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Notes: ***B-STOCK: Box damaged, product in perfect working order, no coiled cable***


Still based on 80s games console circuits, this second-generation model of the unique Twisted Electrons FM synth gives more freedom to try out different chips. Same gritty sound and hands-on control.

Supplier's Notes:
This updated version is identical in appearance and functionality but will include a pair of YM3438 chips instead of the YM2612. The YM3438 is a variant of the YM2612 that is identical in functionality and was featured in the Sega Megadrive II. The circuit layout has also been updated to grant access to the FM chips with minimal disassembly.

Indeed the chips are now socketed (removable) and accessible by removing the bottom panel.

This allows you to install alternate FM chips (like the YM2612, modern alternatives or even custom sound chips).

You can also mix different versions of FM chip as there are 2 slots that can be configured individually.

MEGAfm MKII features the same audio circuitry and analog distortion as the MKI, as a result both chips sound very similar inside of MEGAfm.

The firmware will work identically on both versions.

Beautiful dirt

Unlike most FM synthesizers that are very clean and digital, the vintage FM chips within MEGAfm have very characterful tone allowing a broad sound palette ranging from beautiful plucked strings to growly distorted bass lines.

Tactile operators

Hardware FM synthesizers are infamous for their reduced controls and complexity to program, with tiny LCD screens and only a couple of buttons to operate a load of menus...
With its 32 operators faders, 14 knobs and 15 buttons MEGAfm offers unprecedented hands-on FM control!

Every knob and fader can easily be modulated by the easy to use LFOs.

Make it a double!
The vintage FM chips from the 90s each offer 6 voices of crispy FM, 4 operators per voice and 8 algorithms.


MegaFM features 2 chips for a total of 12 voices spread across two outputs (or summed to one)

Features:

12 Voice Polyphony
Dual vintage FM chips (included)
8 Algorithms
600 preset memory (saving to any slot) arranged in 6 banks. Easy upload/download of banks to and from computer vis SYSEX.
Preset randomiser
4 Voicing modes (Poly12, stereo/wide6, special CH3 mode, 12 voice unison with detune/fat knob
Stereo or Mono output (1 chip per channel or both chips summed)
32 Sliders for total control of all 4 operators
14 knobs
15 buttons
23 LEDS, LED numeric display.
3 LFOs to modulate any parameter
7-mode arpeggiator with transposable Sh-style step sequencer
Vibrato with depth and rate
MIDI clock on all LFOs, ARP and Vibrato
All faders/knobs send MIDI (use MegaFM to control your favourite modern FM synth!)
Full MIDI automation
Dual 6.35mm TS output and 6.35mm Stereo Headphones output
Brushed/Anodized Aluminum Case
Sturdy metal panel bolted potentiometers
Dimensions: 30CM x 13CM x 5CM
DIN5 MIDI input with MIDI channel learn and thru/out

Notes: Still based on 80s games console circuits, this second-generation model of the unique Twisted Electrons FM synth gives more freedom to try out different chips. Same gritty sound and hands-on control.

Supplier's Notes:
This updated version is identical in appearance and functionality but will include a pair of YM3438 chips instead of the YM2612. The YM3438 is a variant of the YM2612 that is identical in functionality and was featured in the Sega Megadrive II. The circuit layout has also been updated to grant access to the FM chips with minimal disassembly.

Indeed the chips are now socketed (removable) and accessible by removing the bottom panel.

This allows you to install alternate FM chips (like the YM2612, modern alternatives or even custom sound chips).

You can also mix different versions of FM chip as there are 2 slots that can be configured individually.

MEGAfm MKII features the same audio circuitry and analog distortion as the MKI, as a result both chips sound very similar inside of MEGAfm.

The firmware will work identically on both versions.

Beautiful dirt

Unlike most FM synthesizers that are very clean and digital, the vintage FM chips within MEGAfm have very characterful tone allowing a broad sound palette ranging from beautiful plucked strings to growly distorted bass lines.

Tactile operators

Hardware FM synthesizers are infamous for their reduced controls and complexity to program, with tiny LCD screens and only a couple of buttons to operate a load of menus...
With its 32 operators faders, 14 knobs and 15 buttons MEGAfm offers unprecedented hands-on FM control!

Every knob and fader can easily be modulated by the easy to use LFOs.

Make it a double!
The vintage FM chips from the 90s each offer 6 voices of crispy FM, 4 operators per voice and 8 algorithms.


MegaFM features 2 chips for a total of 12 voices spread across two outputs (or summed to one)

Features:

12 Voice Polyphony
Dual vintage FM chips (included)
8 Algorithms
600 preset memory (saving to any slot) arranged in 6 banks. Easy upload/download of banks to and from computer vis SYSEX.
Preset randomiser
4 Voicing modes (Poly12, stereo/wide6, special CH3 mode, 12 voice unison with detune/fat knob
Stereo or Mono output (1 chip per channel or both chips summed)
32 Sliders for total control of all 4 operators
14 knobs
15 buttons
23 LEDS, LED numeric display.
3 LFOs to modulate any parameter
7-mode arpeggiator with transposable Sh-style step sequencer
Vibrato with depth and rate
MIDI clock on all LFOs, ARP and Vibrato
All faders/knobs send MIDI (use MegaFM to control your favourite modern FM synth!)
Full MIDI automation
Dual 6.35mm TS output and 6.35mm Stereo Headphones output
Brushed/Anodized Aluminum Case
Sturdy metal panel bolted potentiometers
Dimensions: 30CM x 13CM x 5CM
DIN5 MIDI input with MIDI channel learn and thru/out

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***

Still based on 80s games console circuits, this second-generation model of the unique Twisted Electrons FM synth gives more freedom to try out different chips. Same gritty sound and hands-on control.

Supplier's Notes:
This updated version is identical in appearance and functionality but will include a pair of YM3438 chips instead of the YM2612. The YM3438 is a variant of the YM2612 that is identical in functionality and was featured in the Sega Megadrive II. The circuit layout has also been updated to grant access to the FM chips with minimal disassembly.

Indeed the chips are now socketed (removable) and accessible by removing the bottom panel.

This allows you to install alternate FM chips (like the YM2612, modern alternatives or even custom sound chips).

You can also mix different versions of FM chip as there are 2 slots that can be configured individually.

MEGAfm MKII features the same audio circuitry and analog distortion as the MKI, as a result both chips sound very similar inside of MEGAfm.

The firmware will work identically on both versions.

Beautiful dirt

Unlike most FM synthesizers that are very clean and digital, the vintage FM chips within MEGAfm have very characterful tone allowing a broad sound palette ranging from beautiful plucked strings to growly distorted bass lines.

Tactile operators

Hardware FM synthesizers are infamous for their reduced controls and complexity to program, with tiny LCD screens and only a couple of buttons to operate a load of menus...
With its 32 operators faders, 14 knobs and 15 buttons MEGAfm offers unprecedented hands-on FM control!

Every knob and fader can easily be modulated by the easy to use LFOs.

Make it a double!
The vintage FM chips from the 90s each offer 6 voices of crispy FM, 4 operators per voice and 8 algorithms.


MegaFM features 2 chips for a total of 12 voices spread across two outputs (or summed to one)

Features:

12 Voice Polyphony
Dual vintage FM chips (included)
8 Algorithms
600 preset memory (saving to any slot) arranged in 6 banks. Easy upload/download of banks to and from computer vis SYSEX.
Preset randomiser
4 Voicing modes (Poly12, stereo/wide6, special CH3 mode, 12 voice unison with detune/fat knob
Stereo or Mono output (1 chip per channel or both chips summed)
32 Sliders for total control of all 4 operators
14 knobs
15 buttons
23 LEDS, LED numeric display.
3 LFOs to modulate any parameter
7-mode arpeggiator with transposable Sh-style step sequencer
Vibrato with depth and rate
MIDI clock on all LFOs, ARP and Vibrato
All faders/knobs send MIDI (use MegaFM to control your favourite modern FM synth!)
Full MIDI automation
Dual 6.35mm TS output and 6.35mm Stereo Headphones output
Brushed/Anodized Aluminum Case
Sturdy metal panel bolted potentiometers
Dimensions: 30CM x 13CM x 5CM
DIN5 MIDI input with MIDI channel learn and thru/out

Notes: Beautiful chiptune synth inspired by the RP2A07 sound chip found in the NES games console. Four-voice polysynth with plenty of sound sculpting options.

Supplier's Notes:
hapiNES is a multitrack chiptune synthesizer inspired by the RP2A07 sound chip found in the NES games console.

The 4 voices allow you to create authentic sounding tunes in real time!

The L(arge) version offers the same features as its slimsynth counterpart, with the addition of hardware MIDI (MIDI Type A) and analog sync in and out connectivity and packed in a rugged metal case.

FREQUENTLY ASKED QUESTIONS:

Q:How do I copy/paste a pattern?

A:Hold SLIDE and press OCT- to copy and OCT+ to paste.

Q:The briefly LEDS go out when I stop the sequencer - is something wrong?

A:This is normal and occurs when the memory is updated (a few seconds after the sequencer is stopped when a change has been made).

Notes: Heavily redesigned for version three, Twisted Electrons offer up a new take on their compact acid synth: dual oscillators, new digital filter, real-time effects and more. Great value.

Supplier's Notes:
acid8 is an 8Bit bass-line synthesizer with a revisited sound and interface.

MKIII has been rethought from the ground up. The filter has been replaced with an new all digital one, the handling has been redesigned for more immediate handling and many other real time features have been added including transposition automation, filter wobbler, stutter and vinyl spin-down effects.

The synth engine now has dual oscillators allowing fat and harmonized sounds.

acid8 MKIII offers the same features as its slimsynth uAcid8 counterpart, but with the addition of hardware MIDI and analog sync in and out connectivity and packed in a rugged metal case.

A vst plugin is available to easily take control of the synth's parameters.

FREQUENTLY ASKED QUESTIONS:

Q:How do I copy/paste a pattern?

A:Hold SLIDE and press OCT- to copy and OCT+ to paste

Q:The briefly LEDS go out when I stop the sequencer - is something wrong?

A:This is normal and occurs when the memory is updated (a few seconds after the sequencer is stopped when a change has been made).

Notes: Great value duophonic synth with a uniquely retro sound, based on the SID synth chips found in the classic Commodore 64. Surprisingly versatile, capable of chords, drones and arpeggios as well as basic synth sounds.

Supplier's Notes:
TherapSid has a kid!

TherapKid is a powerful & affordable duo-phonic synthesizer inspired by the mighty therapSid.

Best of Both

The first generation of SID (6581) had a wonderful gritty distorted filter but the later 8580 had a much stronger filter (more resonance). TherapKid offers a digital take on the best of both worlds with a strong filter resonance and 6581-like gritty tone.

Monophnoic, Duophonic, Chords & Drones

TherapKid has 2 voices, each voice consisting of 4 oscillators.

In duophonic mode you can play 2 notes at once, in mono mode you can detune them. But you can take things further by detuning each of the oscillators individually to form chords or drones.

LO/Hi-Fi

While the wavetables are 8Bit, they are processed by a powerful 96MHz 32BIT processor and put out of a 16BIT DAC with oversampling and filtering. This formula of retro sound generated by modern hardware allows for plenty of summing headroom, a rich sounding filter, and complex modulations.

USB Powered (can be battery powered with a USB battery brick)
185mm x95mm x30mm
Hardware MIDI via included 3.5mm >Din5 cable (MIDI Type A)

Notes: Twisted Electrons are proud to present MEGAfm, a result of several years of development.

MEGAfm uses and abuses the vintage YM2612 FM chip originally found in the Megadrive/Genesis games console.

Beautiful dirt

Unlike most FM synthesizers that are very clean and digital, the YM2612 has very characterful tone allowing a broad sound palette ranging from beautiful plucked strings to growly distorted bass lines.

Tactile operators

Hardware FM synthesizers are infamous for their reduced controls and complexity to program, with tiny LCD screens and only a couple of buttons to operate a load of menus...
With its 32 operators faders, 14 knobs and 15 buttons MEGAfm offers unprecedented hands-on FM control!

Every knob and fader can easily be modulated by the easy to use LFOs.

Make it a double!

The YM2612 chip offers 6 voices of crispy FM, 4 operators per voice and 8 algorithms.

MegaFM features 2 chips for a total of 12 voices spread across two outputs (or summed to one).

Dimensions: 30CM x 13CM x 5CM
Dual 6.35mm TS output and 6.35mm Stereo Headphones output
DIN5 MIDI input with MIDI channel learn and thru/out

Notes: The Skorn da Bask table top module is the same module as the eurorack version but in a hammond 1590BB enclosure and aluminium panel, it can be powered thru a 2,1mm negative pin power jack, compatible with Boss and Ibanez standard power supplies.

Thanks to their routing options, the VCOs can not only be used to generate audio signals, but for modulating the VCF's cutoff frequency as well. Besides processing internally produced saw tooth waves, the filter is also usable for editing sound coming from other modules. Typical Touell Skouarn, the Skorn da Bask distorts like hell. Primary application: The creation of dirty, experimental sound structures and abstract rhythms.

The front panel of Skorn da Bask shows three areas highlighted in red. These zones contain the connectors and control elements for the oscillators. Each VCO comes equipped with a pitch CV input, a tune potentiometer and two switches for defining the routing as well as the frequency range used. In detail, the oscillators can be connected to the audio or CV input of the filter. Thanks to their range switches, each VCO is able to work with audio or low frequency rates. The pitch input does not follow the standard 1v per octave.

After all, Skorn da Bask is not an ordinary oscillator module, but an experimental sound generator.

The low pass filter features a slope of 24 dB per octave. A potentiometer named FreqaNs regulates the circuit's cutoff parameter, Dasson sets the resonance. For processing external signals, there is an audio input. As long as a cable is plugged into this socket, the VCOs are disconnected from the filter's audio path. Third-company modules, like an envelope or LFO, can influence the VCF's frequency via a CV input. For damping modulation signals coming from the oscillators, there is an attenuator knob. The audio output is equipped with a level potentiometer. High settings lead to juicy overdrive effects.

Notes: One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

To continue Teenage Engineering's ten year celebration of the OP-1, here is another free update (July 2021):

OP-1 is now capable of streaming audio over USB. In effect, this means that every OP-1 owner just got a new portable USB sound card. enjoy!

Streaming USB Audio

With update #243, every OP-1 is now capable of streaming stereo audio over USB. This means that you can now sample and record to OP-1 directly from any USB audio host, as well as get OP-1 audio straight into your favourite DAW, in effect replacing the need for an external sound card. It works with both PC and Mac, as well as with iOS and Android, and has been made possible by adapting and using the knowledge from OP-Z. the update also includes a range of bug fixes and stability improvements.

Here's some of the update highlights:

Added USB audio device in & out
External tempo sync stability improved
When tape is armed and OP-1 receives a play command, recording now starts

How to update: visit https://teenage.engineering/downloads/op-1 and follow the steps to update your OP-1.

Notes: Bass line synthesizer and sequencer with parameter locks, punch-in effects and play styles.

Pocket operators are cleverly designed on a single circuit board. By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Experience a fresh new way to create music using your thumbs. With its pocket size, its animated graphics, real synthesizer engines, sync, punch-in effects, built-in speaker, alarm clock and impossibly low price, making electronic music has never been this much fun!

Notes: The Teenage Engineering PO-35 Speak is a mini vocal synthesizer, sampler and sequencer, ideal for all types of voice mangling and sampling on the go. Use the built in microphone to instantly record your own voice, and completely change its character. play with it, sequence it and add effects and drums on top.

Notes: Arcade-themed synth from Teenage Engineering's amazing Pocket Operator range. Tiny portable synth with quirky chiptune-style sounds, built-in sequencer effects. Super fun.

Supplier's notes:
Arcade synthesizer and sequencer, with parameter locks, chord control and punch-in effects.

All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.

Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!

Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.

By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.

Notes: Live synthesizer and sequencer, with parameter locks, glide control and punch-in effects.

All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.

Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!

Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.

By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.

Notes: Centred around an advanced 16-track sequencer where all tracks run independently, OP-Z makes individual track speed and track length possible. In addition to this, it's possible to add unique step behaviours to every one of the 16 steps: a feature we call step components. Think of this as dual layer sequencing where the first layer is a traditional 16 step sequencer, while the second layer adds variation per cycle, note variation, micro sequencing, direction, parameter changes, re-trig's and much more, all on just one single step. In theory, it's possible to create a complete song by programming only the 1st step of the 16, using multiple step components to create endless variations, a technique recommended for experts and engineers only. Seriously, in some situations it's actually almost impossible to predict the complete length of a sequence. So, we created a special component for those situations named 'catch up', that forces a track to exit at a certain step to stay in sync. In total, there are 14 components sorted into 3 groups: triggers, note variations and specials.

All 14 components have 10 values and behaviour programs. The product of all this is that you have 140 ways to alter just one single step. Probably more than most people can handle. And to make step composing really intuitive and super-fast, all keys are backlit with multi-colour LED's with instant machine feedback, a must-have for poorly lit club gigs and late-night-in-bed composing. Actually, the print on the unit itself is made with a special glow-in-the dark-paint. A pretty cool 'world's first' for synthesizers.

Bring your own screen:

OP-Z is a completely stand-alone synthesizer and composer, ready to be used at anytime and anywhere, but for those of you who need that extra injection of vibrant graphics, interactive user interface and awesome synced animations to feel inspired, we introduce the concept of BYOS - bring your own screen. You already have the phone with that gorgeous retina display in your pocket, right? Just download the OP-Z app, pair the two devices and you are all set. Add cellular connectivity, WiFi and powerful graphics processing to that, and the concept certainly makes sense. All this tech when connected to the OP-Z adds several unique features - like using the phone's camera, snapping a series of photos and arranging them to a beat, creating a synchronised music video 'a-la-minute'.

We support Dropbox on IOS as well, so transfer of your custom artwork on to your IOS device will be instant and without cables. To eliminate any latency between image and sound, we ported the OP-Z sound engine to run simultaneously on your IOS device. Something we call 'dual domain synthesis'.

Photomatic:

Snap a series of photos and sequence them to a beat. Compose a song and create a completely synchronised music video 'a-la-minute'. The included photomatic feature is just pure instant fun.

Custom graphics:

By adding any artwork or a photo to your IOS device camera roll or to a Dropbox folder, you can create high quality custom graphics, patterns, colour palettes or stop motion videos. Anything can be animated in pace with your music.

Create your own world:

OP-Z is tailor made for unity 3D, the world's most popular multi-platform game engine. Chosen because of its intuitive workflow and excellent VR support. A dedicated OP-Z toolkit for unity will be available at launch that opens up the entire machine.

Full unity 3D integration:

Teenage engineering have worked closely with Keijiro Takahashi and the unity Tokyo studio to fully integrate OP-Z with the unity game engine. As Keijiro-san is both a full time software evangelist at unity and a renowned VJ at night, we have had access to a selection of Keijiro-san's personally developed tools and shaders which deliver stunning 3D graphics that run at full speed on iPhone or iPad. Keijiro-san's tool-set and real life experience in performances with motion graphics have been invaluable in making OP-Zan inspiring live tool for moving images in sync with music. The weakest point of VJ-ing has always been the creation of content. By exposing the inner control data of the OP-Z and linking it to unity, users can create anything within unity, build the project and just drop the build to a Dropbox folder. Customizing every single polygon in a performance.

If it don't have tape, it's not OP:

The new tape feature is probably one of the coolest sonic features of the OP-Z. Imagine a short snippet of tape secretly recording everything that is programmed in the sequencer - all in real-time. And with its own dedicated track it's possible to sequence the tape, trig the in-point, length and speed. OP-Z will come with a range of tape reels with unique character and functions. Scrub, scratch, wind-up and mess-up!

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: ***B-STOCK: Box damaged with split on side, but product is in excellent condition and in perfect working order***


The Teenage Engineering PO-35 Speak is a mini vocal synthesizer, sampler and sequencer, ideal for all types of voice mangling and sampling on the go. Use the built in microphone to instantly record your own voice, and completely change its character. play with it, sequence it and add effects and drums on top.

Notes: Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.

Notes: ***B-STOCK: Box opened, product in perfect working order***


One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

To continue Teenage Engineering's ten year celebration of the OP-1, here is another free update (July 2021):

OP-1 is now capable of streaming audio over USB. In effect, this means that every OP-1 owner just got a new portable USB sound card. enjoy!

Streaming USB Audio

With update #243, every OP-1 is now capable of streaming stereo audio over USB. This means that you can now sample and record to OP-1 directly from any USB audio host, as well as get OP-1 audio straight into your favourite DAW, in effect replacing the need for an external sound card. It works with both PC and Mac, as well as with iOS and Android, and has been made possible by adapting and using the knowledge from OP-Z. the update also includes a range of bug fixes and stability improvements.

Here's some of the update highlights:

Added USB audio device in & out
External tempo sync stability improved
When tape is armed and OP-1 receives a play command, recording now starts

How to update: visit https://teenage.engineering/downloads/op-1 and follow the steps to update your OP-1.

Notes: More arcade game-inspired fun from Teenage Engineering, here based on Capcom's Mega Man game, redefined as a synth and drum groovebox in the tiny Pocket Operator format.

Supplier's Notes:
Live synthesizer and sequencer based on the Capcom Mega Man game series, with parameter locks, glide control and punch-in effects.

Pocket Operators are small, ultra portable music devices, with studio quality sound and the flexibility to make music on the go. Affordable for everyone and compatible with all other music gear.

Notes: The new oplab module is the magic link between OP-Z and the rest of the world. Imagine having the power and flexibility of the OP-Z sequencer available to any other music equipment. Once the oplab module is mounted in the back of your OP-Z, you can use it to connect to any equipment using standard CV and gate, such as any modular system. It features three cv outs and one gate out, all programmable and playable from OP-Z. Have your wall of modules sequenced from the palm of your hands.

Use the PO sync out to unleash the power of your regular Pocket Operators and have them play in sync with the rest of your setup.

Even connect standard MIDI devices, using MIDI over 3.5 mm jack or the included MIDI over din adapter cable. oplab features both MIDI in and out ports as well as trig in and out for other synthesizers and sequencers.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Melody synthesizer and sequencer with parameter locks, punch-in effects, arpeggio and chord play styles.

Pocket operators are cleverly designed on a single circuit board. By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Experience a fresh new way to create music using your thumbs. With its pocket size, its animated graphics, real synthesizer engines, sync, punch-in effects, built-in speaker, alarm clock and impossibly low price, making electronic music has never been this much fun!

Notes: A complete AE modular system in a one-row Rack; containing the following modules:

- MASTER
- 2 OSC/D
- VCO
- NOISE
- LFO
- SVFILTER
- ENV
- 2VCA
- 2ATT/CV
- MIXER
- SAMPLE&HOLD
- DELAY

The case is extendable; via a joint kit (not included) another case of this width can be attached at a free angle; the bus is connected via a short connector cable between both cases.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.

Notes: Complete system built on Tangible Waves's AE modular format. Includes analogue sound sources, drum sampling, sequencing and everything needed to make music in a single unit.

Supplier's Notes:
The Synth Explorer "Ultimate" is a fully featured modular synthesizer which has been designed primarily for educational purposes. It offers a lot of synthesis features in a very small and portable package and includes the modules that invite for DIY modification and experimentation with code and circuits.

This system includes the following modules:

MASTER I/O (power, MIDI, CV/Gate, Audio in/out)
2OSC/d (two oscillators with sawtooth and square waveforms)
DRUMKIT 010 (lofi drum samples)
2LFO (two low frequency oscillators with various waveforms)
2ENV (two attack/decay envelopes with looping function)
WASPFILTER (an iconic filter with a lot of character)
SVFILTER (a state variable filter which can go into self oscillation)
2VCA (two voltage controlled amplifiers)
BRAEDBOARD (a blank canvas for circuit experiments)
2S&H (dual sample and hold)
2ATT/CV (dual attenuator and CV generator)
MM-DIV (multi mode clock divider)
SEQ8 (8 step CV and Gate sequencer with different run modes)
QUANTIZER (4 channel CV quantizer with many different scale modes)
METER (oscilloscope, frequency spectrum, tuner, voltmeter)
GRAINS (fully programmable module based on the Arduino)
MIXER 4-4 (two 4 channel mixers)
DELAY (analogue delay)
HPAMP (headphone amplifier with dual outputs and volume control)

Notes: PatchBox is a series of small Eurorack modular systems that are designed to accompany other standalone or computer-based audio hardware. These small curated systems are a perfect way to get started in modular without having to invest in more than you currently need. PatchBox systems are housed in Synthrotek's own Bus Cheeks and are powered via our USB power supply. PatchBox systems can be powered via a portable battery, computer USB jack or USB wall dongle.

PatchBox 20 - Beat Crusher

The Beat Crusher system was designed to augment rhythm making devises such as drum machines, Pocket Operators, Volcas and DAWs. The DLY and Roboto are at the heart of the sound expansion and destruction. The OBEY module can 'beat detect' and send an envelope and gate (or clock) to the RND module which in turn can send well timed voltages to the DLY and Roboto. The clocks and random voltage and then be patched back into the drum machines clock input, resulting in unique and abstract beat production.

Modules:
OBEY - Envelope Follower
Roboto
Passive Mult
RND - Random
DLY - Delay
Housed in a Bus Cheeks with a USB Power. Includes USB to USB mini cable.

Notes: The Synthrotek Bi-Translator is a new mini 44HP synthesizer system available as a completely built and calibrated system or as a do-it-yourself-kit. This versatile a system lets your translate your artistic voice bi-coastally and really anywhere in between.

The Translator’s powerful multi-waveform sound generation starts with the two fully analog VCO modules. Paired with the two channels of the Low Pass Gate Module, the VCOs can operate as two independent voices or can be used together for deep complex modulation.

ADSR envelope generation is produced by the aptly named ADSR module which is a powerful-for-its-size 4HP module that produces the heartbeat functions and LFOs.
The RND module is compact power station of variable random voltages, setting time signatures and esoteric timing anomalies.

The Sequence 8 is provides simple to complex sequencing when combined with the RND and other control voltage producing variables.
The Bi-Translator System 44 takes on the best features of West Coast synthesis with its insistence on organic percussion. This takes shape in the advent of the precisely crafted Synthrotek Dual Low Pass Gate Module, the LPG. Ear and hand selected vactrols provide organic earth-toned sonic variations from paleo hand drums to skin stringed instruments and beyond to cathedral bells.

Expansive and unique signal processing is provided by the DLY delay module. The DLY, like its predecessor the ECHO, takes full potential of its digital and analog topography by pushing the edges of what delay can do. The DLY performs 50s-era slap back, traditional repeats and even caustic post-industrial clock degeneration.

The 1U Stereo Output Mixer allows for internal signal mixing but also doubles as a performance mixer that allows you to incorporate other electronic music gear into your set.

Modules:
ADSR
DLY: Delay Module
LPG: Low Pass Gate
RND: Random Module
Sequenece 8
VCO (x 2)
1U UniBuffer
1U Stereo Output Mixer

Notes: Housed in Synthrotek's Power Lunch, the MST Mono Voice System is a powerful analog monophonic FULLY modular synthesizer.

Includes a power brick.

The MST Mono Voice is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Modules:
MST MIDI to CV Converter
MST VC LFO
MST VCO
MST Dual Envelope
MST Low Pass Filter
MST Dual VCA
1U UniBuffer
1U Stereo Output Mixer

Notes: Extensive filth on offer here with built-in sequencing and a comprehensive array of noise, sound generators and effects. Synthrotek claim it'll help you "clear a room faster than ever". Challenge accepted?

Supplier's Notes:
Clear a room faster than ever with the West Coast Noise System. The amount of insanity you can create from so few modules is incredible. It's analog drums, 8bit crunch and noise married to a sequencer. Be sonically devastating or intriguingly melodic.

The West Coast Noise System is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Modules:

Sequence 8
MST Noise Sample and Hold / Track and Hold
Atari Punk Console
DS-M
DIRT Filter
DLY Module
1U UniBuffer
1U Stereo Output Mixer

Notes: Inspired by the early vintage string synths of the '70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.

Specifications:

Controls

Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume

Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included

Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V

Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)

MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)

Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)

Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The iconic Synclavier brand returns with this digital powerhouse, based around FM synthesis but also offering additive and subtractive methods. Super versatile, with up to 98-voice polyphony and MPE support.

Supplier's Notes:
The new buck in the Synclavier stable

Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. Synclavier have now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 550 timbre presets across 10 newly commissioned timbre libraries. On top of that, there are over 2000 royalty-free samples built-in, including over 350 selected original samples from the NED era and 2 exclusive artist sample libraries.

When you're done exploring the factory content, you'll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It's truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully supported and there's a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

Synclavier Regen is a desktop unit measuring 310mm wide by 260mm tall and 42mm deep.

Housed in aluminium, finished with a sand-textured black and Synclavier red surround. It has rubberized plinths.

User interface consists of many silicone buttons with multi-colour backlighting, a virtual knob capacitive-touch slider with epoxy-coating. A VK display is included as well as a main modal display that shows current parameters, user settings, timbre library, etc.

Over 40 years of synth design has led to this product. It's a sound-designer's dream in a timeless desktop package.

Sound-design Capabilities

Advanced DSP synth engine, as used on Synclavier II, has been extended for Regen.
12 separate tracks of multi-timbrality, assignable to MIDI tracks and keyboard ranges.
Up to 98 simultaneous voices. Voice count is dependent on system load and is likely to be much higher in typical scenarios.
12 partials per timbre. Each partial can be 1 of 3 oscillator synth modes: additive, subtractive, or samples.
Additive mode supports coefficient and phase control of 24 harmonics.
In samples mode, up to 128 samples can be placed on the partial's patchlist.
Subtractive can have a noise generator or up to 9 de-tunable continuous sawtooth waveforms.
Hybrid (resynthesized samples)
Timbre-level effects, including:
Stereo reverb algorithm with pre-delay and library of presets.
Highly-optimised multi-mode filter with sophisticated filter envelope.
Bit-crusher (for use with additive, sample, and hybrid modes).
Frequency modulation (FM) controllable per partial (all modes) with envelope.
Sophisticated modulation system that allows many Regen parameters to be controlled via MIDI, LFOs (24 per timbre), or driven by envelopes (24 per timbre).
Approx 300MB of sample space in memory = 100 mins @ 48Khz 24-bit mono shared across all active tracks and partials.

Hardware

Balanced stereo output through XLR connections at pro-level 4dBu. Designed for studio and home use. These are DC-coupled for maximum bass impact.
Single-ended TS stereo outputs, also DC-coupled.
Convenient headphones TRS jack for monitoring master audio with independent volume
control. For headphones in range 32O - 300O.
DAC circuit is designed for ultra-low noise floor. 11dB of headroom over nominal level. A
measured 130dB of dynamic range. 24-bit, 50kHz sample rate, as per Synclavier II.
Hybrid sound design engine: original Synlcavier II hardware is modelled in software.
High quality audio components throughout, including a precision temperature compensated crystal oscillator for jitter-free digital audio.
Two glorious full-colour sunken displays.
Responsive silicon back-lit parameter buttons.
The vertical value swiper is touch accurate to 128 levels of resolution for precise control
of every parameter.
12 selector buttons are touch-sensitive and can handle gestures to quickly select
multiple partials or tracks.
SD Card reader for unlimited user timbre and sample libraries.
4 USB accessory ports for MIDI keyboards, sequencers, and audio interfaces. Plus 1 USB Host port for connecting to a computer for MIDI input from a DAW.
Take it on the road. Rugged, full metal enclosure.

Notes: The iconic Synclavier brand returns with this digital powerhouse, based around FM synthesis but also offering additive and subtractive methods. Super versatile, with up to 98-voice polyphony and MPE support.

Supplier's Notes:
The new buck in the Synclavier stable

Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. Synclavier have now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 550 timbre presets across 10 newly commissioned timbre libraries. On top of that, there are over 2000 royalty-free samples built-in, including over 350 selected original samples from the NED era and 2 exclusive artist sample libraries.

When you're done exploring the factory content, you'll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It's truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully supported and there's a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

Synclavier Regen is a desktop unit measuring 310mm wide by 260mm tall and 42mm deep.

Housed in aluminium, finished with a sand-textured black and Synclavier red surround. It has rubberized plinths.

User interface consists of many silicone buttons with multi-colour backlighting, a virtual knob capacitive-touch slider with epoxy-coating. A VK display is included as well as a main modal display that shows current parameters, user settings, timbre library, etc.

Over 40 years of synth design has led to this product. It's a sound-designer's dream in a timeless desktop package.

Sound-design Capabilities

Advanced DSP synth engine, as used on Synclavier II, has been extended for Regen.
12 separate tracks of multi-timbrality, assignable to MIDI tracks and keyboard ranges.
Up to 98 simultaneous voices. Voice count is dependent on system load and is likely to be much higher in typical scenarios.
12 partials per timbre. Each partial can be 1 of 3 oscillator synth modes: additive, subtractive, or samples.
Additive mode supports coefficient and phase control of 24 harmonics.
In samples mode, up to 128 samples can be placed on the partial's patchlist.
Subtractive can have a noise generator or up to 9 de-tunable continuous sawtooth waveforms.
Hybrid (resynthesized samples)
Timbre-level effects, including:
Stereo reverb algorithm with pre-delay and library of presets.
Highly-optimised multi-mode filter with sophisticated filter envelope.
Bit-crusher (for use with additive, sample, and hybrid modes).
Frequency modulation (FM) controllable per partial (all modes) with envelope.
Sophisticated modulation system that allows many Regen parameters to be controlled via MIDI, LFOs (24 per timbre), or driven by envelopes (24 per timbre).
Approx 300MB of sample space in memory = 100 mins @ 48Khz 24-bit mono shared across all active tracks and partials.

Hardware

Balanced stereo output through XLR connections at pro-level 4dBu. Designed for studio and home use. These are DC-coupled for maximum bass impact.
Single-ended TS stereo outputs, also DC-coupled.
Convenient headphones TRS jack for monitoring master audio with independent volume
control. For headphones in range 32O - 300O.
DAC circuit is designed for ultra-low noise floor. 11dB of headroom over nominal level. A
measured 130dB of dynamic range. 24-bit, 50kHz sample rate, as per Synclavier II.
Hybrid sound design engine: original Synlcavier II hardware is modelled in software.
High quality audio components throughout, including a precision temperature compensated crystal oscillator for jitter-free digital audio.
Two glorious full-colour sunken displays.
Responsive silicon back-lit parameter buttons.
The vertical value swiper is touch accurate to 128 levels of resolution for precise control
of every parameter.
12 selector buttons are touch-sensitive and can handle gestures to quickly select
multiple partials or tracks.
SD Card reader for unlimited user timbre and sample libraries.
4 USB accessory ports for MIDI keyboards, sequencers, and audio interfaces. Plus 1 USB Host port for connecting to a computer for MIDI input from a DAW.
Take it on the road. Rugged, full metal enclosure.

Notes: The ultimate expansion of the original Levitate tabletop synthesizer with a huge collection of NEW Features and Eurorack patch points.

These include:

Three full signal generators - "Legus", "Neura", and "Crazy"
Mixer and lever for all stages + audio outputs per section
Phaser/Delay
VCF
Fuzz
Distortion
6 LFOs

The Levitate Expansion is presented in a Limited & Numbered edition of 3 and brought to you by the mind, passion and work of Synamodec. Manufactured the old school way by hand in Spain in the year of 2023. This is a Sound Art Machine for the times!

Dimensions: 19" x 12" x 4"

Specs

Legus

* 1 Extra out exterior
* 2 LFO included
* 1 Exterior input
* 2 Exterior CV in

Neura

* Triple oscilator
* 1 Exterior output

Crazy

* 1 Extra out exterior
* 1 LFO included
* 1 Exterior CV in
* EQ control included

VCF(2)

* Exterior signal input with level control each.
* Exterior CV in
* 2 Extra output (HP, BP)
* 2 LFO included

Phaser/Delay

* 1 Exterior CV in for delay
* 1 Exterior CV in for phaser (FB)
* 1 Extra out phaser (4P)
* 1 CV LFO for delay included
* 1 LFO included ( for modulate the CV LFO of the delay)

Mixer
Fuzz
6 band EQ/filter
Distortion

VCA
1 Exterior CV in
1 Gate/Trigg out (Sync)

Envelope

Outputs (4)

Direct out from the mixer
Out from mixer + fuzz + 6B equ
Out from mixer + distortion
Out from VCA (We can select with a switch which of the three previous outputs we introduce to the VCA)

* The four outputs are simultaneous.

Notes: Creative little desktop noise synth based on some unique ideas. Generate tones with conventional oscillator, noise source and oscillating delay feedback, then mix it all through a final delay.

Supplier's Notes:
Synamodecs Levitate is a desktop synthesizer that is made for noise and experimental music making.

It's divided into three blocks Legus, Neura and Nxpctd. Legus consists of two delays in series. Those delays offer time, level, feedback and dry/wet parameters. Due to it's layout it is capable of generating sounds without any input signals. The ouput of the first delay can modulate the delay time of both or just the other one. The Neura section is a sound and noise generator with frequency, texture and waveform controls and outputs on two different independent outputs. Last but not least the NXPCTD block is a third delay through which the Legus ad Neura pass through. It gives control over dry/wet, time and feedback control.

Additionally the Levitate offers an external audio input for extra fun.

All in all a fun little box for weird and crazy sound exploration. Dc power adapter included.

Dimensions: 20 × 30 × 10 cm

Notes: The Synadrone consists in four combined oscillators that create powerful and organic sounds.

The mix of the four oscillators as well as their arrangement can be varied by acting on the switches. Oscillators modulate each other in a complex way, but you can control the results of this modulation manually with the pots.

The oscillation section includes after the oscillation section a low pass filter with cutoff and resonance controls.

Cutoff and resonance allow to change from very powerful and "full" bass sounds to delicate and very refined highs.

It has the option to send the filter output signal to a delay, with repeat and level controls.

The Synadrone also incorporates a built-in LFO with rate and level controls to modulate the delay time.

Specifications:
Power supply +9v (center Positive)
4 oscimodulations
Filter - cutoff - resonance
LFO
Analogue delay

Notes: Astrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.

Compact synthesizer ideal for harsh noise and drones, three independent oscillators with rate control -a fourth oscillator is the sum of the three previous ones plus noise mixer of the four oscillators + noise

Six controls to select the type of noise on the fourth oscillator

Harmonics

Six band filter/eq
Feedback and level control

Distortion

Distortion level
Feedback
Two band tone control

Power supply

Transformer 24 v positive to the center (included with the device)
1/4" mono jack output

Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

Notes: Surf the synthetic wave, sample your music.

Sledge 2.0 introduces new features and sound innovations that set the instrument above any competitor, thanks to a mix of pure synthesis and sound sampling.

In addition to the incredible sound engine and the user-friendly vintage style control panel, the new features further expand the synthesizer's power and versatility.

Auto Dual Mode, mix the sound
Combine and play two sounds at the same time, in Split or Layer mode.
Every sound combination can be stored in any of the 999 available presets.

Hold the loop and pitch the sound

Pitch and Hold functions can be enabled separately for the Lower and Upper sounds in Dual Mode, allowing you to keep the sample loop running while playing the upper sound.

Elevate your performance.

Let your samples play

Sound samples and new waves can be loaded in the internal memory, played by OSC 1 and modifiable by all parameters of the control panel, adding other oscillators, setting filters, envelopes and effects.

Spectre & Sound Mapper

Create and transfer Sample content, manage and reorganize the internal sound library of your Sledge. Load, save, copy, send, receive. Everything you want to do with your sound library, you can do that thanks to a user-friendly interface.

Keyboard
61 Keys, TP/9S unweighted
Dual switch detection system: Aftertouch
Touch: Soft, Medium, Hard, Fixed (programmable) 1

Sound generation
Max Polyphony: 24 voices
2 Parts
Modulation: LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
Adjustable LFOs speed and depth
LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
Oscillators (OSC1, OSC2, OSC3)
Range from 64' to 1' with semitone and detune controls
Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)

Mixer
Volume and On/Off switch for each oscillator
Noise generator: White/Pink - Volume control

Filter & Amplifier
Slope (24/12 db) - lowpass, highpass, bandpass
Resonance up to self oscillation
Adjustable key track and drive
Filter envelope - ADSR with amount control
Amplifier envelope - ADSR with velocity control
Proportional velocity control on Filter and Amplifier sections

Arpeggiator
Latch mode
Syncable to MIDI clock
Direction up, down, alternate
Range up to 10 octaves

Effects / Processing
2 simultaneous effects
FX1: Chorus / Phaser / Flanger
FX2: Reverb / Delay / Reverb + Delay

Features
999 User Programs (+13 Categories)
Fast sound selection via numeric keypad or encoder
Auto Dual Mode - Split/Layer - programmalbe Split pount for each program

Global
Master tune - Transposer - Pitch/Bend range - Pedal functions (volume, mod wheel, cutoff) - Pot mode (snap/direct) - Display time - Pitch wheel, hold pedal assign

MIDI
MIDI Channel - Local On/Off - Clock control - Send/Receive controls

Controls / UI
Display 2x16 digits backlit LCD
Pitch wheel
Modulation wheel
35 Pots
3 "chicken head" rotary switches (7 positions)
1 rotary encoder with push function
Master volume control (with panic and anti-thump circuit)
Numeric keypad

Connections
Audio OUT: 2x 6,3 mm mono jack (L+R)
Headphones: 2x 6,3 mm stereo jack
Pedals: Hold, Expression
MIDI: In, Out
USB: USB to Host, MIDI

Power supply
AC IN: 110-240V

Size and weight
Width: 97 cm / 38,2"
Depth: 40,5 cm / 16"
Height: 11 cm / 4,5"
Weight: 8,3 Kg / 18,3 lbs

Package content
Sledge 2.0
Power cord

Notes: Surf the synthetic wave, sample your music.

Sledge 2.0 introduces new features and sound innovations that set the instrument above any competitor, thanks to a mix of pure synthesis and sound sampling.

In addition to the incredible sound engine and the user-friendly vintage style control panel, the new features further expand the synthesizer's power and versatility.

Auto Dual Mode, mix the sound
Combine and play two sounds at the same time, in Split or Layer mode.
Every sound combination can be stored in any of the 999 available presets.

Hold the loop and pitch the sound

Pitch and Hold functions can be enabled separately for the Lower and Upper sounds in Dual Mode, allowing you to keep the sample loop running while playing the upper sound.

Elevate your performance.

Let your samples play

Sound samples and new waves can be loaded in the internal memory, played by OSC 1 and modifiable by all parameters of the control panel, adding other oscillators, setting filters, envelopes and effects.

Spectre & Sound Mapper

Create and transfer Sample content, manage and reorganize the internal sound library of your Sledge. Load, save, copy, send, receive. Everything you want to do with your sound library, you can do that thanks to a user-friendly interface.

Keyboard
61 Keys, TP/9S unweighted
Dual switch detection system: Aftertouch
Touch: Soft, Medium, Hard, Fixed (programmable) 1

Sound generation
Max Polyphony: 24 voices
2 Parts
Modulation: LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
Adjustable LFOs speed and depth
LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
Oscillators (OSC1, OSC2, OSC3)
Range from 64' to 1' with semitone and detune controls
Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)

Mixer
Volume and On/Off switch for each oscillator
Noise generator: White/Pink - Volume control

Filter & Amplifier
Slope (24/12 db) - lowpass, highpass, bandpass
Resonance up to self oscillation
Adjustable key track and drive
Filter envelope - ADSR with amount control
Amplifier envelope - ADSR with velocity control
Proportional velocity control on Filter and Amplifier sections

Arpeggiator
Latch mode
Syncable to MIDI clock
Direction up, down, alternate
Range up to 10 octaves

Effects / Processing
2 simultaneous effects
FX1: Chorus / Phaser / Flanger
FX2: Reverb / Delay / Reverb + Delay

Features
999 User Programs (+13 Categories)
Fast sound selection via numeric keypad or encoder
Auto Dual Mode - Split/Layer - programmalbe Split pount for each program

Global
Master tune - Transposer - Pitch/Bend range - Pedal functions (volume, mod wheel, cutoff) - Pot mode (snap/direct) - Display time - Pitch wheel, hold pedal assign

MIDI
MIDI Channel - Local On/Off - Clock control - Send/Receive controls

Controls / UI
Display 2x16 digits backlit LCD
Pitch wheel
Modulation wheel
35 Pots
3 "chicken head" rotary switches (7 positions)
1 rotary encoder with push function
Master volume control (with panic and anti-thump circuit)
Numeric keypad

Connections
Audio OUT: 2x 6,3 mm mono jack (L+R)
Headphones: 2x 6,3 mm stereo jack
Pedals: Hold, Expression
MIDI: In, Out
USB: USB to Host, MIDI

Power supply
AC IN: 110-240V

Size and weight
Width: 97 cm / 38,2"
Depth: 40,5 cm / 16"
Height: 11 cm / 4,5"
Weight: 8,3 Kg / 18,3 lbs

Package content
Sledge 2.0
Power cord

Notes: The SE-3X is a new model in the SE range that sits above the illustrious SE-1X; this model has significant hardware features and software upgrade from the SE-1X.

New hardware additions include:
2 types of saturation
2 new additional analog VCF types for a total of 4 filter types 4 Voltage Controlled Discrete Analog Filters: SE Classic 24dB Moogr; SE Classic 24dB ARPr; SE Classic Juno/Jupiter:

Numerous software enhancements including 3 note paraphonic capability, enhanced modulation and envelope types, and improved workflow with easier/simpler navigation of menus (including some requested user features)

Three + Four = Heaven. The SE-3X: a three-voice paraphonic synth with four discrete, classic hardware filters.

Seen where the sound of success was heard, the SE-1(X)'s popularity with hitmakers, film composers and sound designers has spanned decades, and the 'X never quite rode off into the sunset. Now, it's blazing back with software sweetening and sweeping hardware refinements - innovations worthy of 30 years of rack time... and your time. Built attractively, built solidly, bringing you the bump 'n' thump and higher frequency clarity and warmth that has been the secret weapon of legends. Complete '3X software for '1X users is available as a Flash ROM chip upgrade.

New features

Software:
Paraphonic Mode: for easy and electric 3X chords and colors.
Front Panel control for Oscillator Mix.
Front Panel control for Oscillator 2 & 3 Fine Tune.
LFO Gate from our BOOMSTAR / MIDIMINI V30
OMEGA / SE-02 Envelope routines in addition to the original linear & magical quasi-exponential Envelopes.
Exponential Glide routine from the OMEGA and '1X Linear Glide.
New Front Panel Screen Jumps & Shortcuts.

Hardware:

Two fuzz modes: 70s & 90s. Front panel switchable.
RESONANT FILTER COLLECTION: 24 dB MINI, 24 dB ARP, 24dB, 6dB, "Mix Mode" JUNO/JUPITER. SEM remains the built-in filter. Front panel switchable.

The software of the SE-3X in detail:

The exponential glide routine from the Omega: Now you can choose that or the original linear glide.

The Omega/CODE Envelope routines: These show up as EXP2 in the Envelope window; this is in addition to the original linear and magical quasi-exponential Envelopes.

Page 2 Mix knobs for the Oscillators: Due to space restrictions, the SE-1(X) didn't allow direct control, requiring navigating to the Audio Mixer page for tweaksitedious. Now holding Shift and using the Pulse Width pots to adjust Oscillator mix levels brings balance and satisfaction.

OSC 2 & 3 Fine Tune: Hold Shift and rotate 2 & 3 Frequency knobs. Another useful and efficient jump-cut.

LFO Gate from our Boomstar and Mini V-30, a venerable and most funky feature from the ARP Odyssey and 2600; LFO 3 can now gate the Envelopes: hold Shift and press LFO 3, or send it CC #9. MIDI sync applies, of course when received.

Lastly for spice and "poly" nice nice, Paraphonic Mode: This allows the 3 oscillators to be played by 3 different MIDI notes, for easy and electric 3X chords. All 3 oscillators still go thru the same VCF and VCA, so it's not truly polyphonic. But with some care and creativity in programming, it can sure swing like it. Check out Marc St. Regis' SoundCloud demos to see just how warm & snappy the PARA can sound, especially when a DAW is in control.

Specifications:

Voices: Monophonic, with 3 note Paraphonic mode.
Audio Outputs: 1
External Audio Inputs: 1
Interface: 1 rotary encoder, 24 knobs, 20 square switchesi17 illuminated, one three-way toggle (filter fuzz), one 5-way rotary switch (filter selection), power.
Main Display: 20 x 4 blue backlit liquid crystal.
Memory: 8 banks of 99: 396 patches in ROM, 396 in RAM.
Weight: 11 lbs.
Dimensions: 3 rack spaces, 8 inches deep.
Power: 90 - 250 volts AC auto switching.

Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.

Notes: Part of Sonicware's excellent Liven groovebox series, the XFM is a modern take on classic digital FM sounds, offering a choice of intuitive and quick sounds or logical and deep programming.

Supplier's Notes:
Classic FM sounds, effortlessly merged with FM FUSION.

Using the 4-track sequencer and presets, you can construct an entire song.

Three Fusion FM Engines X-LAB Engine
Merge two FM sounds with a single knob to create a completely new sound.

XFORM Engine
Transform one FM sound into another over a specific period of time.

X-LFO Engine
Continuously transform between two FM sounds using an LFO.

Over 300 Inspiring Preset Sounds
Ready-to-use presets including, leads, keyboards, strings, winds, basses, pads, chords, drums, and sound effects.

Two approaches to FM sound design

Intuitive and Quick
Merge and sculpt FM sounds with a single, intuitive, knob turn.

The X-Lab engine merges two FM sounds by smoothly blending their envelopes, modulation routing, and feedback. The X-Lab algorithm can merge sounds with radically different FM structures and overtones, all without losing the fundamental tuning of the sound. Pitch locking can also be turned off to create brilliant atonal transitions between FM sounds.

Merged sound can then be saved, recalled, and merged with additional FM sounds. This is called merging process FUSION FM.

Logical and Deep

For those who want to dive into the FM Engine, the EDIT mode and included overlay provide full access to the innovative 4-OP XFM engine.

15 knobs and 30 buttons provide quick and intuitive access to all FM parameters.

Explore FM synthesis without the conventional menu diving and head scratching.

4-Track Step Sequencer

Perfect for song production and live performance

Manage lead, bass, rhythm, and more, each on separate tracks.

Sequence up to 64 steps per pattern.

Save up to 128 patterns.

The parameter locking function allows you to record knob changes into your patterns. This automation function can be recorded live, or programmed in step by step.

Sub-divide the tempo down to 32nd notes for higher resolution sequencing.

Sequence longer notes across several steps, AKA Tied Notes.

Specifications:

Size
297mm (W) x 176mm (D) x 48mm (H)
11.7 in (W) x 6.92 in (D) x 1.89 in (H)

Weight:
790g/1.74lb.

Keyboard:
27 keys (with a hold function)

Knob:
15 physical control knobs
Optional LATCH function prevents jumps in value when knob position and parameter values do not match. LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
One physical encoder

Audio output:
Stereo line out (stereo 3.5mm mini jack)
Headphone out (stereo 3.5mm mini jack)
Compatible with Teenage Engineering Pocket Operator2 Series SYNC OUT
Speaker

Audio in:
LINE IN (stereo 3.5mm mini-jack)
Compatible with Teenage Engineering Pocket Operator 2 Series SYNC IN

Interfaces:
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
SYNC IN jack (monaural 3.5mm mini jack)
SYNC OUT jack (monaural 3.5mm mini jack)

Power supply:
9V DC output AC adapter
Current: 1A or greater
Plug Type: EIAJ3 Standard
Inner Diameter: 1.7mm
Outer Diameter: 4.75mm,
Polarity: Center +
Compatible with power supplies designed for the Korg Volca 1 .
6 AA batteries

Synth Engine:
Four FM synth engines, X-LAB, XFORM, X-LFO, and LIBRARY

Voice mode:
6-note polyphonic mode
Mono mode
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-
2, Random, Play Order)

Sweep:
Sweep with adjustable speed, range, and curve

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter envelope.

Effects:
Chorus
Flanger
Send Delay
Insert Delay
Bit Crusher
Reverb
Distortion
Low Pass
High Pass
Isolator

LFO:
Each track has one LFO which can affect both pitch and filter cutoff.
Adjustable LFO Shapes.
Adjustable start time delay for each LFO.

Sound memory:
512 FM sound memory slots (16 x 32 banks)

Sequencer:
4 tracks
Up to 64 steps per pattern
128 patterns
Step length can be set from 1/1 to 1/32
Enter longer notes (Tie)
Track level and pan can be set independently
FX send amount can be set independently for each track
Pattern BPM / Global BPM can be set
Step copy and paste function
Track copy and paste function
Transpose function
Real-time recording
Directly enter notes for each step when sequencer is on or off
Parameter lock function
Random playback function (Playback step size can be set)
Stutter function
Note Trigger probability can be set between 25% and 100%
Pattern chain function
Metronome and pre-count function
Swing function

MIDI:
Notes, control changes, clock input/output
IMPORT/EXPORT of user data
Firmware update via Sysex

Accessories:
FM sound editing overlay
Warranty

The AC adapter is not included.
Please use 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +).
Compatible with power supplies designed for the Korg Volca 1.