Review: You'd probably have to take out a loan to buy an original, second-hand copy of Master Force's sole single, 1979's "Hey Girl", so this dinky reissue is more than welcome. The title track is a dewy-eyed slice of two-step soul sweetness rich in Curtis Mayfield style lead vocals, glistening guitars and trumpet solos that sound like they've been lifted from an early Herb Alpert recording. Arguably better for dancefloor plays is "Don't Fight The Feeling", a Clavinet-heavy disco-funk affair that boasts some brilliant group backing vocals and heaps of authentic New York flavour.
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: Many disco-era modern soul collectors regard, Larom Baker's "You're The Best", which initially appeared in 1978 on an impossible to find, single-sided 7" single, as one of the style's genuine "Holy Grail" records. It's good news, then, that Athens Of The North has secured the rights to reissue it, releasing the full studio version (rather than the shorter edit that was released all those years ago) for the very first time. It's a genuine gem, with Baker's deliciously breezy West Coast soul vocal seemingly floating over a killer backing track rich in hazy horns, bustling slap bass and crunchy Clavinet lines. Turn to the flipside for the more disco-minded "Train Of Thought", one of a string of recently discovered Baker recordings that form the basis of a forthcoming album of previously unreleased tracks.
Kool & The Gang, Gene Redd - "Give It Up" (DJ Soopasoul edit) (4:04)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:30)
Review: Fast-fingered mash-up merchant and lauded scalpel fiend DJ Soopasoul can usually be relied upon to bring the goods. In fact, we've yet to hear an edition of his "Soopastole Edits" series that doesn't include the kind of sure-fire, party-starting fare guaranteed to get any DJ out of a dancefloor hole of their own making. Should you still doubt the validity of this statement, we suggest you check this timely reissue of the series' second volume, which has been going for serious bucks online. On side A you'll find a suitably punchy, funky and chunky revision of Kool & The Gang's Gene Redd produced 1970 jam "Give It Up" - the original source of one of hip-hops most familiar breakbeats - with a tight, club-ready revision of Aretha Franklin classic "Rock Steady" on the flip.
Review: Since it was released on Springfield, Missouri label American Artists in 1975, Kansas City Express' sole seven-inch single has become something of a collector's item amongst dusty-fingered funk diggers. We should all thank Ocean Of Tears, then, for offering up this fully licensed reissue - the first time the "45" has been made available to a wider audience. "This Is The Place" is a wonderfully sweet and melancholic affair - a seductive, poetic soul song featuring both male and female lead vocalists and a languid, superbly produced backing track full of lilting trumpet lines, glacial vibraphone solos and jazzy guitars. That instrumental backing track takes pride of place on Side B, where you can hear the vocal-free mix for the very first time. Spoiler: it's superb.
Otis Redding - "(Your Love Lifted Me ) Higher & Higher" (Soul Flip edit) (4:03)
Gerri Granger - "I Go To Pieces" (Soul Flip edit) (3:33)
Review: Sometimes you just can't beat the golden oldies and so it is that Soul Flip turns his attention to a couple of raw soul bangers. Up first is Otis Redding's classic "(Your Love Lifted Me ) Higher & Higher" with a rousing bass section which drives along the original version.The hits hit hard, the vocal is given room to breathe and the swing in the drums is infectious. The flipside houses a soaring tweak of Gerri Granger's "I Go To Pieces", with its clattering keys and rolling soul all quickly finding a way into your affections.
Review: Here's something to excite those who dig quality 1970s funk, soul and disco: a tidy 7" containing two stone cold classics from the Rod Temperton-helmed, UK-based "international band" Heatwave. Side A boasts one of the standout moments from the group's much-loved 1977 album "Central Heating", seductive, string-laden love song "The Star Of A Story". It's superbly arranged and brilliantly produced, with warm keys, Spanish guitar solos and rich orchestration combining beautifully with the band's slick and smooth vocals. Side B is taken up by 1976 single "Ain't No Half Steppin'", a bolder and more dancefloor-friendly chunk of warm and woozy dancefloor soul.
Review: DJ Soopasoul has previously breathed new life into tracks by Croatian producer Funky Destination, so it's little surprise to see him putting his spin on the Osijek-based artist's latest missive. He does a terrific job, offering up vocal and instrumental versions of "Come Back To Me" rich in long, tension-building intros, fuzzy funk horns, bass-heavy grooves, swirling orchestration and hard-wired guitar riffs. While the instrumental version is tidy, our pick of the pair is undoubtedly the A-side remix. We're not sure who the lead vocalist is, but her delivery is incredible. Don't sleep on this one!
Review: No longer dealing in edits, but instead long lost or out of print disco and soul gold, Super Disco Edits turn their focus to the early works of The Plainwrap Band here. These are all tracks produced and arranged by Marvin Augustus that were recorded to a dusty reel that ended up in the hands of producer Stu Gardner. He transferred the reels and once the label got wind they decided to track down Augustus. He'd forgotten all about the project but revelled that some of leading musicians from America's West Coast were called upon to play on these romantic, emotional and musical soul-groovers.
Review: New funk delivered the old way; Original Gravity follow up the 2017 hype of Floyd James & The GTs debut "The Switchback" with this powerful four-track EP. Charged with a strong northern soul feel both "Keep Lifting Me Higher" and "The Sweetest Thing" lead with the beat as Floyd and his super-tight band bounce back and forth. Flip for more energetic mischief as "The Wig" goes turbo blues while "Sweet Sweet Soul" closes on an epic, riffy sing-along. The title speaks for itself.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Review: Way back in 1970, People In The News released their sole single on Knap Town, a tiny label based in Indiana. Original copies of that funk "45" are notoriously hard to find, thanks in no small part to the quality of both cuts. Step forward Athens Of The North boss Euan Fryer, who has secured the rights to reissue the single for the first time. A-side "Color Me" is the real bomb: a down-low chunk of mid-tempo funk with politically charged group vocals, rasping guitar licks and hip-hop style drum breaks. Over on side B, "Misty Shade Of Pink" is the kind of rock solid instrumental funk workout you'd expect to hear from the Meters.
Review: Garden Of Eden was another one of those obscure, one-shot bands who released a sole single at some point in the 1970s and then promptly vanished from view. That single, "Everybody's On A Trip", has long been sought-after amongst collectors of intergalactic disco-funk, hence this reissue from the Backatcha crew. The title track is a downlow delight, with flanged guitar riffs, spacey synth lines, punchy horns and quality male vocals rising above a hot and heavy groove. Over on the flip "It Takes Two" is sweet, slow and dewy-eyed in the tried-and-tested tradition of B-side ballads.
The Group - "I Don't Like To Lose" (feat Cecil Washington) (3:02)
Review: Here's a treat for Northern Soul enthusiasts, as two sought-after classics that once made the Wigan Casino move are brought together on one must-have "45". On the A-side you'll find Mel Britt's 1969 gem "She'll Come Running Back", a heavy Detroit soul stomper (think bittersweet vocals, sweet orchestration and bold bass) that's long been unaffordable to all but the richest Northern Soul collectors. Over on side B you'll find The Group and Cecil Washington's "I Don't Like To Lose", a 1966 Motor City soul jewel that has been a "holy grail" for many soul collectors since leading scene DJ Richard Searling introduced it to the UK in 1979.
Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Etta James & Sugar Pie Desanto - "In The Basement" (Soul Flip edit) (3:20)
John Gary Williams - "My Sweet Lord" (Soul Flip edit) (3:59)
Review: On their latest limited edition salvo, the hardworking Soul Flip crew (AKA experienced DJs and producers Aldo Vanucci and Del Gazeebo) gets to work on two more stomping dancefloor cuts from the golden age of soul. First up on side A is a gently tooled-up and tightened up take on Etta James and Sugar Pie DeSanto's 1966 floor-heater "In The Basement", a hybrid soul-jazz/rhythm and blues jam rich in rubbery double bass, bustling drums, restless handclaps and brilliant lead vocals from the two legendary soul singers. On the flip they tackle Memphis musician John Gary Williams' 1972 cover of George Harrison's "My Sweet Lord", which brilliantly re-imagines the former Beatles' spiritual song as a sweaty gospel-soul stomper.
Review: If you're a talented soul vocalist who wants an authentically fuzzy late 1960s sound, you could do worse than join forces with Timmion Records' in-house backing band, Cold Diamond & Mink. They're in fine form here providing admirable backing to rising star Carlton Jumel Smith. "Love Our Love Affair" is undeniably attractive, with Smith's confident and emotion-rich vocal rising above the band's hazy horns, languid trumpet solos, sun-bright guitar licks and lolloping, hip-hop style funk-soul beats. As is customary, the band's tidy instrumental version can be found - and enjoyed - on the flip.
James Brown - "Papa's Got A Brand New Bag" (DJP edit) (3:44)
Eddie Floyd - "Knock On Wood" (DJP edit) (3:59)
Review: Flipping heck! Soul Flip invite everyone's favourite big glasses wearing editor DJP to the fold for some twists on two seminal, genre-affirming party joints. James Brown's "Papa's Got A Brand New Bag" gets a cheeky beat facelift with a fresh set of peppy breaks while Eddie Floyd's tree chopping sing-along enjoys a similar mix-friendly shake-up with a slower, roomier drum arrangement ensuring all the power of the '67 original is kept in check. Flip some switches.
Review: ** REPRESS ALERT ** Immortalised, slowed down funk from The Isley Brothers, an American R&B/soul group from Cincinnati, Ohio, established in the early 1950s. This 7" houses the much loved and often sampled in the hip hop world, "Footsteps In The Dark" (Parts 1 & 2) and "Between The Sheets". The latter is a silky smooth R&B classic whilst the arguably more well-known "Footsteps In The Dark" is an arrestingly beautiful, hood classic/soul masterpiece. The bassy but laid-back harmonious ballad with delicious percussion and Ronald Isley crooning an uneasy lyric on maintaining "a love that lasted for so long" amid the constant temptation of infidelity, makes it worth the entry price on its own.
Review: Should you require further evidence of the all-round genius of Curtis Mayfield, look no further than this early '70s funk gem from Patti Jo. "Make Me Believe In You" was written and produced by the velvety-voiced musician in 1973, one of just a few singles released by Patti Jo but undoubtedly now an all-time classic. That rolling drum intro, the ear-wagging piano, the subtle orchestration and, above all, Patti Jo's killer vocal all combine for a perfect example of the halcyon days when funk was beginning to transform into disco. Mayfield himself later covered the track for the closer to his Sweet Exorcist LP! This BGP 7" sees Tom Moulton's extension of "Make Me Believe In You" combined with his remix of the other Patti Jo burner, "Ain't No Love Lost". Any self-respecting DJ needs the A-side though.
Review: Ahmad Jamal track been sampled and reworked by Hip Hop greats
Primo - Gang Starr Solilquay of Chaos to Black Moon -Black Smif-mWessun- Pete Rock flipped on Something Funky release.
Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!!
You're Gonna Need ME Dionne Warwick
1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound.
Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know!
Wu-Tang's Clap from THE W album (2000) as bonus track!
Review: While most of the obscure old records being reissued by Floating Points' Melodies label fetch eye-wateringly high prices on the second-hand market, there's no doubt that they're all astonishingly good. This latest gem - a little-known 1974 7" from folk-soul songwriter Bobby Wright (now Abu Talib) - is another fantastic example. "Blood of an American", a sweet sounding but politically heavyweight song inspired by the singer-songwriter's opposition to the Vietnam War, is every bit as inspired as the works of that better-known folk-soul legend, Terry Callier. In fact, B-side "Everyone Should Have His Day" sounds like a long-lost Callier recording. As ever, the record is beautifully packaged and comes bundled with a 16-page "mini-zine" packed with interviews and articles about the record.