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Review: The arrival of the Acapellas Anonymous series in the mid/late '80s was a massive gamechanger, giving immediate access to DJs and producers to hundreds of vocal samples that would have taken a fortune (and a lifetime) to collect. Edit king Mr K has rebuilt, remastered, and carefully portioned them onto a five disc set of 7-inch singles, "including all the classic vocal bits that became iconic samples," and more than a few new additions to bring things up to date. You'll know more than a few of these on first listen, others you may have never even realised were samples, but no-one will underestimate the power of a great vocal sample dropping in the right way in the right mix. An absolute essential.

Review: It may come with an eyebrow-raising price tag, but what's on offer here is undeniably alluring: a box set of 10 seven-inch singles containing all of the songs from Louie Vega's brilliant Expansions In The NYC album - an all-star affair in which the Masters at Work man celebrated his love of New York disco, boogie and house. The album itself is incredible, with fantastic musicianship, arrangements and vocals, while the cast list - which includes original electrofunk outfit Unlimited Touch, Peech Boys main man Bernard Fowler, Honey Dijon, Cindy Mazelle, Moodymann, Kerri Chandler and his son Nico - is similarly impressive. It's a great product, packed with brilliant music: a fitting finale to this portion of the ongping 'Expansions NYC' project.

Review: This is a new remix-release by Mothers Favorite Child, a soul-funk collective led by producer and multi-instrumentalist Paris Toon. With the original hearing MFC enlist the vocal lightwork of Portlandian singer Saeeda Wright, now comes a new remix of 'Purple Funk' - the first version was a cleanly produced, ecstatic track, and implictly dedicated to the legacy of one entirely unique musical stalwart and legend - Prince - as well as another friendly face, the late drummer John Blackwell. Now, however, Swedish remix darling Opolopo lends it a daring new spin, leaving much tight, airy headroom between the beats, and plenty of room for suspenseful, floorbound play.