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Review: Emotional Response bring you some truly healing sounds from Polish producer Bartosz Kruczynski, who first teamed up with the label as The Phantom for the first round of the Schleissen series back in 2015. He's since delivered a debut album to Growing Bin and released as Earth Trax on Rhythm Section and others. The mood across this collection of pieces produced for Polish studio TVP Culture opens up a rich seam of inspiration around the ambient end of Kruczynski's work through short pieces rich in sonorous delights. From fluttering fourth world-isms to hazy dub soundscapes, this is pure listening pleasure from start to finish.
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Heavydirtysoul
Stressed Out
Ride
Fairly Local
Tear In My Heart
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The Judge
Doubt
Polarize
We Don't Believe What's On TV
Message Man
Hometown
Not Today
Goner
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Review: Kendrick Lamar's To Pimp a Butterfly, the Compton-based rapper's first album since 2012's major label debut, Good Kid, M.A.A.D City, has been receiving rave reviews. In truth, it's not hard to see why. Imaginative, soulful, and blessed with the looseness of live performance (a result of the use of jazz-minded live players as much as anything else), it sounds like the kind of album that may one day be hailed as a hip-hop classic. Sure, there are big name guests - Dre, Snoop, George Clinton and Thundercat included - but the focus remains on Lamar's distinctive flow and almost cinematic tales of life on L.A's streets. Given the quality of his lyrics, that's no bad thing.
… Read moreIntérprete: Andrew Pirie (Melting Pot), Juno Recommends CD Albums
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Review: There have been plenty of column inches devoted to this collaborative debut album from hyped producer Kamaal Williams (AKA Rhythm Section International sort Henry Wu), and fast-rising Afrobeat drummer Yussef Dayes. With such raw talent to choose from, it's little surprise to find that Black Focus is as good as the critics claim. Their sound is distinctive: a London-centric take on jazz-funk that's loose, rich, organic and shot through with soul. Their major influences seem to be the work of West London broken beat pioneer Kaidi Tatham, and his inspiration, jazz-funk legend Herbie Hancock. These touchstones, combined with Dayes' brilliant drumming and Williams' superb synth solos and jammed-out Rhodes lines, makes Black Focus a hugely alluring set.
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Review: Norwegian disco titan Prins Thomas returns to his regular stomping ground of Smalltown Supersound with this, his sixth solo studio album. Thomas is sounding as vibrant as ever, his musical ideas spilling forth in glorious arrangements of organic instrumentation and gentling bubbling electronics that melt into a mellow, groovy sonic realm. There are hazy, cosmic moments to be savoured on the likes of "Feel The Love", and more adventurous rhythmic trysts like the nagging, snaking percussive melee of "Ambitions". Thomas' studio proficiency is more than matched by his imagination and creative ambition - would you expect any less from such a titan of Scandinavian electronic music?
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Cat: GI 360CD. Rel: 14 Aug 20
Soundtracks
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Review: Given that Four Tet's recent 0181 LP was comprised of material from Kieran Hebden's archives, and last year's Pink was largely compiled of tracks from the previous 18 months of 12" releases, it seems fair to say that Beautiful Rewind is his first proper album since 2010's There Is Love In You, and as such, it arrives with some degree of expectation. The past few years have seen the producer engage increasingly with the dancefloor, and these rhythms are most definitely present across the LP, particularly in the jungle breaks of "Kool FM", pirate radio-influenced techno of "Buchla" and hesitant dubstep style rhythms of "Parallel Jalebi". For the most part however Beautiful Rewind is as varied as the likes of Rounds and There Is Love In You, with the minimalist kosmische of "Ba Teaches Yoga", analogue gurgles of "Crush" and dawn chorus sounds of closer "Your Body Feels" all as beautiful as his most enduring tracks.
… Read moreIntérprete: Juno Recommends CD Albums, Pete On the Corner
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Restless
Singularity
Plastic
Tutti Frutti
People On The High Line
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Nothing But A Fool
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The Game
Superheated
Review: The 21st Century has been quiet thus far for New Order, with only two full albums to date, and only an out-takes compilation in the last decade. Moreover, 'Music Complete' marks their first album to date without founding bassist Peter Hook, and the return of Gillian Gilbert to the ranks. Yet from this turbulence and inertia they've somehow managed to create a collection of songs that rank as their strongest set since 'Technique' in 1989. VIbrant, upbeat and colourful, yet driven by the same mix of electronic experimentation and effortless pop suss that characterised their '80s heyday, 'Music Complete' is the sound of a timeless and unique force newly revitalised.
… Read moreIntérprete: Juno Recommends CD Albums
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Cat: ENOCDX 7. Rel: 31 Jul 09
Ambient/Drone
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Review: 2019 has been big for Goldie. The late summer saw the anniversary reissue of his second album "Saturnz Return", and now he's put together a bumper collection of drum & bass gems. Across "60 tracks that smashed it" as the release is sub-titled, the proudly British sound of drum & bass is explored and exposed thanks to music from all the key players including Roni Size, Doc Scott, Photex, Krust, DJ Zinc and many more familiar faces. Of course, the Metalheadz boss' own "Inner City Life" kicks off in triumphant fashion and the vibes keep coming thick and fast from there on in.
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Cat: 019029 5154462. Rel: 27 Aug 21
Indie/Alternative
Review: As the title suggests, this excellent collection gathers together tracks from three live sessions the Sisters of Mercy recorded at the BBC's Maida Vale studios between 1982 and '84, during the formative years of their lengthy career. The first session, recorded for John Peel in August 1982, contains a quartet of early live favourites, including their popular cover of the Stooges' '1969', while the second - a session for David 'Kid' Jenson' - boasts versions of tracks from the classic goth-rock EP The Reptile House (as well as a surprise Dolly Parton cover). Best of all though are the tracks from their 1984b Peel Session, which were laid to tape around the same time as the Leeds outfit was recording its debut album.
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LADY GAGA / BRADLEY COOPER / VARIOUS
A Star Is Born (Soundtrack) (unmixed CD)
Cat: 677755 3. Rel: 05 Oct 18
Soundtracks
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Cat: 773775 5. Rel: 15 Mar 19
Broken Beat/Nu Jazz/Nu Soul
Review: With their penchant for off-kilter psychedelic explorations, deep-rooted spiritual jazz excursions and cacophonous, otherworldly workouts, The Comet Is Coming is undoubtedly one of the most groundbreaking and essential jazz combos of recent times. It's for this reason that "Trust In The Lifeforce Of The Deep Mystery" - their first outing on legendary jazz label Impulse - feels like an event release. It is another stunning album, with the inspired trio flitting between sweaty, dancefloor-ready tracks soaked in psychedelic electronics and more melodious, laidback numbers that sail closer to traditional jazz pastures. Throughout, the level of imagination, creativity and uniqueness remains dizzyingly high.
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Review: Tony Allen is on record as saying that The Source, his first album on iconic jazz label Blue Note, is the best recording he's made. Given his length of service and vast discography, that's a bold claim. Certainly, it's a fine album, with the legendary drummer and his selected musicians - mostly jazz players from Paris, plus a Cameroonian guitarist and previous Allen collaborator Damon Albarn on one cut - effortlessly blur the boundaries between Afrobeat and the kind of jazz pioneered by Allen's percussion heroes Art Blakey and Max Roach. It's a brilliant hybrid that fits Allen's unique style of drumming like a glove, and there's no doubt that the former Fela Kuti sticks-man is the real star of the show.
… Read moreIntérprete: AfroBase (Radio Chart), Juno Recommends Jazz
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Review: Mac Demarco has a certain cachet as a happy-go-lucky slacker, with campfire atmosphere to spare and chorus pedals set to stun, somewhat in the manner of a millennial Cat Stevens. The songs on 'This Old Dog' go way beyond - focusing on his relationships with family and friends, they're in equal parts mature, affecting and memorable in their melodic sleight-of-hand. Certainly the lazy charm and laid-back goofiness are present and correct here, but 'This Old Dog' displays a genuine reflective depth and emotional resonance.
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Review: Cherrystones returns with the second of the "Aged" EPs for Emotional Response. Time propels and so does sound, thus orbiting nuances and motion leads us here, to present whatever maybe or interpreted as. Since the acclaimed Aged Of Bronze EP a symbiotic progress of craft arrives in the aptly titled Aged Of Silver. Again each track is like a coded syntax, unlocking the puzzle to aid a listeners journey and experience, building blocks to a utopian scape in form without form notes and pictures living and residing in the dimensions.
Never pandering to trends, his art based on immediacy and the moment, no disposable sub genres that fade as fast as they emerge, transposing and emitting heard and unheard a way to communicate with himself and those that identify.
A capsule of touched emotions bearing gifts for those in the present and wishing to be present, a key with keys analogue for Silver Tongues and Brass monkeys living in the shadow of a Scorpian's Tail.
… Read moreNever pandering to trends, his art based on immediacy and the moment, no disposable sub genres that fade as fast as they emerge, transposing and emitting heard and unheard a way to communicate with himself and those that identify.
A capsule of touched emotions bearing gifts for those in the present and wishing to be present, a key with keys analogue for Silver Tongues and Brass monkeys living in the shadow of a Scorpian's Tail.
in stock $6.95
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Review: Having last delivered an album way back in 2014, Royksopp's return earlier this year with Profound Mysteries was naturally greeted with glee by fans of the esoteric, melody-loving Norwegian duo. This partner album has been framed by the pair as their loving tribute to the music that made them - the formative aural passions that framed their sonic outlook during the 1990s. So, amongst nods to icy, Eno-esque ambient and the moody brilliance of Depeche Mode, there are tons of riffs on early '90s UK dance music, including a handful of tracks featuring elements clearly inspired by such gems as Meat Beat Manifesto's 'Radio Babylon' and Adamski and Seal's 'Killer'. It's all impeccably executed of course, and while it's a bit more boisterous in places than some of their output, it still sounds like a peak Royksopp record.
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Timeless: The Remixes (25th Anniversary Edition) (limited 2xCD)
Cat: LMS 5521642. Rel: 20 Jul 23
Drum And Bass/Jungle
Review: There is a mix of old-school dons and new-school talents from all over the world here, each adding their own unique spin to Goldie's timeless. It's a record that remains a drum & bass benchmark, but also one of the most seminal in all of electronic music. The man behind it celebrated its anniversary last year with various different projects and now follows that up by handpicking a selection of remixes to take his most treasured material. Searchlight, aka Irish drum and bass producers ZeroT and Beta2, are signed exclusively to Goldie's Fallen Tree 1Hundred label and bring some lush jazz and broken beats to 'State of Mind' and later 'Sensual' while Metalheadz tastemaker J Kenzo brings dark, minimalistic and tribal sound to his Tribute remix of 'Jah'.
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Review: Frankie Goes To Hollywood - was there ever a group who created such a phenomenon and fell apart so soon afterwards? The seismic shockwave created by 'Relax' resounds eternally through pop culture, from the provocative video to the throbbing proto house production. Alas, the success dissolved the band before they could build on their undeniable talent, but there's still a rich trove of classic songs and more than enough alternative mixes to fill out this definitive three-disc collection. Alongside the hits there are tunes which will be enlightening even to long time devotees of the group.
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The Overload
Dead Horse
Payday
Rich
The Incident
Witness
Land Of The Blind
Quarantine The Sticks
Tall Poppies
Pour Another
100% Endurance
Review: Those who still pay attention to the music press may have noticed a fair bit of chatter about post-punk outfit Yard Act's debut album, The Overload, which one esteemed organ described as being "wonderfully wacky". That arguably does the album a disservice - "wacky" has negative connotations to some - but it is certainly a fun, freewheeling affair, whose tongue-in-cheek lyrics are frequently rip-roaringly funny. Sitting somewhere between vintage post-punk, Idles, Sleaford Mods and the Arctic Monkeys (the Leeds' band's vocals are often heavily accented), it's a riotous mix of gnarled guitar riffs, bombastic bass, shout-along choruses, drum machine beats and surprise nods to disparate musical styles (EG West African rhythms on 'Payday', Juju guitars on 'Land of the Blind') .
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Review: Justin Vernon's voice has always been the people's main attraction to Bon Iver, and the fact his pseudonym even exists is certainly no coincidence. As fragile and heartbroken as it is forthright and experienced, when you're wearing a shredded heart on sleeve and confessing to all your deepest insecurities using a pen name can help immensely. Album number four perhaps proves this more than any of its predecessors. While the three previous chapters have all made his thoughts, feelings, insecurities and fears clear, this one takes honesty to new heights. Combining the frail electronics that have gradually slipped their way into his back catalogue with the acoustics of his earliest, rocket-to-fame efforts, it's a culmination of all that's been in the truest sense. Perhaps even more intimate than the breathtakingly personal "For Emma, Forever Ago", "i,i" is a striking work to say the least.
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Review: You'd be hard-pushed to think of a band as synonymous with the evolution of electronic music over the last 30+ yeas as Orbital. The famous Hartnoll brothers are as iconic for their famous head torches, stage designs and live shows as they are their timeless music. Their new studio album Optical Delusion arrives in early 2023 and of course, comes with an extensive UK tour to back it up. This is the pair's 10th studio album overall and has already been teased by some useful singles. Rave, techno, trance and breaks all colour the grooves of this new long player.
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Review: As one third of the Hessle Audio triumvirate, Kevin McAuley - better known as Pangaea - has been responsible for some of the label's best releases. The eight track Release represents his most potent statement to date; continuing the rolling pirate radio techno direction he started with last year's Hex and Inna Daze EPs. Beginning with the Missy Elliot sampling "Game", he sets out the stall for the rest of the EP, a combination of tough, steeled-up steppers rhythms and dub techno textures. Whether listening to the abstract melodies of the title track, the blistering pace of the searing "Majestic 12" or the broken garage of Middleman, its clear that Pangaea is still light years ahead of the competition.
… Read moreIntérprete: Juno Recommends CD Albums
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Cat: 5314893. Rel: 03 Apr 09
Rock (All)
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Review: Esteemed ambient auteurs, zake and ossa's collaborative output continues to soothe and delight in equal measure. After Syntheticopia in August 2022 and the dark long-player 'A Pale Shelter' in 2021 between zake, ossa, and City of Dawn comes Module, a collaboration that includes seasoned electronic producer Ruben A. Tamayo, under the alias FAX. The power trio brings forth an eight-track excursion into heavy ambient atmospheres with moody soundscapes and a real weight of melancholy. As always, the textures are grainy and lo-fi, the drones long-held, and the chords which poke through the clouds, bring subtle rays of hope and optimism. It is the latest and maybe the greatest chapter in this ongoing story from zake and ossa with featured collaborators.
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Review: Romare's latest album Fantasy finds the widely admired artist take something of a new approach to his work. The man born Archie Fairhurst gets nice and abstract with his samples as he also layers in his own vocals and instrumentation. He has said the album was inspired by log walks and watching films doing lockdowns, and it shows. Hints of 70s fantasy cinema also features and his trademark off-kilter electronic rhythms and kinetic grooves also play a big part in making this one another winner.
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