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Review: While influencing a massive array of modern emo, pop-punk and indie-rock outfits, Hot Water Music have made it abundantly clear that they don't feel the need to go home just yet.

Their latest, sad times lamenting opus, 'Feel The Void', sees the group recording for the first time with latest addition Chris Cresswell (The Flatliners), who stepped into the band initially for live settings upon Chris Wollard taking a sabbatical for mental health reasons.

Now, for the first time since 2004's 'The New What Next', the band have opted to work with producer Brian McTiernan, arguably responsible for the three best albums to come from HWM during their 'glory days'.

Beyond a return to form, everything from the anthemic 'Hearts Stay Full' to the muted crawl of 'Ride High', screams of a seasoned group of artists with so much more to say. While often replicated, 'Feel The Void' outsads, outfeels and outriffs any would be imitators, and only further cements a status that really was in no need of maintenance.