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Notes: The Yamaha Seqtrak, a pioneering instrument in the realm of music composition and performance, has swiftly become an almost indispensable resource for artists and producers worldwide.

Acknowledging its pivotal role and the strong demand for reliable protection, Decksaver are delighted to present this cover, specially tailored for the Yamaha Seqtrak. This cover is meticulously fashioned from superior materials, offering precision-engineered defence against dust, spills, and unexpected impacts, thus ensuring the longevity of your device and preserving its pristine condition.

This Decksaver cover is custom-made to match the unique shape of the Seqtrak perfectly, ensuring a tight fit that encompasses all critical parts, including buttons, sliders, screens, and ports. Its robust design provides substantial protection while still permitting unobstructed access to all the device's functions and connections.

This feature is vital for seamless integration into your workflow, whether you're in the studio, on stage, or storing the device. This cover serves as a dependable guardian, keeping your Seqtrak ready for any creative endeavour you embark on.

Opting for this Decksaver cover for your Yamaha Seqtrak is more than just choosing protection; it represents a commitment to preserving the instrument's longevity and operational integrity. Held in high regard by musicians and producers, this cover is an essential ally for anyone committed to protecting the integrity and efficiency of their Seqtrak. It enables users to pursue their artistic ambitions with increased confidence and peace of mind, assured that their equipment is thoroughly safeguarded.

Weight: 0.14 kg
Length: 35 cm
Width: 10 cm
Height: 2.9 cm

Material: Smoked clear polycarbonate.

Notes: Enhance the resilience and sophistication of your Teenage Engineering EP-133 K.O.II with our tailor-made Decksaver protective cover. Recognising that your K.O.II is more than merely a device, but an integral part of your musical voyage, it warrants the utmost in care and protection. The Decksaver cover is poised to provide precisely that, serving as a formidable protector against external hazards.

This bespoke-engineered cover is designed specifically to match the contours of your EP-133, preserving its stylish, slender profile whilst offering unparalleled protection. Crafted from high-grade polycarbonate, it establishes a strong defence against dust, liquid spills, and unexpected impacts. With this cover, you're free to delve into your musical explorations, devoid of concerns over the common perils that might harm your valued instrument.

The Decksaver cover delivers total protection for every control and feature of your EP-133. Whether you're producing beats in the studio, performing live, or concocting sounds on the go, this cover is your indispensable shield against abrasions, bumps, and contamination. Embrace the liberty of creativity, reassured by the knowledge that your instrument is securely guarded by the Decksaver armour.

Beyond its protective qualities, the Decksaver cover also shines in terms of convenience. Its transparent design allows you to showcase your K.O.II's unique aesthetic while keeping it protected. The cover supports efficient cable management, enabling you to apply or remove it with ease as needed. This obviates the need for frequent setups and disassemblies, offering immediate access to your instrument whenever inspiration strikes.

Transporting your EP-133 becomes effortless with the lightweight and compact Decksaver cover. Its slender profile means it easily slips into your backpack, gig bag, or carrying case, ensuring your instrument remains shielded from knocks, scratches, spills, and impacts during transit. With the Decksaver cover, you can confidently bring your EP-133 K.O.II to any location, secure in the knowledge that it is well-protected wherever you venture.

The Decksaver lid for the EP-133 K.O.II is more than a mere protective accessory; it signifies your dedication to your music. It offers the reassurance that your instrument is consistently safeguarded, allowing you to concentrate on broadening your musical boundaries. Let the Decksaver cover be a companion on your musical journeys, ensuring your K.O.II is always primed for the next auditory adventure.

Dimensions

Weight: 0.16 kg
Length: 18.1 cm
Width: 24.5 cm
Height: 3.3 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: The Allen & Heath CQ-18T has become a highly coveted device to protect, owing to its versatile features in managing mixing, recording, live performance, and digital audio workstation (DAW) integration. Its multifunctional nature distinguishes it as a preferred option for audio professionals.

Decksaver's range of professional mixer covers is designed to provide audio engineers with the confidence and peace of mind necessary in any environment.

Specifically conceived and crafted in the UK for the Allen & Heath CQ-18T, this Decksaver cover is manufactured from polycarbonate-a robust and transparent material precisely tailored to the exact specifications, achieving the perfect level of smoked clarity.

Each design is subject to rigorous testing to confirm it meets Decksaver's stringent standards, assuring you of its quality and dependability. The cover efficiently protects faders, buttons, knobs, and indicators from dust, spills, and unintended impacts, whilst preserving the integrity of your cables and settings.

Endorsed by industry experts and utilised by professionals, the Decksaver cover for the CQ-18T is the preferred selection for safeguarding your equipment, ensuring no compromise on functionality or aesthetics.

Dimensions

Weight: 0.194 kg
Length: 32.9 cm
Width: 23.8 cm
Height: 4.9 cm

Material: Smoked clear polycarbonate

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: Introducing the Decksaver cover, meticulously crafted for the Allen & Heath CQ-12T mixer. This cover, engineered with exacting precision and made from superior-grade material, offers a bespoke-fit solution that is unrivalled. It provides your CQ-12T with unparalleled defence against common hazards like dust, liquid spills, and accidental knocks or impacts.

Understanding the significance of your mixer as a vital component of your audio setup, this Decksaver cover has been designed to ensure your CQ-12T remains in pristine condition, regardless of the setting. Whether in the studio, at a live performance, or during transportation, the cover acts as a reliable shield, preserving the functionality and aesthetics of your mixer.

Its sleek, transparent design not only delivers robust protection but also showcases the sophisticated build of your CQ-12T, integrating flawlessly with its professional appearance. The precise fit ensures that every knob, fader, screen, and input is covered, yet remains easily accessible for quick setups and teardowns. This design principle means that you don't have to choose between safety and style.

Furthermore, the Decksaver cover for the CQ-12T is lightweight and durable, making it an ideal accessory for DJs on the move. It adds an additional layer of security against the challenges of travel and frequent use, protecting your investment from the wear and tear of the road.

With this Decksaver cover, you acquire not just a protective measure, but a declaration of professionalism. It reflects your dedication to quality and the importance you place on keeping your equipment in its best condition. Embrace the peace of mind and confidence that comes with knowing your Allen & Heath CQ-12T is well-protected, allowing you to concentrate on what you do best; creating and performing music.

Weight: 0.151 kg
Length: 27.4 cm
Width: 23.7 cm
Height: 4 cm

Material: Smoked clear polycarbonate.

Warning: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Notes: Stellar edition of the fantastic MicroFreak adds new features as well as a limited-edition paint job. Digital voices feed into the analogue filter to create a versatile hybrid sound engine.

Supplier's Notes:
MicroFreak Stellar is a hybrid synthesizer that combines digital oscillators, analogue filters, quirky modulation, a uniquely flat PCB keybed, and expressive sequencing with a subtly out-of-this-world aesthetic design.

Interplanetary synth explorer

Discover the same loveable hybrid beast that sent the synth world into a spin, but primed for launch and ready for an interplanetary sonic voyage. MicroFreak Stellar features the same inspiring, bonkers sound but embellished with a unique space-age design.

Digital, wavetable, sampling, granular...

Treat yourself to only the weirdest & most wonderful paraphonic synth sounds with MicroFreak's multimode sound engine. Choose from numerous algorithms, including Wavetable, Chord, 4 new Sample & Granular engines and many more, and immediately customize your patches with 4 intuitive con-trols and real-time visual feedback.

Multi-mode analogue filter

Unlock truly unique hybrid tones by combining MicroFreak's digital sound engines with a crunchy resonant analogue filter, inspired by the classic Oberheim SEM. With low-pass, band-pass, and high-pass modes, you can make this 'Freak whisper, scream, or launch into self-oscillating orbit.

Modulation matrix

Quickly rewire MicroFreak's architecture and delve deep into complex sound design with its modulation matrix, offering up to 7 simultaneous destinations and 5 sources, including an ADSR envelope, cycling envelope, and 6-shape LFO.

Sequencing & randomization

Blur the lines between sequencing & arpeggiation and create spontaneous melodies, motifs, and rhythmic patterns on the fly. MicroFreak encourages musical exploration, expression, and evolution with its unique Spice & Dice randomization feature, ribbon controller, and 4 lanes of automation.

A unique keybed

Change the way you play and unlock fresh musical expression with MicroFreak's distinct PCB keyboard. It's flat, it's fast, and it's fit for everything from lightning-fast solos to instant arp creation; not only is it pressure sensitive, but it offers poly-aftertouch too!

What's in the box

Box content

MicroFreak Unit
Universal PSU
Registration card
2x MIDI port adapters

Instrument dimensions

Size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Weight : 2.3 lbs. (1.02 Kg)

Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)

Notes: The new CTRL Case SP-404 MK2 is custom designed to fit the Roland SP-404 MK2 sampler and other models such as SP-404, SP-404SX or SP-404A. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with a mesh compartment to store audio cables and a power adapter.

Fits:

Roland SP-404MKII
Roland SP-404SX
Roland SP-404A
Soundswitch Control One

Specs:

Outer measures: 33 x 19 x 8 cm
Inner measures: 32 x 17 x 7 cm
Weight: 0,45 kg

Notes: - High-grade patch cable designed for modular units
- 3.5mm mono jack plugs
- Length: 120cm
- Blue finish

Notes: - High-grade patch cable designed for modular units
- 3.5mm mono jack plugs
- Length: 200cm
- Green finish

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.

Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.

OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.

OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.

OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: The new Headphone-Case II can hold any common foldable and non-foldable DJ or studio headphones and now features a mesh pocket for USB flash drives.

Fits:

Sennheiser HD-25, Sennheiser HD-8, Sennheiser HD-7, V-Moda Crossfade, Pioneer HDJ-700R, Pioneer HDJ-1500K, Pioneer HD-2000, Ortofon O2, AIAIAI TMA-2, AIAIAI Studio, Technics HP-1200 /1210, Technics RP DH 1200, Shure SRH 40 /20, Beats by Dr. Dre Mixr, Beats by Dr. Dre Studio, Nocs NS900, Reloop RHP 30, Reloop RHP 20, Reloop RP-15, Ultrasone DJ-1 Pro, etc.

Basics:

Lightweight Durashock molded EVA foam and polyester exterior shell
Zip-compartment for USB flash drives
Including carrying handle and adjustable + detachable shoulder strap

Specifications:

Outer dimensions: 18 x 20 x 9 cm
Inner dimensions: 17 x 19 x 8 cm
Weight: 0,3 kg
Colour: black/black

Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-155:

Designed for medium size speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

6.1"x7.5"/15.5x19cm Short: 2.9"/9.5cm Tall: 8.75"/22.5cm 40 lbs/18kg

Notes: UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

Notes: 80cm x 10 Party Colours (2 Blue, 2 Pink, 2 Green, 2 Purple, 2 Fuscia).

Notes: Standard Eurorack power cable.

Use the 10-16 variant for most modules. 16-16 is for modules that use the internal +5V rail.

Length: 25CM (9.8")

Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: - High-grade patch cable designed for modular units
- 3.5mm mono jack plugs
- Length: 50cm
- Angled connector on one end
- Orange finish

Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good FX unit down over the years - this is where Decksaver steps in. Precision trimmed for perfect fit whilst accommodating cables, your Bim/Bam/Boum can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage.

Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: Adaptor with 2 x phono sockets to 2 x phono sockets

Depth (mm): 10
Height (mm): 30
Width (mm): 25
Product Dimensions (mm): 30x25x10
Net weight (kg): 0.010
Colour: Black

Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: The ISO-PUCK mini is the new little brother of the popular ISO-PUCK, offering the same benefits but designed for lighter speakers and monitors. The IsoAcoustics ISO-PUCK mini provide an innovative new approach in isolating studio monitors, speakers and other systems. This unique design provides a high degree of isolation while resisting lateral movement and oscillations, which results in greater sound clarity and focus. This versatile isolation tool is possibly the most cost effective upgrade available for improving the performance and clarity of your speakers or monitors.

Notes: After Later's redesigned take on the classic Mutable Instruments Rings module offers all the distinctive resonant synth sounds you'd expect, from strings to percussion. Great value.

Supplier notes:
This is an exact hardware replica of the Mutable Instruments Rings module.

Notes: This cable is designed to connect gear with XLR outputs to gear with XLR inputs. It is ideal for use in touring and other live-sound applications.

Hosa cables are built with the hard-working, hard-touring musician or audio professional in mind. Hosa cables are exceedingly popular, due in part to their reputation as being one of the most affordable and high-quality cable lines in the business. Hosa cables have also received praise for their durability and excellent performance. When it comes to audio cable design, Hosa keeps a steady eye on the basics, and you can hear this attention to detail in their sound. To make your next music experience extraordinary, pick up a Hosa cable today.

Notes: Balanced microphone/audio lead terminated at one end with an XLR socket and at the other end with an XLR plug.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture to avoid knotting. Terminated at each end with a pair of 6.3mm mono jack plugs.

Notes: Soundlab 2 x 6.35 mm Mono Jack Plug to 3.5 mm Stereo Jack Plug Lead

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x 6.3mm mono jack plugs.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: A modern classic. Superb little semi-modular monosynth in its own right, but comes alive when paired with other modular gear. A great option for beginners and experienced synth users alike.

Supplier's notes:
The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.

Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.

Notes: At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.

Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.

Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables

Notes: - 6.3 mm jack male mono to 3.5 mm jack male mono
- Length: 1.5 metres

Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).

Notes: The MCFx2 is ALM's state variable 'MCF' filter made double. It features 2 identical classic analog 3 pole state variable filter cores each with Low, High and Band Pass (or Notch) outputs. Direct and voltage control is provided for both filter cut offs and resonance. Switches allow the filters to function as one, with the 'Feed' switch internally routing audio from one filter to the other in series and the 'Link' switch linking the cut off controls for both filter cores. MCFx2 expands on the great sounding MCF filter to offer both serial and parallel functionality for stereo operation, dual peak, tighter slopes and other complex filtering set ups.

FREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.

RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.

OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.

LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.

FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.

FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.

RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.

AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).

Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.

It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.

Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.

The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Effect Program List

Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.

Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.

Crumbular Echo
More experimental granular style echo.

Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.

Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.

Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.

Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.

TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.

Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.

TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.

2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.

Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.

Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.

Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.

Utilities
Simple oscilloscope and VCO tuner.

Technical Specifications

Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg