What Shall I Tell My Children Who Are Black (Dr Margaret Burroughs) (3:20)
We Are Starzz (4:25)
Capetown (feat Asher Simiso Gamedze) (15:22)
The Oracle (5:38)
Review: Since turning up in the Windy city a few years ago, spiritual jazz singer, clarinetist and composer Angel Bat Dawid has become a stalwart of Chicago's vibrant avant-garde scene. Here he delivers a debut album that should, if there's any justice at least, propel her towards international superstardom. Both her melancholic clarinet lines and distinctive singing feature prominently throughout, alongside sparse percussion, occasional Afro-futurist synthesizer motifs, harp and guitars - all of which Dawid plays herself. It's a virtuoso display that more than confirms her status as one of the spiritual jazz scene's most authentic voices.
Review: In 2017, Jaimie Branch emerged from Chicago's spiritual and experimental jazz underground with a debut album of rare inventiveness. Two years on, the avant-garde, improvisational trumpeter is finally ready to offer up a sequel, "Fly Or Die II: Bird Dogs Of Paradise". It sees Branch wrap distinctive trumpet refrains - some played in a traditional manner, others mutilated by effects units - around a myriad of off-kilter and improvised backing tracks. While much of the instrumentation is from the jazz playbook, a number of tracks make great use of xylophone, mbira and other exotic but melodic percussion instruments. The album's standout moment, "Prayer For Amerikkka (Part 1 & 2)" sees her go even further, with vocalists and beat poets narrating a politically charged, future spiritual jazz anthem.
Review: Matasuna Records' latest release offers up two sought-after tracks from Bossa 70, a relatively short-lived Peruvian band whose ultra-limited 1970 releases (a total of 400 copies were pressed of their sole single and eponymous debut album) brilliantly joined the dots between jazz, bossa, soul and funk. Listening to these cuts for the first time, it's easy to see why Matasuna has gone to the trouble of licensing them: A-side "Si Voce Pensa" is an inspired Peruvian funk cover of a 1968 Roberto Carlos track rich in bustling breakbeats, punchy horns and confident female vocals. Just as potent is the band's flipside cover of Baden Powell's "Berimbau", which puts a funk-soul twist on a certified bossa-nova classic.