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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Apr 24 $5.97
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $6.75
(No payment required now - pay when released)
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Cat: PMD 04. Rel: 26 Nov 20
Disco/Nu-Disco
Review: The amount of ultra-rare, hard to find, essential Northern Soul classics seems to be infinite. Here comes another reissue that aims to right that wrong with an officially licensed pair of tunes from the Phase One Network that has artwork based on the original promo version. 'Don't You Worry Baby The Best Is Yet To Come' is brimming with soul and immediately swells your heart with its elegant strings, graceful piano chords and swirling sense of groove all lifting you off your feet. 'Try To Leave Me If You Can' is a heartbroken slow song to conjure up memories of all the loves you've lost, or maybe never had.
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VARIOUS
The Best Northern Soul Album In The World Ever! (unmixed 3xCD)
Cat: 539938 5. Rel: 28 Mar 24
Soul
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Review: Southern California's soul scene is dominated by Thee Sinseers. This leading outfit form a perfect link between the past, present and future of soul with their oh so sweet sounds and that's evident again on this new single. The band is lead by Joey QuiNones who is surely destined to go on to be an all time great and he produces, writes, and plays just about everything you can hear on all of this band's material. The a-side single 'What's His Name' is an unforgettable and instant classic with aching vocal harmonies and gently falling drums that tumble their way into your affections.
… Read moreIntérprete: Juno Recommends Soul
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Cat: MEL 15. Rel: 15 Feb 19
Soul
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Review: During the various lockdowns of 2020 and '21, Crazy P delved deep into their vaults to see what unfinished songs were lurking in the dustier corners of the archive. These were then used as inspiration for new, finished and polished versions. This seven-inch contains two fine examples of this repurposing process. A-side 'If Life Could Be This Way' is suitably strong - a heart-aching, bittersweet chunk of laidback melancholia that sits somewhere between blue-eyed soul, Balearica and hazy West Coast jazz-rock. It's sure to be a fan favourite in years to come. 'How Could I Know' meanwhile is similarly horizontal, with tear-jerking (electronic) string sounds and a fine lead vocal from Danielle Moore clustering around a clicking, lo-fi drum machine beat
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Review: Romare's latest album Fantasy finds the widely admired artist take something of a new approach to his work. The man born Archie Fairhurst gets nice and abstract with his samples as he also layers in his own vocals and instrumentation. He has said the album was inspired by log walks and watching films doing lockdowns, and it shows. Hints of 70s fantasy cinema also features and his trademark off-kilter electronic rhythms and kinetic grooves also play a big part in making this one another winner.
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Review: Athens of the North boss Euan Fryer recently described Premonition as "the best obscure New York boogie act you've never heard of". He'll be releasing an entire album of their rare and unreleased material later in the year, but first he's treating us to a reissue of their best-known moment - impossible-to-find 1986 soulful boogie slammer "Don't Act Like A Fool". The track ticks all the right boxes -rubbery slap bass, mid-80s FM synth sounds, passionate male lead vocal, needless but delicious sax and electric guitar solos etc - and is little less than an overlooked dancefloor heater. On the flip you'll also find original B-side "In Love", which Fryer brilliantly (and accurately) describes as a "mid-tempo floater".
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Review: Incredible late night smoochy stuff right here from one of the most decorated bassists of all time. A major figure in the bands of Miles Davis and Stevie Wonder, Henderson was also a killer solo artist amassing eight artist albums between 76-86. This AOTN "45 showcases his true breadth as "Let Love Enter" lilts on a soft bossa with rising horns, velvet backing vocals and an unabashed come-to-bed message. "Come To Me" gets even deeper under the sheets with as he goes toe-to-toe, cheek-to-cheek with Rena Scott with smoking results.
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Cat: TR 718. Rel: 08 Feb 18
Soul
Review: Since making his debut back in the early 1990s, Carlton Jumel Smith has periodically popped up on a variety of soulful house and modern soul releases. Here the little-known vocalist takes a different approach, re-casting himself as a throaty, James Brown influenced '70s soul singer. He's at his heartfelt, full-throttle best on "Can't Love You Any More", a deliciously heavy and authentic chunk of Southern-fried deep soul complete with additional falsetto parts from fellow singer Pratt. The key to the track's success is the fantastic backing provided by Cold Diamond & Mink. Proof is provided on the flip via the band's effortlessly good instrumental take.
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Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
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Void
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Can't Tell (feat Kerri)
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Cat: BWOOD 305CD. Rel: 20 Jul 23
Broken Beat/Nu Jazz
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Review: Eddie Carmichael started Mirror having left his previous band The Voshays when he caught their manager stealing. He formed it with Derry Shepherd, Sandy Ficca, Duncan Bethel, bass player Dave Segal, Bob Groszer on keys and Flynn Emanuel to play trombone. They were regular performers on Miami Beach and recorded only a few tunes, but what tunes they were. It is said that had the band had a better manager they could have gone on to be one of the best of their era. Either way, at least we have these two dazzling disco and soul gems.
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Review: Colemine step up with another sure shot of impeccable modern soul, this time coming from Australian outfit Dojo Cuts. 'Here We Are' is a slow jam with sadness in its heart, but it hits hard. That's in no small part down to the impassioned vocal turn from Carlton Jumel Smith, who gets his message across with conviction on this classically styled ballad. One for rainy days and poignant moments, with the instrumental on the flip when you want the music to carry you away.
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Review: Parkside Records out of Las Vegas Nevada welcomes Seattle, Washington group True Loves, who have a nice and raw funk sound. Sunday Afternoon was their sophomore album and it came in 2021 following 2017's debut. This tidy 7" package features new Live On KEXP remix of the title track and it has sensuous saxes played in expressive fashion next to rousing horns and over the nice and lazy but dynamic funk drum work. 'On The Spot' closes down with a more lively percussive sounds vibrant stabs and plenty of big energy.
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Review: Willie Junei Lee was a guitarist active mainly throughout the 1970s. He toured with Curtis Mayfield and Albert King, so we're sure you'll agree that this constitutes enough social proof for his inclusion in Blue Note's latest reissue campaign. 'Let's Ride' is Lee's first ever single: channeling the spiritual rock influences of the likes of Santana and Jimi Hendrix, this is a guitar masterpiece for the ages.
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Cat: S005 /TR715V3. Rel: 07 Jul 22
Soul
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Cat: WJ 0714. Rel: 23 Sep 21
Broken Beat/Nu Jazz
Review: Finland's exceptional We Jazz label continues with 'Tremendoce' series from Otis Sandsjo's Y-OTIS with four fresh new pieces pressed up to this vital 7". All of the tunes here are super fresh and forward-thinking with Kathrin Pechlof on harp adding another dimension to the sound. The joys flute on 'Tremendoce Part 2' is light and airy, the drums busy and meandering. 'Part 3' is a chunkier, slower tune with a big sax lead that makes you move your body and then 'Skerry Part 1' brings the mellifluous piano vibes. 'Skerry Part 2' layers up big kick drums with lurching grooves and busy oboe work to make for some superb avant-garde action.
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Cat: DAP 1100. Rel: 08 Jul 19
Funk
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
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Review: It was back in 1986 when obscure UK electrofunk band Leval released their sole 7" - a sparkling slab of pop-boogie brilliance that has long been a secret weapon for dusty-fingered diggers and Brit-funk collectors. As this Athens of the North reissue proves, the record remains a brilliant Brit-boogie gem. Check first 'Our Love', a confirmed earworm that sees the band wrap duetting male/female vocals around a deliciously bustling blend of rubbery slap-bass, eyes-closed soft rock guitars, warm synthesizer chords and a dewy-eyed, jazz-funk style breakdown. Flipside 'It's Up To You' is a little more eccentric thanks to an unusual time signature and drum track, but boasts the same addictive blend of male and female lead vocals, slap bass and synths.
… Read moreIntérprete: I Love Disco!, I Love 45's!
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Review: It's hard to keep up with the number of releases that Athens Of The North are putting out this month, but you really must try. This one is a gooey and loved up disco 12" from the dream team pairing of Tom Findlay from Groove Armada and James Alexander Bright. They hook up via mutual appreciation over Twitter and worked up a load of new material in the studio as Bright & Findlay. Their first offering 'Slow Dance' is perfection - lush 80s synths, slow-motion boogie beats and drum machines marbled with little guitar riffs and soulful vocals that ate you to a better place. Two further heart melters come on the flip side and we are already in love with this project.
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Review: The Sextones are a four-piece soul band from Reno, Nevada, who blend elements of rock, pop, and funk with a deep and mournful soul primacy. Fitting squarely into that oeuvre is their latest 'Beck & Call', which recalls their dearest inspirations - the likes of The Moments, Baby Huey and Curtis Mayfield - for two equally powerful falsetto'ing slow jams. The title track is the more emotive standout, channelling a hefty drum forward plod, lilting strings, soul-foundational bass, and lyrics dealing with letting go of a lost cause. 'Daydreaming', meanwhile, is more of a haze, and notably utilises electronic drums and a prominent sitar.
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Cat: 773775 5. Rel: 15 Mar 19
Broken Beat/Nu Jazz
Review: With their penchant for off-kilter psychedelic explorations, deep-rooted spiritual jazz excursions and cacophonous, otherworldly workouts, The Comet Is Coming is undoubtedly one of the most groundbreaking and essential jazz combos of recent times. It's for this reason that "Trust In The Lifeforce Of The Deep Mystery" - their first outing on legendary jazz label Impulse - feels like an event release. It is another stunning album, with the inspired trio flitting between sweaty, dancefloor-ready tracks soaked in psychedelic electronics and more melodious, laidback numbers that sail closer to traditional jazz pastures. Throughout, the level of imagination, creativity and uniqueness remains dizzyingly high.
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Cat: TOWN 137. Rel: 29 Mar 10
Soul
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Review: Excavated from vaults of the Weiss Brothers' longstanding NYC imprint Old Time Records, Beverly McKay's gutsy tales have massaged soul floors for those lucky to have a 200 pound 45. "Say It With Feeling" hits with big backing vocal harmonies before breaking into a classic midtempo bluesy arrangement while "Conscience" strikes with a little more eastern allure, staccato strings and a cat-prowling narrative. Timeless soul.
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Review: People of Earth shakes things up for #016 with a limited 12" from Charolastra entitled Karuna. Only 200 copies pressed of this continuous play, crossover jazz release. Brought to the realization with some of ATLANTA's most talented instrumentalists. It is an amalgamation of genres but the underlying emotions are immediately recognizable. Grief, loss, regret and the transcendental power of the spirit to overcome these hardships. Blending elements of jazz, IDM, broken beat, drone, and dub, while it may be difficult to put your finger on Karuna it doesn't make it any less enjoyable.
… Read moreIntérprete: ReeKee (Wrong Notes)
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Review: It seems fitting that the Temptations are marking an astonishing 60 years in the business with a new album whose most impactful track, 'When We Were Kings', is a gorgeously nostalgic, loved-up telling of their own history. It's fitting, too, that the set is largely classic in sound (the hip-hop soul style opener excepted), mixing elements of 1960s, '70s. '80s and '90s soul, and that the now octogenarian group are still capable of belting out vocals as sweetly and soulfully as they did back in the day. There are plenty of other nods to their lengthy history dotted across the album, too, including a song recorded with Motown contemporary Smokey Robinson and an updated version of 'Come On', a song some of their members first recorded way back in 1959.
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Cat: JAZZR 010. Rel: 22 Jul 21
Broken Beat/Nu Jazz
Review: Paul Murphy's Jazz Room Records serve up two underground dance floor hits from the London circuit here. Latin supergroup Wild And Infectious's 'Caliente' takes care of the a-side and has banging piano riffs and heavy bass laid down by Descarga originator Cachao, all run through with some superb driving vibes from Tany Gil with a big percussion meltdown from Walfredo De Los Reyes added for good measure. ON the reverse, The Vienna Art Orchestra serve up a great new version of a Bud Powell classic.
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Review: Gilles Peterson and Bluey's Str4ta project has always been something of a nostalgic offering, with the pair exploring their mutual love of Brit-funk, jazz-funk and dancefloor grooves of the early 1980s. Naturally, they've loosely stuck to the same winning blueprint on sophomore set 'Str4tasfear', with the addition of an impressive cast-list of collaborators, a touch more production polish and a subtly wider set of inspirations only enhancing the listening experience. The results are uniformly impressive, with our picks of a very strong bunch including the slap-bass sporting, floor-friendly brilliance of 'Turn Me Around', the Maze-esque 'Night Flight' (all squelchy electronic bass, glistening jazz guitars and colourful synthesizer solos), the sweat-soaked jazz-funk disco heaviness of 'Lazy Days' (featuring Emma-Jean Thackray) and the super-sweet 'When You Call Me'.
… Read moreIntérprete: Pete Haigh
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