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Review: There are seemingly no limits to the music Emotional Rescue will put out. This time they look back to the post punk scene of Bristol in the early 80s. Mouth was a short-lived outfit that put out just a couple of releases, but each one blazed a trail though leftfield percussive sounds, wave, weird jazz and electronics. Andy Guy and Rob Merrill were the main members with the likes of Nellie Hooper also in the band's orbit. This record is packed with tribal drumming and floating horns, broken dubs and avant-jazz but all with a proudly DIY attitude. It's packed with heady moments and wild steppers that havent aged a bit and still sound future.
… Read moreIntérprete: Juno Recommends Rock/Indie, Juno Recommends Jazz
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Intérprete: BGP Records
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Cat: BWOOD 305CD. Rel: 20 Jul 23
Broken Beat/Nu Jazz/Nu Soul
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Cat: WJ 0714. Rel: 23 Sep 21
Broken Beat/Nu Jazz/Nu Soul
Review: Finland's exceptional We Jazz label continues with 'Tremendoce' series from Otis Sandsjo's Y-OTIS with four fresh new pieces pressed up to this vital 7". All of the tunes here are super fresh and forward-thinking with Kathrin Pechlof on harp adding another dimension to the sound. The joys flute on 'Tremendoce Part 2' is light and airy, the drums busy and meandering. 'Part 3' is a chunkier, slower tune with a big sax lead that makes you move your body and then 'Skerry Part 1' brings the mellifluous piano vibes. 'Skerry Part 2' layers up big kick drums with lurching grooves and busy oboe work to make for some superb avant-garde action.
… Read morein stock $5.27
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Intérprete: Juno Recommends Broken Beat Nu Jazz
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Review: As we wait impatiently for the release of Sam Redmore's forthcoming debut album, Universal Vibrations, the hotly tipped producer has treated us to some club-ready revisions of two tracks from that set. In its extended mix form (track 2), 'Just Can't Wait' is an inspired slab of vocal boogie brilliance complete with heady Afrobeat style horns, sparkling piano riffs and a chorus so addictive it should probably come with a warning. Kid Creme's accompanying remix is a bouncier disco-funk revision rich in rubbery bass guitar, Nile Rodgers licks and jaunty electric piano stabs. Over on the flip, Latin-fired, rap-sporting Afro-breaks number 'One More Time' is given an airing, alongside a fine, stripped-back, sub-heavy deep Afro-house rub from Bristol-based veteran Red Rack'em.
… Read more! low stock $5.97
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Review: Romare's latest album Fantasy finds the widely admired artist take something of a new approach to his work. The man born Archie Fairhurst gets nice and abstract with his samples as he also layers in his own vocals and instrumentation. He has said the album was inspired by log walks and watching films doing lockdowns, and it shows. Hints of 70s fantasy cinema also features and his trademark off-kilter electronic rhythms and kinetic grooves also play a big part in making this one another winner.
… Read more in stock $5.97
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Blame (feat Ezra)
Void
Be Okay (feat Xandra)
Blame (feat Ezra - II)
Daytrip (feat Ezra)
Sinister (feat Skinny Atlas)
Anything In The World
D_mode
Can't Tell (feat Kerri)
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Cat: 773775 5. Rel: 15 Mar 19
Broken Beat/Nu Jazz/Nu Soul
Review: With their penchant for off-kilter psychedelic explorations, deep-rooted spiritual jazz excursions and cacophonous, otherworldly workouts, The Comet Is Coming is undoubtedly one of the most groundbreaking and essential jazz combos of recent times. It's for this reason that "Trust In The Lifeforce Of The Deep Mystery" - their first outing on legendary jazz label Impulse - feels like an event release. It is another stunning album, with the inspired trio flitting between sweaty, dancefloor-ready tracks soaked in psychedelic electronics and more melodious, laidback numbers that sail closer to traditional jazz pastures. Throughout, the level of imagination, creativity and uniqueness remains dizzyingly high.
… Read more in stock $5.97
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Review: Over the last few weeks, Jazzman's ongoing "Holy Grail" reissue series has focused on obscure but in-demand albums from the Fable Records catalogue. The latest to get the deluxe reissue treatment is Steamheat's "Austin Funk", a 1975 set that's notably harder and funkier than the Texan label's usual jazz-funk fare. Of course, there are still plenty of jazz-funk flourishes to be found amongst the soulful vocals, crunchy clavinet lines, fast-tempo grooves and heady horn lines. Our picks include the low-down deep funk headiness of "Radiator", the fizzing brilliance of "Body Talk", the harmonic jazz guitar, horn and electronic piano solos of "Ghetto Tool" and the eyes-closed, in-the-zone madness of closing cut "Frozen Tundra Lady".
… Read moreIntérprete: Jazzman/Juke Box Jams/Soul/Jazz45
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Review: Tony Allen is on record as saying that The Source, his first album on iconic jazz label Blue Note, is the best recording he's made. Given his length of service and vast discography, that's a bold claim. Certainly, it's a fine album, with the legendary drummer and his selected musicians - mostly jazz players from Paris, plus a Cameroonian guitarist and previous Allen collaborator Damon Albarn on one cut - effortlessly blur the boundaries between Afrobeat and the kind of jazz pioneered by Allen's percussion heroes Art Blakey and Max Roach. It's a brilliant hybrid that fits Allen's unique style of drumming like a glove, and there's no doubt that the former Fela Kuti sticks-man is the real star of the show.
… Read moreIntérprete: AfroBase (Radio Chart), Juno Recommends Jazz
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Review: There have been plenty of column inches devoted to this collaborative debut album from hyped producer Kamaal Williams (AKA Rhythm Section International sort Henry Wu), and fast-rising Afrobeat drummer Yussef Dayes. With such raw talent to choose from, it's little surprise to find that Black Focus is as good as the critics claim. Their sound is distinctive: a London-centric take on jazz-funk that's loose, rich, organic and shot through with soul. Their major influences seem to be the work of West London broken beat pioneer Kaidi Tatham, and his inspiration, jazz-funk legend Herbie Hancock. These touchstones, combined with Dayes' brilliant drumming and Williams' superb synth solos and jammed-out Rhodes lines, makes Black Focus a hugely alluring set.
… Read more in stock $7.26
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Intérprete: I Love 45's!, Charlie bucket/ dancing in space
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Review: People of Earth shakes things up for #016 with a limited 12" from Charolastra entitled Karuna. Only 200 copies pressed of this continuous play, crossover jazz release. Brought to the realization with some of ATLANTA's most talented instrumentalists. It is an amalgamation of genres but the underlying emotions are immediately recognizable. Grief, loss, regret and the transcendental power of the spirit to overcome these hardships. Blending elements of jazz, IDM, broken beat, drone, and dub, while it may be difficult to put your finger on Karuna it doesn't make it any less enjoyable.
… Read moreIntérprete: ReeKee (Wrong Notes)
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Review: Gilles Peterson and Bluey's Str4ta project has always been something of a nostalgic offering, with the pair exploring their mutual love of Brit-funk, jazz-funk and dancefloor grooves of the early 1980s. Naturally, they've loosely stuck to the same winning blueprint on sophomore set 'Str4tasfear', with the addition of an impressive cast-list of collaborators, a touch more production polish and a subtly wider set of inspirations only enhancing the listening experience. The results are uniformly impressive, with our picks of a very strong bunch including the slap-bass sporting, floor-friendly brilliance of 'Turn Me Around', the Maze-esque 'Night Flight' (all squelchy electronic bass, glistening jazz guitars and colourful synthesizer solos), the sweat-soaked jazz-funk disco heaviness of 'Lazy Days' (featuring Emma-Jean Thackray) and the super-sweet 'When You Call Me'.
… Read moreIntérprete: Pete Haigh
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Cat: RS 005 (B-STOCK). Rel: 01 Jan 90
Deep House
Back In The Millenium
Jeru
Need I Say More
Dedication
Review: ***B-STOCK: Original outer sleeve missing, otherwise in excellent condition***
The last Rhythm Section release came from Vancouver man Local Artist, but number 6 sees Peckham man Bradley Zero actually looking to local artists in the shape of FYI Chris. The production handle of Chris Watson and his namesake Coupe, this Peckham duo have already impressed with the No Hurry stealth drop on Church late last year, but it's clear they've learnt a few new tricks since then. Nestling snugly into the SE London beatdown sound Bradley has been cultivating through the label, Back In The Millenium is pleasantly hard to pin down with bits of house, hip hop and acid thrown into the mixer. We are quite impressed by "Jeru" which desiccates a famed '90s Primo sample with some dextrous MPC work, whilst MCDE fans will be all over "Need I Say More". A big 12" Nik!
… Read moreThe last Rhythm Section release came from Vancouver man Local Artist, but number 6 sees Peckham man Bradley Zero actually looking to local artists in the shape of FYI Chris. The production handle of Chris Watson and his namesake Coupe, this Peckham duo have already impressed with the No Hurry stealth drop on Church late last year, but it's clear they've learnt a few new tricks since then. Nestling snugly into the SE London beatdown sound Bradley has been cultivating through the label, Back In The Millenium is pleasantly hard to pin down with bits of house, hip hop and acid thrown into the mixer. We are quite impressed by "Jeru" which desiccates a famed '90s Primo sample with some dextrous MPC work, whilst MCDE fans will be all over "Need I Say More". A big 12" Nik!
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Grand Dentele (hand-numbered cassette limited to 65 copies)
Cat: ROHSTP 04. Rel: 19 Apr 22
Experimental/Electronic
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Cat: DEATH 057CD. Rel: 19 May 22
Jazz
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Review: As much as we all love vinyl, it's refreshing to see an artist who still wants to put out their music on CD, which is what we get here from Romare. His latest album Fantasy finds the widely admired artist take something of a new approach to his work. The man born Archie Fairhurst gets nice and abstract with his samples as he also layers in his own vocals and instrumentation. He has said the album was inspired by log walks and watching films doing lockdowns, and it shows. Hints of 70s fantasy cinema also features and his trademark off-kilter electronic rhythms and kinetic grooves also play a big part in making this one another winner.
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Cat: 455519 5. Rel: 24 Jun 22
Jazz
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Review: It's five up for the Palmetto Street label and this one finds them turning to Ben Pirani & The Means Of Production who manage to again find new ground in this great EP. The lead single from the 7" is a soft and melancholic sad song with none other than Brian Jackson (who collaborated with Gil Scott Heron) playing the flute parts. He cuts through the smokey mood with daring harmonies while on the flip things get even more forceful with 'Something So Precious'. Pirani goes it alone on the vocals for this one while a strong quartert adds the sumptuous melodies.
… Read moreIntérprete: Juno Recommends Funk
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Review: The latest limited-edition salvo on Jazzman's contemporary jazz offshoot Jazz45 comes courtesy of Soren Skov Orbit, a Copenhagen-based outfit formed by saxophonist Soren Lyhne Skov and pianist Peder Vind. The two tracks stick closely to the project's founding principles of fusing global musical traditions with modal jazz. A-side "Orbit Bound", where hissing cymbals, hypnotizing piano motifs, plodding double bass and ear-catching saxophone solos cluster around a droning bass clarinet, is probably the pick of the pair, though the more straight-up, trad-jazz warmth of "NV" is also very enjoyable. As debut outings go, it's hugely impressive; here's hoping we hear more from Skov and Vind in the months and years ahead.
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Review: Street Corner's FliP Sessions is a great source of beats for hip-hop heads and this eighth volume is no different. It's limited to just 200 copies and features five more exquisite little sketches that are loveably rough around the edges and full of laidback and dusty soul. After the busted breaks of GREENMINDZ, Toby Glider zones you out with lo-fi loops and Beaulemaire brings heavier beats. Side 2 has a more jazz cut from Elusive and star gazing cosmic melody from Shri!. All five of these are delightful little pieces.
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