Review: There is lots to love about this one, from the tongue-in-cheek BBC moniker assumed by Bovell Brown and Cobby, to the unapologetic title, and of course on to the music. "Quality Weed" is a deep cut, heavy rolling rhythm with pitched down vocals that perfectly match the stoner mood. A noodling top line invites you to follow it to a higher state of consciousness and the warmth of the bass is truly irresistible. The remix on the flip is more upbeat and funkier thanks to the tight bass riff that rumbles away under the more house leaning drums.
Review: Mukatsuku struck gold again on this latest first time on a "45" issue. It boasts a couple of lesser-known jazz-funk fusion jams which originally featured on Argentine musician Jorge Navarro's 1977 album "Navarro Con Polenta", an LP that has never been issued outside of South America. A-side "Funk Yourself" is a bustling, high-octane jazz-funk Hammond licks and spiralling horns jumping above a Blaxploitation style backing track. "Repartamos El Funky" is a more laid back but no less musically intricate affair, with a variety of high-grade electric piano and guitar solos riding seemingly endless jazz style drum solos and rubbery bass. Juno hand-numbered copies come in exclusive sleeves and this 45 not be repressed. DJ Support comes from Ge-ology, Dom Servini, DJ Koco (Japan), DJ Food,The Allergies,45LIVE.net ,Dr Bob Jones,Rob Luis, Smoov and more
Review: For the first volume in their brand new Toxic Funk 45s series, the Breakbeat Paradise crew has turned to two stalwarts of the breaks scene, Easy Now Recordings co-founder Tom Showtime and long-serving DJ/producer Badboe. They hit the ground running with A-side "We Funk Tings", a cut-and-paste workout that peppers a head-nodding, bass-heavy hip-hop groove with funk licks, hazy horns and sneaky vocal samples from a variety of ragga and rap records. They continue in a similar vein over on side B, where the horn and piano-heavy hip-hop-funk of "We Have It Hot" is followed by the boom-bap booty business of "The Time Has Come".
Review: Mukatsuku's long running "Afro Funk & Disco Gems" series has always been a reliable source of obscure, high-quality dancefloor material from the African continent. This tenth edition is another must-have - on the A-side you'll find the synth-laden, boogie-era sunshine of "Everybody Dance", one of the undisputed highlights of Peter Yamson's in-demand (and notably hard to find) "Son Of Africa" LP. With wonderful vocals, glistening guitars, lolloping drum machine beats and some stellar synth work, the track ticks all the right boxes. Over on the flip there's a chance to own Cameroon legend Tala Andre Marie's 1981 classic "Get Up Tchamassi", whose snaking sax lines, elastic slap bass and dreamy chords are nothing less than sensational.As played by The Allergies, DJ Koco, Joe Claussell,Smoov,Kalita, Faze Action,DJ Moar etc
Review: If you're a talented soul vocalist who wants an authentically fuzzy late 1960s sound, you could do worse than join forces with Timmion Records' in-house backing band, Cold Diamond & Mink. They're in fine form here providing admirable backing to rising star Carlton Jumel Smith. "Love Our Love Affair" is undeniably attractive, with Smith's confident and emotion-rich vocal rising above the band's hazy horns, languid trumpet solos, sun-bright guitar licks and lolloping, hip-hop style funk-soul beats. As is customary, the band's tidy instrumental version can be found - and enjoyed - on the flip.
Flying Fantasy (exclusive instrumental version) (4:35)
Rhodes E Serenidade (3:37)
Review: Small repress of the Modern Sun Records founder and experienced jazz-wise producer Marc Friedli AKA Skymark. A-side "Flying Fantasy" originally appeared on the Spanish producer's 2016 album "Resistance Sonore", but is here featured in instrumental form for the first time. If anything, it's better than the original version, largely because we get to revel in Friedli's mazy Fender Rhodes solos, rubbery jazz-funk synth bass and loose-limbed, West London style broken beats. You'll find plenty more jaunty jazz-funk vibes and liquid electric piano solos on B-side cut "Rhodes E Serenidade", which first slipped out way back in 2015. DJ Support so far from Dom Servini, Emanative,Red Greg,Kevin Beadle, Mike Chadwick,Dynamite Cuts & Rocafort Records so far
Review: Although well known on the funk circuit for their incendiary live performances, the Soul Grenades have yet to translate their hard-hitting, horn-heavy sound to wax. It's for this reason that "A Blast Of Funk!", their debut single, has caused such a commotion. It boasts fresh recordings of two of the most popular cover versions in their armoury. The pick of the pair is undoubtedly their riotous rendition of "Get Lucky", which is re-imagined as a tasty funk-soul work out smothered in headline-grabbing, New Orleans style brass. That said, their version of "Louie Louie" is rather good, too, especially the addition of Meters style Hammond organ licks. As played by Craig Charles on BBC 6,The Allergies, Snowboy, Smoov,Boca 45 , Voodoo Cuts, Aldo Vanucci, Daytoner,Dom Servini, Jack & Wayne Hemingway. Don't sleep!
Review: Should you require further evidence of the all-round genius of Curtis Mayfield, look no further than this early '70s funk gem from Patti Jo. "Make Me Believe In You" was written and produced by the velvety-voiced musician in 1973, one of just a few singles released by Patti Jo but undoubtedly now an all-time classic. That rolling drum intro, the ear-wagging piano, the subtle orchestration and, above all, Patti Jo's killer vocal all combine for a perfect example of the halcyon days when funk was beginning to transform into disco. Mayfield himself later covered the track for the closer to his Sweet Exorcist LP! This BGP 7" sees Tom Moulton's extension of "Make Me Believe In You" combined with his remix of the other Patti Jo burner, "Ain't No Love Lost". Any self-respecting DJ needs the A-side though.
Review: While most of the obscure old records being reissued by Floating Points' Melodies label fetch eye-wateringly high prices on the second-hand market, there's no doubt that they're all astonishingly good. This latest gem - a little-known 1974 7" from folk-soul songwriter Bobby Wright (now Abu Talib) - is another fantastic example. "Blood of an American", a sweet sounding but politically heavyweight song inspired by the singer-songwriter's opposition to the Vietnam War, is every bit as inspired as the works of that better-known folk-soul legend, Terry Callier. In fact, B-side "Everyone Should Have His Day" sounds like a long-lost Callier recording. As ever, the record is beautifully packaged and comes bundled with a 16-page "mini-zine" packed with interviews and articles about the record.
Review: Long running dub dons Nice Up! unveil a brand new talent on their latest: that man is Escape Roots, a Glaswegian producer and Mungo's HiFi's Walk n Skank resident who calls upon vocalist Dandelion to muse on the many different joys of ganga. Riding on classic dancehall rhythms with hooky guitar riffs and tumbling claps, Dandelion touches on toothpaste, butter, soap and the titular Ganga Socks. It's tongue in cheek, head in the clouds stuff that will have you skanking for days. For those who like it more stripped back, flipside "Version" is where it's at.
Review: Athens of the North founder Euan Fryer has described Willie Dale's "Let Your Light Shine" as "one of the best discoveries in the last 15 years". Only five copies of the original 7" single have surfaced to date, with the most recent changing hands for eye-watering sums of money. You can see why Fryer was so excited by "Let Your Light Shine": while rooted in both funk and soul, the track also draws heavily on psychedelic rock and the fuzzy, funk-rock fusion brilliance of Sly Stone. Original B-side "Somebody Help Me" is an altogether more laidback affair, with Dale offering impassioned and melancholic lyrics over a psychedelic era take on old rhythm & blues ballads.
Review: Tennessee's legendary jazz pianist, Harold Mabern, is surely one of the kings of the mighty Prestige label, and his material helped bridge the gap between jazz and funk back in the 1970s, alongside the likes of Idris Muhammad, The Jimmy Castor Bunch and all those geniuses. "I Want You Back" is a stone-cold classic and contains one of the most hummable trumpet lines ever, and if you hear closely it's been reworked and sampled by none other than the King of pop when he was only a little one. Funk Inc's sublime "Sister Janie" resides on the flip, a more lo-fi funk bullett for the diggers, and complete with a dusty organ!
Review: Incredible late night smoochy stuff right here from one of the most decorated bassists of all time. A major figure in the bands of Miles Davis and Stevie Wonder, Henderson was also a killer solo artist amassing eight artist albums between 76-86. This AOTN "45 showcases his true breadth as "Let Love Enter" lilts on a soft bossa with rising horns, velvet backing vocals and an unabashed come-to-bed message. "Come To Me" gets even deeper under the sheets with as he goes toe-to-toe, cheek-to-cheek with Rena Scott with smoking results.
Ronaldo Reseda - "E Novamente Mas Que Nada" (5:19)
Robson Jorge & Lincoln Olivetti - "Ginga" (2:57)
Review: The 65th volume in Mr Bongo's admirable Brazil 45s series shines a light on Rio De Janeiro's turn-of-the-'80s boogie scene. On the A-side you'll find "E Novamente Mas Que Nada" by Ronaldo Resado, a five-minute chunk of samba-laced boogie sunshine that was originally featured on the artist's eponymous 1979 debut album. While wonderful, it's slightly overshadowed by flipside cut "Ginga", one of the highlights from Robson Jorge and Lincoln Olivetti's sought-after 1982 full-length (which, incidentally, was recently reissued by Mr Bongo and is well worth checking). Joining the dots between synth-heavy electrofunk, horn-toting disco-funk and languid jazz-funk, the instrumental track is arguably one of the best Brazilian boogie records ever made. Don't sleep.
Review: This desirable 7" single brings together two of the many highlights from the bulging catalogue of New Orleans soul singer Ernie K Doe. On the A-side you'll find 1961's "A Certain Girl", a sweet rhythm and blues number from the dawn of the soul era that ticks all the right boxes (strong lead vocal, jaunty piano lines, lolloping groove, question-asking female backing vocals). Arguably even better is the better known "Here Come The Girls", a later K-Doe recording that was produced by the song's writer, Allen Toussaint, and originally appeared on the artist's eponymous 1972 album. We all know it, of course, but it still remains a sing-along soul staple.
Review: DJ Fryer's Athens of the North label continues its relentless charge the annals of funk and disco, focussing attentions here on the mid '70s debut of Jeanie Tracy. Glance at the discography of the Houston-born singer and you are presented with a storied recording career that includes credits alongside Bobby Womack, Aretha Franklin and Sylvester so it's little surprise to see that original copies of Making New Friends / Trippin On The Sounds rarely change hands below the $1000 mark. Originally released on Marvin Holmes' Oakland-based Brown Door Records around 1975, this Athens of the North edition is a must for any self-respecting 45 wielding selectors out there! The A-side is a recognised classic of the rare groove canon but it's "Trippin On The Sounds" that you need to hear; a glorious horn-laden deep funk nugget.
Review: Not to be confused with the sports commentator, David Coleman was behind the scorching boardwalk vocals that graced Hector Rivera's debut 1966 album At The Party. The right levels of swoon and croons over vital Latin orchestration - led by the renowned pianist and regular Tito Puenta collaborator - David exudes some serious emotion. "Drown My Heart" lilts with a soft samba while Coleman scatters powerful heartbreak tales, "My Foolish Heart" takes a much more stripped back rhythmic arrangement with yearning, soaring strings that break out into the full orchestra on the chorus. Both cult attractions on the northern soul and popcorn scenes, it's another hearty reissue from them up north.
Review: The Incredible Bongo Band were a loose studio collective interpreting classics of the day in their own inimitable percussive fashion .They are of course most famous for their ultimate b-boy classic version of "Apache". This particular 7" however features two Incredible Bongo Band cuts that have not previously featured on any albums. "The Riot" is a frenetic drum workout and has been championed by the likes of the Chemical Brothers. "Ohkey Dokey (Part 2)" takes on a somewhat more subdued hue in comparison, but has some dope funky clavinet in the mix. Well worth checking.
Review: Cuban bandleader, composer and rumba magician Ramon Santamaria had a huge influence throughout his 40 year career, notably writing Coltrane's famous "Afro Blue". Here are two of many stand-out cuts from his 1963 album Watermelon Man! While most the album's focus was on his Herbie Hancock cover, it's tracks like these that really gave the album its spirit and unique character; "Yeh Yeh!" is a samba shaking horn-led cut laced with crackling percussion and party cries while "Get The Money" leans back with rhythm and blues sass and a rhythm that's as powerful as Ramon's legacy. Moneymaker shaking guaranteed.
Review: What a trip it's been for The Allergies; rolling from one killer album to the next, funk is flying from their HQ at a rate of knots. Here are two fine examples from their last LP Push On, both featuring their long-time friend and MC from Andy Cooper. Best known for his witty wordplay and character on Ugly Duckling records, here Andy gets to show off both sides to his expansive flow; "Main Event" is a chubby disco groove laced with mountains of funk, creating space for Andy's laidback-but-hypey charm. In perfect contrast "Buzzsaw" is a much sweatier funk jam allowing Cooper to get rapid and tongue-twisty in a way that only he knows how. Keep on pushing...
Cold Diamond & Mink - "Let's Get Together" (instrumental) (4:22)
Review: We just love hearing new soul and funk. Sure, a rare single from the 60s or 70s goes a long way in satisfying our needs, but how good is it to hear NEW music!? That's why we rate Finland's Timmion imprint so highly; they always come through with the goods, and there isn't a single EP they've put out that hasn't interested us... or flown off our shelves! This time, Jonny Benavidez, Cold Diamond and Mink team up for the absolute sexiness that is "Let's Get Together", a seductive soul ballad that is bound to lit up the room instantly! The instrumental is rather fine, too.
Review: Two serious rarities from Pittsburgh's Little Hank. "Mister Bang Bang Man" is mythical northern soul anthem made famous at Manchester's infamous Twisted Wheel club in the early 70 and only saw very limited release on London Monument before becoming the sole preserve of savvy and lucky selectors. "Try To Understand" was Little Hank's debut from a year earlier in 1965. More of a straight up bluesy soulful ballad, it's still become a cult collector classic and, like the long-awaited A-side, regularly fetches triple figures. Until now...