The Group - "I Don't Like To Lose" (feat Cecil Washington) (3:02)
Review: Here's a treat for Northern Soul enthusiasts, as two sought-after classics that once made the Wigan Casino move are brought together on one must-have "45". On the A-side you'll find Mel Britt's 1969 gem "She'll Come Running Back", a heavy Detroit soul stomper (think bittersweet vocals, sweet orchestration and bold bass) that's long been unaffordable to all but the richest Northern Soul collectors. Over on side B you'll find The Group and Cecil Washington's "I Don't Like To Lose", a 1966 Motor City soul jewel that has been a "holy grail" for many soul collectors since leading scene DJ Richard Searling introduced it to the UK in 1979.
Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Review: For their latest trawl into the world of rare soul and funk, Outta Sight has decided to reissue Lou Lawton's brilliant "Knick Knack Patty Wack", a punchy, horn-heavy and occasionally stomping 1967 cut that regularly changes hands for eye-watering sums online. Part of the appeal to collectors and DJs is the track's association with the British northern soul scene. The same could be said of Walter Wilson's "Love Keeps Me Crying", another 1967 recording that was only ever released in limited quantities as a "promo-only" 7" single. While not as sought-after as the Lou Lawton track on the A-side, its every bit as cheery and life affirming (despite the presence of rather melancholy lyrics above the driving Motor City production).
Review: Texan soul man, Frank Wilson, receives a timely repress of his 1965 monster "Do I Love You (Indeed I Do)", a tune which remains highly sought-after in its original format, and one that is bound to fly off these shelves like hot cakes! Outta Sight's done a great job here, and the quality is class, offering the original cut in all its majestic, romantic glory...oh, do we love this! The flipside is the mellow "Sweeter As The Days Go By", a certified love ballad that is a pleasure to the senses, each and every time...
Review: The latest 7" missive from the Outta Sight camp features two more impossible-to-find rarities. On the A-side you'll find a storming chunk of horn-heavy, Hammond-rich funk from obscure US psychedelic band Mr Floods Party. Originally released on GM Records in 1971, the cut has long been an in-demand amongst Northern Soul collectors thanks to its stomping beat and impassioned vocals. Speaking of Northern Soul favourites, flip to the B-side for the greatest moment from short-lived Detroit soul group Fork In The Road. Originally released in 1970, "Can't Turn Around Now" is a thrillingly energetic workout full of heavy instrumentation, surging vocals and an even heavier backbeat.