Review: Spanish sound sorcerer Santana steps over to Porn Wax for a highly limited marble vinyl 10". "Disco Panorama" stomps with a beautifully sedate groove as clouds of synths cast a subtle spell over the beats. "Magic Words", meanwhile, is a more stripped back affair where the emphasis is focused squarely on the big lolloping bassline and a series of emotional chords ebb and flow over the top. Genuinely stunning. And with a guarantee of no digital and no represses, this really can't be missed!
Review: Barefoot Beats is a series of EPs released on Mareh Music, a record label based in Sao Paulo whose people are also the curators of the Mareh music festival in Boipeba - a remote island in Bahia. For their label's ninth edition, Rio de Janeiro's Joutro Mundo (Midnight Riot/Outra) delivers an edit of a lovely neon-lit boogie down number on "Revele", while on the flip the man from New York City Jkriv (Razor-N-Tape) gets a deep, soulful and life-affirming number into the mix with "Povo De Zambi".
Review: A limited yellow vinyl funk odyssey from Record Store Day, "I Get Lifted" is taken from KC & The Sunshine Band's second album (1975) Still sounding shiny and floor-minded, the original stands the test of time incredibly well. Todd Terje's edit, however, takes it to another level; upping the tempo (and, possibly, the key), he's extended the right places, added a little more emphasis on the kicks and made sure we can't miss the breakdowns and instrumental sections.
Review: Maya's "Lait De Coco", a deliciously glassy-eyed chunk of mid-'80s Gallic pop with a decidedly Balearic bent, has recently undergone something of a revival is serious selector circles. Since copies of original 1987 7" copies have been known to change hands for eye-watering sums online, Attic Salt Discs has done the decent thing and offered up this tasty 10" reissue. Particularly alluring is the flipside Dub, which in true '80s instrumental style flits between spine-tingling ambient passages, delay-laden vocal selections, twinkling piano motifs and an even more glassy-eyed take on the warm and loved-up backing track. That said, the sax-laden A-side vocal version, the epitome of soft-focus European synth-pop goodness from the period, is also superb.