record that deserves its space on the shelf of every collector, DJ and dance music connoisseur, and with original copies now regularly fetching triple figures, it's time to share this masterpiece with the world once more. In addition, here Kalita accompany the release with a never-before-seen press photo and interview-based liner notes.
Originally privately released in 1980 on Vanton Records, this is the first time that both the record and the label's story has been told. The product of two members of Crown Heights Affair (Richard Vance Turner and Eleton Johns), the label was established as a way to protect both their musical freedom and copyright that they would have lost had they signed to a major label. With Vanton, they sought to create a sound that combined Eleton's love for Philadelphia with Richard's love for New York-based productions.
Vance & Suzzanne consisted of Richard and his childhood friend and fellow band member Suzzanne Slaughter, who was a background singer for many bands in New York including Sister Sledge. The result of a late night writing session between Richard and Eleton and recorded to tape the following day, the record was finished in just twenty-four hours. Yet it's legacy lives on as one of the most sought-after disco singles in existence.
Two thousand copies of 'I Can't Get Along Without You' were originally pressed to test the market, with the initial plan being to re-record it again at a later date with additional strings. However, the record received such great acclaim by DJs such as Larry Levan that the idea of a re-recording was put on ice.
Sadly, due to academic and familial commitments of both Richard and Eleton, only one other single was ever released on Vanton Records in 1985. However, we hope that this definitive reissue helps to celebrate one of the best disco records ever put to wax.
Review: Bonnie & Klein return to IIB with a gem of a track. Reminiscent of a lost alan parsons instrumental. The track meanders its way to a lovely guitar solo before the hypnotic synth parts carry us away.Already tried and test at La Torre perfect for the discerning sundowner.Ron Basejam excels on his remix, upping the tempo and delivering an awesome yacht disco bomb.
Review: This release is an EP and it's individually 500 hand-numbered limited edition. The first 100 copies are pressed on WHITE & YELLOW MARBLED vinyls (AR018).
It's dedicated to the 1983 Balearic / Pop / Soft Rock masterpiece and now so in demand by the Italian Musician and Songwriter Mario Acquaviva.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s. All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images. Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time. All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls
Review: This release is an EP and it's individually 500 hand-numbered limited edition. The first 100 copies are pressed on WHITE & YELLOW MARBLED vinyls (AR018). It's dedicated to the 1983 Balearic / Pop / Soft Rock masterpiece and now so in demand by the Italian Musician and Songwriter Mario Acquaviva. Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s. All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images. Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time. All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls.